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Tule katsomaan millaisia esityksiä syntyy kirjastossa kun päätösvalta teoksen vaatetuksesta, musiikista, teemasta ja tilan käytöstä annetaan tällä kertaa esityksen katsojille. Työpajamaisessa teoksessa pääset itse kokeilemaan koreografin työhön liittyviä valintoja ja ihailemaa omaa tai toisen katsojan luomaa tanssiteosta. Aiempaa kokemusta ei tarvita, uteliaisuus ja kokeilunhalu riittävät!

Voit tulla tekemään teoksen vaikka moneen kertaan, sillä Tsuumi on teoksen kanssa kiertueella Espoon kaupungin kirjastossa.

 

LIPPULAIVAN KIRJASTO

Keskiviikko 12.11. klo 10 ja klo 17 

Torstai 13.11. iltanäytös klo 17.00 

 

ENTRESSEN KIRJASTO

pe 28.11. Klo 17 

la 29.11. klo 13 ja 15.30 

 

SELLON KIRJASTO

pe 12.12. klo 9.30 ja 17

la 13.12. Klo 15

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Kom och se vilka föreställningar som uppstår i biblioteket när beslut om verkets kostym, musik, tema och rumsanvändning denna gång ges till publiken. I det verkstadsliknande verket får du själv prova på koreografens val och beundra ett dansverk skapat av dig själv eller en annan åskådare. Ingen tidigare erfarenhet behövs – nyfikenhet och lust att prova räcker!

Du kan komma och skapa ett verk flera gånger, eftersom Tsuumi turnerar med föreställningen i Esbo stads bibliotek.

 

LIPPULAIVA BIBLIOTEK

Keskiviikko 12.11. klo 10 ja klo 17 

Torstai 13.11. iltanäytös klo 17.00 

 

ENTRESSEN BIBLIOTEK

pe 28.11. Klo 17 

la 29.11. klo 13 ja 15.30 

 

SELLO BIBLIOTEK

pe 12.12. klo 9.30 ja 17

la 13.12. Klo 15

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Come and see what kinds of performances emerge in the library when the decisions about costume, music, theme, and use of space are handed over to the audience. In this workshop-like piece, you’ll get to try out the choices a choreographer makes and admire a dance work created by yourself or another viewer. No prior experience is needed – curiosity and a willingness to experiment are enough!


You can come and create a piece more than once, as Tsuumi is touring with the performance in the libraries of the City of Espoo.

 

LIPPULAIVA LIBRARY

Keskiviikko 12.11. klo 10 ja klo 17 

Torstai 13.11. iltanäytös klo 17.00 

 

ENTRESSE LIBRARY

pe 28.11. Klo 17 

la 29.11. klo 13 ja 15.30 

 

SELLO LIBRARY

pe 12.12. klo 9.30 ja 17

la 13.12. Klo 15

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edessä. ","sv":"Dansteater Tsuumis föreställning gör publiken till koreograf när danskonstnären Patrik Riipinen väcker åskådarnas visioner till liv inför deras ögon.","en":"Dance Theatre Tsuumi’s performance turns the audience into choreographers as dance artist Patrik Riipinen brings their visions to life before their eyes."},"info_url":null,"description":{"fi":"

Tule katsomaan millaisia esityksiä syntyy kirjastossa kun päätösvalta teoksen vaatetuksesta, musiikista, teemasta ja tilan käytöstä annetaan tällä kertaa esityksen katsojille. Työpajamaisessa teoksessa pääset itse kokeilemaan koreografin työhön liittyviä valintoja ja ihailemaa omaa tai toisen katsojan luomaa tanssiteosta. Aiempaa kokemusta ei tarvita, uteliaisuus ja kokeilunhalu riittävät!

Voit tulla tekemään teoksen vaikka moneen kertaan, sillä Tsuumi on teoksen kanssa kiertueella Espoon kaupungin kirjastossa.

 

LIPPULAIVAN KIRJASTO

Keskiviikko 12.11. klo 10 ja klo 17 

Torstai 13.11. iltanäytös klo 17.00 

 

ENTRESSEN KIRJASTO

pe 28.11. Klo 17 

la 29.11. klo 13 ja 15.30 

 

SELLON KIRJASTO

pe 12.12. klo 9.30 ja 17

la 13.12. Klo 15

","sv":"

Kom och se vilka föreställningar som uppstår i biblioteket när beslut om verkets kostym, musik, tema och rumsanvändning denna gång ges till publiken. I det verkstadsliknande verket får du själv prova på koreografens val och beundra ett dansverk skapat av dig själv eller en annan åskådare. Ingen tidigare erfarenhet behövs – nyfikenhet och lust att prova räcker!

Du kan komma och skapa ett verk flera gånger, eftersom Tsuumi turnerar med föreställningen i Esbo stads bibliotek.

 

LIPPULAIVA BIBLIOTEK

Keskiviikko 12.11. klo 10 ja klo 17 

Torstai 13.11. iltanäytös klo 17.00 

 

ENTRESSEN BIBLIOTEK

pe 28.11. Klo 17 

la 29.11. klo 13 ja 15.30 

 

SELLO BIBLIOTEK

pe 12.12. klo 9.30 ja 17

la 13.12. Klo 15

","en":"

Come and see what kinds of performances emerge in the library when the decisions about costume, music, theme, and use of space are handed over to the audience. In this workshop-like piece, you’ll get to try out the choices a choreographer makes and admire a dance work created by yourself or another viewer. No prior experience is needed – curiosity and a willingness to experiment are enough!


You can come and create a piece more than once, as Tsuumi is touring with the performance in the libraries of the City of Espoo.

 

LIPPULAIVA LIBRARY

Keskiviikko 12.11. klo 10 ja klo 17 

Torstai 13.11. iltanäytös klo 17.00 

 

ENTRESSE LIBRARY

pe 28.11. Klo 17 

la 29.11. klo 13 ja 15.30 

 

SELLO LIBRARY

pe 12.12. klo 9.30 ja 17

la 13.12. Klo 15

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suosiotaan kasvattava lauluntekijä Samuli Putro lähtee yhtyeensä kanssa pitkälle kiertueelle lokakuussa 2025.","sv":"Den ständigt populäre låtskrivaren Samuli Putro ger sig ut på en lång turné med sitt band i oktober 2025.","en":"Ever-popular songwriter Samuli Putro will embark on a long tour with his band in October 2025."},"info_url":{"fi":"http://www.savoyteatteri.fi/fi/tapahtumat/event/806C9767F64DE19535A5C9E51CE1DAA9/Samuli_Putro_-_Vaikkei_olla_perilla_on_ajatukset_siella","sv":"http://www.savoyteatteri.fi/sv/evenemang/event/806C9767F64DE19535A5C9E51CE1DAA9/Samuli_Putro_-_Vaikkei_olla_perilla_on_ajatukset_siella","en":"http://www.savoyteatteri.fi/en/events/event/806C9767F64DE19535A5C9E51CE1DAA9/Samuli_Putro_-_Vaikkei_olla_perilla_on_ajatukset_siella"},"description":{"fi":"

Alati suosiotaan kasvattava lauluntekijä Samuli Putro lähtee yhtyeensä kanssa pitkälle kiertueelle lokakuussa 2025.

Kaksikymmentäviisi keikkaa käsittävä rundi vie Putron konserttisaleihin, teattereihin ja klubeile.

”En minä nyt oikein tiedä miten tässä näin kävi. Mutta koska tekemisen paloa ja kysyntää tuntuu riittävän, niin sama kai se on pistellä menemään”, toteaa viisikymmentäviisi vuotta elokuussa täyttävä Putro.

Kukoistuskausi näkyy myös julkaisurintamalla. Putron yhdeksäs sooloalbumi julkaistaan lokakuussa. Sen ensimmäinen single ”Kuvat meistä kaikista” on soinut radioissa jo taajaan. Myös kiertueen nimi on siitä napattu.

”Kai minä sitten olen aina ollut moderni maankiertäjä. Kaikki muu on tullut siihen rinnalle kuin takaapäin kiitävä auto ohituskaistalla”, muotoilee alkuvuodesta myös esikoiskirjansa julkaissut Putro.

Samuli Putron levynjulkaisukiertueella nähdään \"Suomen coolein trio\", eli:

Samuli Putro - laulu, kitara
Tuukka Tuunanen - koskettimet
Miikka Heikkinen – rummut

Kesto n. 2 h, sisältää väliajan

Permanto K18 anniskelualue. Parveke ikärajaton, ei anniskelua.

","sv":"

Den ständigt populäre låtskrivaren Samuli Putro ger sig ut på en lång turné med sitt band i oktober 2025.

Turnén med tjugofem spelningar tar Putro till konsertsalar, teatrar och klubbar.

”Jag vet inte riktigt hur det här gick till. Men eftersom det verkar finnas tillräckligt med entusiasm för att arbeta och också efterfrågan, så är det väl lika bra att köra på”, säger Putro, som fyllde 55 år i augusti.

Glansperioden syns också på utgivningsfronten. Putros nionde soloalbum släpps i oktober. Albumets första singel Kuvat meistä kaikista har redan spelats flitigt på radio. Även det finska namnet på turnén, Vaikkei olla perillä on ajatukset siellä (Även om vi inte är framme är tankarna där), är hämtat från den.

”Jag antar att jag alltid har varit en modern vagabond. Allt annat har kommit vid sidan om, som en bil som kommer i hög fart bakifrån i en omkörningsfil”, säger Putro, som också gav ut sin debutbok i början av året.

På Samuli Putros skivsläppsturné medverkar \"Finlands coolaste trio\", det vill säga:

Samuli Putro – sång, gitarr
Tuukka Tuunanen – klaviatur
Miikka Heikkinen – trummor

Längd ca 2 h, inklusive paus.

Parkett K-18-område med serveringstillstånd. Balkongen utan åldersgräns, ingen servering.

","en":"

Ever-popular songwriter Samuli Putro will embark on a long tour with his band in October 2025.

The twenty-five-show tour will take Putro to concert halls, theatres and clubs.

\"I don't really even know how this happened. But seems like there’s still fire to continue this work and there’s demand for it, so why stop?” says Putro, who turned fifty-five in August.

This era of creativity is also reflected in his released works. Putro's ninth solo album will be released in October. Its first single \"Kuvat meistä kaikista\" has already been extensively played in the radio, and it has also given the tour its name, loosely translated as ‘We’re not there yet, but our thoughts have arrived’.

\"I guess I've always been kind of a modern traveller. Everything else has just appeared by my side, like a fast car passing by on the fast lane,” muses Putro, who also published his debut book earlier this year.

Samuli Putro's album release tour will feature the ‘coolest trio in Finland’:

Samuli Putro – vocals, guitar
Tuukka Tuunanen – keyboards
Miikka Heikkinen – drums

Duration approx. 2 h, including intermission

The stalls form a designated alcohol serving area for adults age 18 and older. The balcony is for people of all ages, no alcohol serving.

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Oletko seniori tai huolissasi seniori-ikäisestä läheisestäsi? Onko sinulla kokemusta itselläsi tai tiedätkö läheisesi kokeneen lähisuhdeväkivaltaa?

Oletko itse huomannut käyttäytyväsi väkivaltaisesti lähisuhteessasi?

Paikalla keskustelemassa aiheesta Kirsi Lamminaho, Lähisuhdeväkivaltatyön asiantuntija.

Hankkeessa tarjoamme kaikille lähisuhdeväkivallan osapuolille terapeuttista keskusteluapua.

Paikkana Malmitalon Kokoushuone 2.

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Liikkeellä marraskuussa on pääkaupunkiseudulla vuosittain järjestettävä nykytanssifestivaali.

Festivaali kutsuu kokoontumaan yhteen ja kokemaan taiteellisia teoksia sekä paikalliselta taidekentältä, että ulkomailta. Festivaali esittelee taiteilijoiden kriittistä ajattelua, visioita, kokemuksia, unelmia, avaten pieniä ikkunoita maailmaan, jossa elämme.

Stoa on yksi Liikkeellä marraskuussa -festivaalin esityspaikoista. Vuoden 2025 festivaali järjestetään 6.–16. marraskuuta.

Stoan Liikkeellä marraskuussa -ohjelma

6.11. klo 19
7.11. klo 18
Michael Turinsky: Work Body
Work Body on saanut inspiraationsa runosta The Ashes of Gramsci. Work Body luo tilaa ’vammaisen’ ja ’työtä tekevän’ ruumiin välisille resonansseille.
Liput 33 € / 17 €

8.11. klo 14–18
Adam Kinner & Christopher Willes: MANUAL-työpaja
Työpajassa osallistujille esitellään MANUAL-teoksen sisältöjä ja taiteellisia työskentelytapoja.
Liput 35 € / 25 €

10.11. klo 20
11.11. klo 20
Cherish Menzo: FRANK
Jossakin rituaalin, karnevaalin ja maailmanlopun välillä on FRANK – joka on myös lyhenne Frankensteinille.
Liput 33 € / 17 €

12.11. klo 11–19
13.11. klo 11–19
14.11. klo 11–18
15.11. klo 10–16
Adam Kinner & Christopher Willes: MANUAL
Adam Kinner ja Christopher Willes ovat luoneet yhdelle osallistujalle kerrallaan esitettävän teoksen. Teos muuttaa kirjastotilan aistilliseksi kohtaamistilaksi ja tarkentuneen havainnon ympäristöksi. MANUAL, joka tapahtuu Itäkeskuksen kirjaston kätköissä aukioloaikojen puitteissa, kutsuu osallistujat paikalle ohjeiden mukaisesti tapaamaan vieraan ennalta sovitussa paikassa.
Liput 10 €

13.11. klo 18
15.11. klo 19
Exercise on empathy [a score for performing a human]
Paikkasensitiivisessä teoksessaan Sakko palaa muistamaan viime vuoden työskentelyään kysyen, minkä tulee muuttua ajan ja paikan ollessa toinen.
Vapaa pääsy!

14.11. klo 18
15.11. klo 16
Ewa Dziarnowska: This resting, patience
Kolmituntinen teos tuo esiin hienovaraisen, jatkuvan liikkeen, joka on alati muuntuvaa, avautuvaa ja aistillista – horjuttaen sekä installaation passiivisuuden että esityksen aikaraamit ja dramaturgian.
Liput 33 € / 17 €

15.11. klo 20
16.11. klo 17
Soa Ratsifandrihana: Fampitaha, fampita, fampitàna
Soa Ratsifandrihana etsii sanastoa kehojen ja historian välillä ymmärtääkseen paremmin, mikä niitä yhdistää ja erottaa toisistaan. Yhdessä kitaristi Joël Rabesolon ja esiintyjien Audrey Merilusin ja Stanley Ollivierin kanssa Ratsifandrihana rakentaa iloisen, säteilevän esityksen, uuden toiseuden, jossa kehot heräävät hiljaisuudestaan ja tarjoavat itselleen mahdollisuuden kielelliseen ilmaisuun.
Liput 33 € / 17 €

Tutustu tapahtumiin tarkemmin Stoan tapahtumakalenterin kautta

Liikkeellä marraskussa tapahtuu myös kulttuurikeskus Caisassa. Katso Caisan ohjelma.

Koko festivaalin ohjelman löydät: https://liikkeellamarraskuussa.fi/
Festivaaliesityksiin on myynnissä myös festivaalipasseja. Lisätietoja: https://liikkeellamarraskuussa.fi/liput-ja-esityspaikat-2/

","sv":"

Liikkeellä marraskuussa är en festival för modern dans som ordnas varje år i huvudstadsregionen.

Festivalen bjuder in folk att träffas och uppleva konstnärliga verk från både den lokala konstscenen och andra länder. Festivalen presenterar konstnärernas kritiska tänkande, visioner, erfarenheter och drömmar och öppnar små fönster till den värld vi lever i.

Stoa är en av platserna där festivalen Liikkeellä marraskuussa ordnas. Festivalen 2025 ordnas den 6–16 november.

Festivalpass för festivalens föreställningar finns också till försäljning. Mer information: https://liikkeellamarraskuussa.fi/liput-ja-esityspaikat-2/

","en":"

Moving in November is a contemporary dance festival organised yearly in the Helsinki area.

The festival is an invitation to come together. To experience artistic works from the local scene and abroad. Artists voicing their critical thinking, their visions, their experiences, their dreams, opening small windows to the world we are living in.

Stoa is one of the festival venues. In year 2025 Moving in November Festival will take place in 6.–16.11. The festival program will be published in September.

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Hissen ja Laura Ceminin elokuva seuraa Helsingissä toimivaa palestiinalaista Al Huriya Dabken -tanssiryhmää.","en":"Their Eyes Will Sear Holes In The Night Sky is a film by Bianca Hisse and Laura Cemin, in collaboration with Al Huriya Dabke, a Palestinian dance group based in Helsinki, whose practice the film follows."},"info_url":{"fi":"http://www.caisa.fi/fi/tapahtumat/event/AE38842848210647651AD3B396FDBC92/Liikkeella_marraskuussa_Laura_Cemin_Bianca_Hisse_Their_Eyes_Will_Sear_Holes_in_the_Night_Sky","sv":"http://www.caisa.fi/sv/evenemang/event/AE38842848210647651AD3B396FDBC92/Liikkeella_marraskuussa_Laura_Cemin_Bianca_Hisse_Their_Eyes_Will_Sear_Holes_in_the_Night_Sky","en":"http://www.caisa.fi/en/events/event/AE38842848210647651AD3B396FDBC92/Moving_in_November_Laura_Cemin_Bianca_Hisse_Their_Eyes_Will_Sear_Holes_in_the_Night_Sky"},"description":{"fi":"

Bianca Hissen ja Laura Ceminin elokuva seuraa Helsingissä toimivaa palestiinalaista Al Huriya Dabken -tanssiryhmää.

Ryhmän jäsenet ovat sekä palestiinalaisia että suomalaisia, jotka ovat halunneet oppia ja edistää Dabke-tanssin perinnettä. Eri ikäisistä ja eri taustoista tulevista ihmisistä koostuva ryhmä kokoontuu Helsingissä viikottain, vastarinnan eleenä jatkuvan olemassaolon häivyttämisen ja hävittämisen aikana.

Dabke on Levantin alueelta peräisin oleva perinteinen rivitanssi, joka on tuhansien vuosien ajan rytmittänyt ilon ja yhteisöllisen voiman hetkiä. Palestiinassa, Libanonissa, Syyriassa ja Jordaniassa tanssittu tanssi koostuu sille erityisistä rytmeistä ja askeleista, mutta sen ydinolemus on kuitenkin yhteys: jaettu liike, joka koostuu yhtäaikaisesta askelpoljennasta, värähdellen sekä maan että tanssijoiden lävitse.

Dabkessa tanssijat perinteisesti pitävät kiinni toistensa käsistä tai olkapäistä ja muodostavat puoliympyrään kaartuvan rivin. Aina avonaisena pysyvä piiri on ele ulospäin: jatkuva kutsu liittyä, katsoa ja osallistua. Palestiinalaisille Dabke on enemmän kuin juhla: se on sietokyvyn harjoittamista, unohtamasta kieltäytymistä, sekä elävä todiste kulttuurista, jonka olemassaoloa uhkaavat pakkosiirto ja miehitys.

Elokuva dokumentoi tanssiryhmän viikoittaisia harjoituksia, ja näyttää, kuinka Dabkea opetellaan ja opetetaan eri sukupolvien, kielten ja elettyjen kokemusten kesken. Tanssin voimallisen yhteyden ja siihen liittyvän yhdessäolon lisäksi elokuva tuo esille kääntämisen ja väärinymmärryksen hetkiä, osoittaen, kuinka askeleet muuntuvat ja merkitykset muovautuvat harjoittelun tuloksena. Teos pohtii, kuinka pakkosiirto haastaa ja muovaa kulttuurin harjoittamisen muotoja ja paljastaa tanssin dynaamisen, jaetun kielen, joka tuo eri paikoista ja taustoista tulevia ihmisiä yhteen.

Kesto: 8 min
Kieli: englanti ja arabia, tekstitys englanniksi ja arabiaksi
Vapaa pääsy

Teos on osa Focus on the Local Landscape - Paikallisjälkiä -ohjelmaa Liikkeellä marraskuussa -festivaalin kehyksessä 6.–16.11.2025. Osana festivaalia Focus on the Local Landscape -taiteilijat käyvät yhteistä keskustelua avoimessa, Anna Kozoninan ja Audience Clubin moderoimassa Soup Talks -keskustelussa 16.11. klo 13 Eskuksen tiloissa.

","en":"

Their Eyes Will Sear Holes In The Night Sky is a film by Bianca Hisse and Laura Cemin, in collaboration with Al Huriya Dabke, a Palestinian dance group based in Helsinki, whose practice the film follows.

The group consists of people from Palestine together with Finnish participants who have chosen to learn and carry forward the tradition of dancing Dabke. Spanning different ages and backgrounds, the group gathers weekly in Helsinki to dance as an act of resistance in the face of ongoing erasure.

Dabke is a traditional line dance originating from the Levant, where it has long marked moments of joy and collective strength. Across Palestine, Lebanon, Syria, and Jordan, Dabke takes on distinct rhythms and steps, yet the dance is bound by its core spirit of unity: a communal movement, marked by synchronized stomping, where each step reverberates through the ground and through the group.

In Dabke, the dancers traditionally join hands or shoulders to form a line that curves into a half-circle or open arc. The never-closed circle formation is a gesture outwards, as a continuous invitation for others to join, witness, and participate. For Palestinians, Dabke has become more than celebration – it is a practice of endurance, a refusal to forget, and a living manifestation of a culture threatened by displacement and occupation.

The film documents the group’s weekly rehearsal, showing how Dabke is learned and transmitted across generations, languages, and different lived experiences of the dance. Alongside the powerful harmony and togetherness of the choreography, the film draws attention to moments of translation and misinterpretation in learning the steps, showing how steps are modified and meanings reshaped through practice. The work reflects on how displacement challenges and transforms cultural practices, revealing dance as a dynamic, shared language that links people across places and backgrounds.

This performance is a part of the Focus on the Local Landscape within the frame of Moving in November 6.-16.11.2025. As part of the festival, there will be an open Soup Talks discussion with the Focus on the Local Landscape artists hosted by Anna Kozonina and the Audience Club on the 16th of November at 13 in Eskus.

Language: English and Arabic, English and Arabic subtitles

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Bianca Hissen ja Laura Ceminin elokuva seuraa Helsingissä toimivaa palestiinalaista Al Huriya Dabken -tanssiryhmää.

Ryhmän jäsenet ovat sekä palestiinalaisia että suomalaisia, jotka ovat halunneet oppia ja edistää Dabke-tanssin perinnettä. Eri ikäisistä ja eri taustoista tulevista ihmisistä koostuva ryhmä kokoontuu Helsingissä viikottain, vastarinnan eleenä jatkuvan olemassaolon häivyttämisen ja hävittämisen aikana.

Dabke on Levantin alueelta peräisin oleva perinteinen rivitanssi, joka on tuhansien vuosien ajan rytmittänyt ilon ja yhteisöllisen voiman hetkiä. Palestiinassa, Libanonissa, Syyriassa ja Jordaniassa tanssittu tanssi koostuu sille erityisistä rytmeistä ja askeleista, mutta sen ydinolemus on kuitenkin yhteys: jaettu liike, joka koostuu yhtäaikaisesta askelpoljennasta, värähdellen sekä maan että tanssijoiden lävitse.

Dabkessa tanssijat perinteisesti pitävät kiinni toistensa käsistä tai olkapäistä ja muodostavat puoliympyrään kaartuvan rivin. Aina avonaisena pysyvä piiri on ele ulospäin: jatkuva kutsu liittyä, katsoa ja osallistua. Palestiinalaisille Dabke on enemmän kuin juhla: se on sietokyvyn harjoittamista, unohtamasta kieltäytymistä, sekä elävä todiste kulttuurista, jonka olemassaoloa uhkaavat pakkosiirto ja miehitys.

Elokuva dokumentoi tanssiryhmän viikoittaisia harjoituksia, ja näyttää, kuinka Dabkea opetellaan ja opetetaan eri sukupolvien, kielten ja elettyjen kokemusten kesken. Tanssin voimallisen yhteyden ja siihen liittyvän yhdessäolon lisäksi elokuva tuo esille kääntämisen ja väärinymmärryksen hetkiä, osoittaen, kuinka askeleet muuntuvat ja merkitykset muovautuvat harjoittelun tuloksena. Teos pohtii, kuinka pakkosiirto haastaa ja muovaa kulttuurin harjoittamisen muotoja ja paljastaa tanssin dynaamisen, jaetun kielen, joka tuo eri paikoista ja taustoista tulevia ihmisiä yhteen.

Kesto: 8 min
Kieli: englanti ja arabia, tekstitys englanniksi ja arabiaksi
Vapaa pääsy

Teos on osa Focus on the Local Landscape - Paikallisjälkiä -ohjelmaa Liikkeellä marraskuussa -festivaalin kehyksessä 6.–16.11.2025. Osana festivaalia Focus on the Local Landscape -taiteilijat käyvät yhteistä keskustelua avoimessa, Anna Kozoninan ja Audience Clubin moderoimassa Soup Talks -keskustelussa 16.11. klo 13 Eskuksen tiloissa.

","en":"

Their Eyes Will Sear Holes In The Night Sky is a film by Bianca Hisse and Laura Cemin, in collaboration with Al Huriya Dabke, a Palestinian dance group based in Helsinki, whose practice the film follows.

The group consists of people from Palestine together with Finnish participants who have chosen to learn and carry forward the tradition of dancing Dabke. Spanning different ages and backgrounds, the group gathers weekly in Helsinki to dance as an act of resistance in the face of ongoing erasure.

Dabke is a traditional line dance originating from the Levant, where it has long marked moments of joy and collective strength. Across Palestine, Lebanon, Syria, and Jordan, Dabke takes on distinct rhythms and steps, yet the dance is bound by its core spirit of unity: a communal movement, marked by synchronized stomping, where each step reverberates through the ground and through the group.

In Dabke, the dancers traditionally join hands or shoulders to form a line that curves into a half-circle or open arc. The never-closed circle formation is a gesture outwards, as a continuous invitation for others to join, witness, and participate. For Palestinians, Dabke has become more than celebration – it is a practice of endurance, a refusal to forget, and a living manifestation of a culture threatened by displacement and occupation.

The film documents the group’s weekly rehearsal, showing how Dabke is learned and transmitted across generations, languages, and different lived experiences of the dance. Alongside the powerful harmony and togetherness of the choreography, the film draws attention to moments of translation and misinterpretation in learning the steps, showing how steps are modified and meanings reshaped through practice. The work reflects on how displacement challenges and transforms cultural practices, revealing dance as a dynamic, shared language that links people across places and backgrounds.

This performance is a part of the Focus on the Local Landscape within the frame of Moving in November 6.-16.11.2025. As part of the festival, there will be an open Soup Talks discussion with the Focus on the Local Landscape artists hosted by Anna Kozonina and the Audience Club on the 16th of November at 13 in Eskus.

Language: English and Arabic, English and Arabic subtitles

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Hissen ja Laura Ceminin elokuva seuraa Helsingissä toimivaa palestiinalaista Al Huriya Dabken -tanssiryhmää.","en":"Their Eyes Will Sear Holes In The Night Sky is a film by Bianca Hisse and Laura Cemin, in collaboration with Al Huriya Dabke, a Palestinian dance group based in Helsinki, whose practice the film follows."},"info_url":{"fi":"http://www.caisa.fi/fi/tapahtumat/event/FF33B12EEDEFAC0BFB49C42509AA4D26/Liikkeella_marraskuussa_Laura_Cemin_Bianca_Hisse_Their_Eyes_Will_Sear_Holes_in_the_Night_Sky","sv":"http://www.caisa.fi/sv/evenemang/event/FF33B12EEDEFAC0BFB49C42509AA4D26/Liikkeella_marraskuussa_Laura_Cemin_Bianca_Hisse_Their_Eyes_Will_Sear_Holes_in_the_Night_Sky","en":"http://www.caisa.fi/en/events/event/FF33B12EEDEFAC0BFB49C42509AA4D26/Moving_in_November_Laura_Cemin_Bianca_Hisse_Their_Eyes_Will_Sear_Holes_in_the_Night_Sky"},"description":{"fi":"

Bianca Hissen ja Laura Ceminin elokuva seuraa Helsingissä toimivaa palestiinalaista Al Huriya Dabken -tanssiryhmää.

Ryhmän jäsenet ovat sekä palestiinalaisia että suomalaisia, jotka ovat halunneet oppia ja edistää Dabke-tanssin perinnettä. Eri ikäisistä ja eri taustoista tulevista ihmisistä koostuva ryhmä kokoontuu Helsingissä viikottain, vastarinnan eleenä jatkuvan olemassaolon häivyttämisen ja hävittämisen aikana.
Dabke on Levantin alueelta peräisin oleva perinteinen rivitanssi, joka on tuhansien vuosien ajan rytmittänyt ilon ja yhteisöllisen voiman hetkiä. Palestiinassa, Libanonissa, Syyriassa ja Jordaniassa tanssittu tanssi koostuu sille erityisistä rytmeistä ja askeleista, mutta sen ydinolemus on kuitenkin yhteys: jaettu liike, joka koostuu yhtäaikaisesta askelpoljennasta, värähdellen sekä maan että tanssijoiden lävitse.

Dabkessa tanssijat perinteisesti pitävät kiinni toistensa käsistä tai olkapäistä ja muodostavat puoliympyrään kaartuvan rivin. Aina avonaisena pysyvä piiri on ele ulospäin: jatkuva kutsu liittyä, katsoa ja osallistua. Palestiinalaisille Dabke on enemmän kuin juhla: se on sietokyvyn harjoittamista, unohtamasta kieltäytymistä, sekä elävä todiste kulttuurista, jonka olemassaoloa uhkaavat pakkosiirto ja miehitys.

Elokuva dokumentoi tanssiryhmän viikoittaisia harjoituksia, ja näyttää, kuinka Dabkea opetellaan ja opetetaan eri sukupolvien, kielten ja elettyjen kokemusten kesken. Tanssin voimallisen yhteyden ja siihen liittyvän yhdessäolon lisäksi elokuva tuo esille kääntämisen ja väärinymmärryksen hetkiä, osoittaen, kuinka askeleet muuntuvat ja merkitykset muovautuvat harjoittelun tuloksena. Teos pohtii, kuinka pakkosiirto haastaa ja muovaa kulttuurin harjoittamisen muotoja ja paljastaa tanssin dynaamisen, jaetun kielen, joka tuo eri paikoista ja taustoista tulevia ihmisiä yhteen.

Kesto: 8 min
Kieli: englanti ja arabia, tekstitys englanniksi ja arabiaksi
Vapaa pääsy

Teos on osa Focus on the Local Landscape - Paikallisjälkiä -ohjelmaa Liikkeellä marraskuussa -festivaalin kehyksessä 6.–16.11.2025. Osana festivaalia Focus on the Local Landscape -taiteilijat käyvät yhteistä keskustelua avoimessa, Anna Kozoninan ja Audience Clubin moderoimassa Soup Talks -keskustelussa 16.11. klo 13 Eskuksen tiloissa.

","en":"

Their Eyes Will Sear Holes In The Night Sky is a film by Bianca Hisse and Laura Cemin, in collaboration with Al Huriya Dabke, a Palestinian dance group based in Helsinki, whose practice the film follows.

The group consists of people from Palestine together with Finnish participants who have chosen to learn and carry forward the tradition of dancing Dabke. Spanning different ages and backgrounds, the group gathers weekly in Helsinki to dance as an act of resistance in the face of ongoing erasure.

Dabke is a traditional line dance originating from the Levant, where it has long marked moments of joy and collective strength. Across Palestine, Lebanon, Syria, and Jordan, Dabke takes on distinct rhythms and steps, yet the dance is bound by its core spirit of unity: a communal movement, marked by synchronized stomping, where each step reverberates through the ground and through the group.

In Dabke, the dancers traditionally join hands or shoulders to form a line that curves into a half-circle or open arc. The never-closed circle formation is a gesture outwards, as a continuous invitation for others to join, witness, and participate. For Palestinians, Dabke has become more than celebration – it is a practice of endurance, a refusal to forget, and a living manifestation of a culture threatened by displacement and occupation.

The film documents the group’s weekly rehearsal, showing how Dabke is learned and transmitted across generations, languages, and different lived experiences of the dance. Alongside the powerful harmony and togetherness of the choreography, the film draws attention to moments of translation and misinterpretation in learning the steps, showing how steps are modified and meanings reshaped through practice. The work reflects on how displacement challenges and transforms cultural practices, revealing dance as a dynamic, shared language that links people across places and backgrounds.

This performance is a part of the Focus on the Local Landscape within the frame of Moving in November 6.-16.11.2025. As part of the festival, there will be an open Soup Talks discussion with the Focus on the Local Landscape artists hosted by Anna Kozonina and the Audience Club on the 16th of November at 13 in Eskus.

Language: English and Arabic, English and Arabic subtitles

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aikana pääset soittamaan ja harjoittelemaan ohjatusti bändisoittimia. Kurssi on suunnattu nuorille. Osallistuminen on maksutonta.","sv":"Bandkurs för unga","en":"Band course for young people"},"info_url":null,"description":{"fi":"

Tule mukaan Ison Omenan kirjaston soittohuoneessa järjestettävään bändikurssiin! Kurssin aikana pääset soittamaan ja harjoittelemaan ohjatusti bändisoittimia. Pääset soittamaan rumpuja, bassoa, kitaraa ja pianoa. Tarkoituksena on harjoitella perusteet kaikista soittimista ja soittaa yhdessä nuorten toivomia kappaleita. Osallistuminen on maksutonta. Kurssille mahtuu kerralla 8 osallistujaa. Ei ennakkoilmoittautumista.

Kurssi järjestetään maanantaisin neljä kertaa

3.11 klo 17.30-18.30

10.11 klo 17-18

17.11 klo 17-18

24.11 klo 17-18


#musiikki #kitara #rummut #piano #bändi #kurssi

Kurssin vetäjänä toimii musiikkipedagogi Lauri Iljin

​lauri.iljin(at)espoo.fi

","sv":"

Bandkurs på Iso Omena bibliotek! Under kursen kommer du att få spela och öva på bandinstrument. Kursen riktar sig till 12-20-åringar. Deltagandet är kostnadsfritt.


Kursen är fyra gånger på måndagar:

3.11 kl 17.30-18.30

10.11 kl 17-18

17.11 kl 17-18

24.11 kl 17-18

","en":"

Band course for young people at the Iso Omena Library! During the course you will be able to play and practice band instruments. The course is aimed for 12-20 year olds. Participation is free of charge.

The course is four times on Mondays:

3.11 at 17.30-18.30

10.11 at 17-18

17.11 at 17-18

24.11 at 17-18

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Kasvien elämänkierto, kiertyvät muodot ja materiaalien kierrättäminen ovat Annamari Eskolan installaatioiden teemoja. Vuodenkierrossa marraskuu on pimeintä aikaa, mutta kuolleissa kasveissa elämä on läsnä monella tasolla.
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Näyttelyn avajaiset järjestetään ke 5.11. klo 17 alkaen.

Vapaa pääsy!

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Annamari Eskolan ikebana-taidetta Malmitalon galleriassa 6.-29.11.2025

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Annamari Eskolan ikebana-taidetta Malmitalon galleriassa 6.-29.11.2025

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Även de gamla trivs då clownerna badar åskådarna i skratt och gråt","en":"The Immortal Little Red Riding Hood brings the classic tale back to adults. Even grown-ups will be thoroughly entertained as a pair of clowns lead the audience through waves of laughter and tears."},"info_url":{"fi":"http://www.kanneltalo.fi/fi/tapahtumat/event/8F23B416E41C081E098C2C201E7DFB77/Red_Nose_Company_Kuolematon_Punahilkka_satu_aikuisille","sv":"http://www.kanneltalo.fi/sv/evenemang/event/8F23B416E41C081E098C2C201E7DFB77/Red_Nose_Company_Kuolematon_Punahilkka_en_saga_for_vuxna","en":"http://www.kanneltalo.fi/en/events/event/8F23B416E41C081E098C2C201E7DFB77/Red_Nose_Company_The_Immortal_Little_Red_Riding_Hood_A_Fairy_Tale_for_Grown-Ups"},"description":{"fi":"

Kuolematon Punahilkka - satu aikuisille on syväsukellus sukupolvien ketjussa kulkevaan Punahilkan tarinaan ja sisällämme vaanivaan suteen.

Punahilkan tarinan syntymän aikoihin satuja kerrottiin aikuisten viihdykkeeksi. Nyt klovnikaksikko, Babylon & Ré (Minna Puolanto ja Hanna Seppä), tarjoilee oman tulkintansa tästä klassikosta jälleen aikuisille. Tässä versiossa ei tarvitse sensuroida tai annostella hurjimpiakaan sävyjä ja tulkintoja, joita satuun on eri aikoina liitetty. Teoksen ohjaajana toimii Niina Sillanpää.

Punahilkka on siirtynyt viattomasta lapsuudesta aikuisuuteen. Mitä hänelle kuuluu? Mitä yksin metsään lähteminen hänelle tässä kohtaa elämää tarkoittaa? Klovnit päätyvät pohtimaan sadun symboliikkaa ja filosofoimaan elämän mysteeristä, menopaussista ja sankarillisuuden vaateesta. Susikin asuu ja vaanii heidän sisällään. Kuinka kestää pahuus itsessä? Mummon piirakat ovat lapsuuden muistoissa makoisia, mutta sukupolvien läpi kulkeva ankara kasvatus on joskus tihkunut myös omien lasten osaksi. Klovneissa nousevat pintaan läpi aikojen virtaavat tarinat, tottumukset, tajut ja tunteet – niin vihat, onnet kuin surutkin.

Teoksessa piirtyvät esiin sadun lukemattomat eri versiot ja arkkityyppiset teemat, kuten hyvän ja pahan taistelu. Klovnit kertovat, säikäyttävät, opettavat ja viihdyttävät pelkäämättä tarttua sadun tummempiinkaan juonteisiin. Susi ja Punahilkka kohtaavat toisensa monella tasolla. Esitys pohtii toisaalta sitä, miksi suden päällä on kulttuurissamme aina raskas pahuuden painolasti? Voisiko ollakin niin, että Punahilkka edustaa sadussa pahuutta? Ihminen vie tilaa muilta lajeilta, eikä taida lopettaa ennen kuin on hävittänyt myös itsensä.

Kaiken lisäksi klovnit tuntevat luissaan ja ytimissään, kuinka sadunkertojien ahdinko kasvaa tässä ajassamme. Vaikka he joutuvatkin hautaamaan oman tehtävänsä, nuoruutensa, kauneutensa, säästötilinsä, kaikki unelmansa ja muutaman pahan tapansa, Punahilkka ei kuole koskaan.

Työryhmä on tehnyt aiemmin Punahilkasta esitykset lapsille (Punahilkan paluu, Red Nose Company 2023) sekä nuorille (Punahilkka K13, Red Nose Company 2024). Kuolematon Punahilkka on työryhmän kolmas tulkinta sadusta.

HUUDEILLA
Kanneltalon esitykset ovat osa Helsingin kaupungin rahoittamaa Huudeilla-aluehanketta. Kannelmäen ja Malminkartanon alueiden asukkaat ovat päässeet seuraamaan teoksen valmistumista avoimissa harjoituksissa prosessin eri vaiheissa. Mukana olleille tarjotaan kutsuliput Kanneltalon esityksiin.

TYÖRYHMÄ
Näyttämöllä: Minna Puolanto ja Hanna Seppä
Ohjaus: Niina Sillanpää
Käsikirjoitus: Työryhmä
Valo ja äänisuunnittelu: Jere Kolehmainen
Pukusuunnittelu: Noora Salmi ja työryhmä
Valokuvat: Ilari Kallinen
Tuotanto: Red Nose Company
Yhteistuotanto: Red Nose Company, Kanneltalo, Huudeilla-aluehanke

Kesto: 1,5 h (ei väliaikaa)
Ikäsuositus: aikuisille, K14

","sv":"

Kuolematon Punahilkka är en föreställning som bjuder vuxna på den klassiska sagan. Även de gamla trivs då clownerna badar åskådarna i skratt och gråt

För hundratals år sedan, när berättelsen om Rödluvan uppstod, berättades sagor som underhållning för vuxna. Clownduon Babylon & Ré (Minna Puolanto och Hanna Seppä) som nu underhåller oss bjuder återigen sin egen tolkning av denna klassiker till vuxna. Niina Sillanpää har regisserat verket.

För hundratals år sedan, när berättelsen om Rödluvan uppstod, berättades sagor som underhållning för vuxna. Clownduon Babylon & Ré (Minna Puolanto och Hanna Seppä) som nu underhåller oss bjuder återigen sin egen tolkning av denna klassiker till vuxna. Niina Sillanpää har regisserat verket.

Föreställningen vänder helt på sagan och öppnar den från alla håll. Clownerna tar sig an Rödluvans betydelser, barlaster och folkloristiska skikt. De leder oss, skrämmer, undervisar och naturligtvis underhåller de oss utan rädsla för att ta tag i de mörkare sakerna. Bra och ont bor i oss alla. Vågar vi titta på våra mörka punkter? Ser vi även ljuset bredvid? Clownerna badar åskådarna i skratt och gråt. De känner i märg och ben hur sagoberättarnas trångmål ökar i vår tid som är kärv för kulturen. Även om clownerna är tvungna att begrava vissa drömmar och kanske några dåliga vanor, kommer Rödluvan aldrig att dö.

Föreställningen behandlar sagornas arketypiska teman, oräkneliga olika versioner av berättelsen och traditioner för framförandet. Arbetsgruppen har tidigare lagt fram föreställningen Rödluvan för barn (Punahilkan paluu, Red Nose Company 2023) och för unga (Punahilkka K13, Red Nose Company 2024). I föreställningen för vuxna kan skaparna utnyttja allt material de samlat in om Rödluvan. Nu behöver man inte censurera eller portionera ut ens de mest raka nyanser och tolkningar som under olika tider har fogats till sagan.

HUUDEILLA
Föreställningarna är en del av det av Helsingfors stad finansierade regionprojektet Huudeilla. Invånarna i Gamlas och Malmgård får delta i delaktiggörande öppna övningar i olika faser av produktionen av verket. I manuset beaktas observationer och iakttagelser som samlats in av åskådarna. De som deltagit bjuds på biljetter till Gamlasgårdens föreställningar.

Längd 1,5 h (ingen paus)
Åldersrekommendation: 14+

ARBETSGRUPP
På scenen Minna Puolanto och Hanna Seppä
Regi Niina Sillanpää
Manus: arbetsgrupp
Ljus- och ljudplanering Jere Kolehmainen
Kostymering Noora Salmi
Fotografier och grafisk uppsyn Ilari Kallinen
Produktion Red Nose Company
Samproduktion Red Nose Company, Gamlasgården, områdesprojektet Huudeilla

","en":"

The Immortal Little Red Riding Hood brings the classic tale back to adults. Even grown-ups will be thoroughly entertained as a pair of clowns lead the audience through waves of laughter and tears.

Hundreds of years ago, around the time the Little Red Riding Hood story first emerged, fairy tales were primarily intended as entertainment for adults. Now, the delightful clown duo Babylon & Ré (Minna Puolanto and Hanna Seppä) offer their own take on this classic to an adult audience. The performance is directed by Niina Sillanpää.

Hundreds of years ago, around the time the Little Red Riding Hood story first emerged, fairy tales were primarily intended as entertainment for adults. Now, the delightful clown duo Babylon & Ré (Minna Puolanto and Hanna Seppä) offer their own take on this classic to an adult audience. The performance is directed by Niina Sillanpää.

The show turns the fairy tale inside out, examining it from every angle. The clowns dissect the meanings, historic burdens and folkloric layers of Little Red Riding Hood. They guide, startle, enlighten and, of course, entertain, fearlessly diving into even the darkest threads of the tale. Good and evil live in all of us. Do we dare look into our own shadowy corners? And if we do, will we also see light beside them? The clowns will bathe the audience in laughter and tears. They will feel the growing despair of storytellers in a time when culture is being hollowed out. Even though the clowns may have to bury some of their dreams and perhaps a few bad habits, Little Red Riding Hood never dies.

This performance explores the archetypal themes of the tale, its countless variations and the traditions of performing stories. The team has previously created Little Red Riding Hood performances for children (The Return of Little Red Riding Hood, Red Nose Company 2023) and teens (Little Red Riding Hood, Red Nose Company 2024). Now, in this version for adults, they bring together all the material they have ever gathered about the story. No need to censor or dilute even the boldest shades or interpretations that have been associated with the tale through the ages.

IN THE HOOD
The performances are part of the Huudeilla (\"In the Hood\") neighbourhood project, funded by the City of Helsinki. Residents of the Kannelmäki and Malminkartano areas are invited to take part in open, participatory rehearsals during various stages of the production process. Feedback and observations collected from the participants will be incorporated into the script. Those involved in the workshops will receive complimentary tickets to performances at Kanneltalo.

Duration: 1.5 hours (no intermission)
Recommended age: 14+

CREATIVE TEAM
On stage: Minna Puolanto and Hanna Seppä
Directed by: Niina Sillanpää
Script: Creative team
Light and sound design: Jere Kolehmainen
Costume design: Noora Salmi
Photography and visual design: Ilari Kallinen
Production: Red Nose Company
Co-production: Red Nose Company, Kanneltalo, Huudeilla Neighbourhood Project

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Kuolematon Punahilkka - satu aikuisille on syväsukellus sukupolvien ketjussa kulkevaan Punahilkan tarinaan ja sisällämme vaanivaan suteen.

Punahilkan tarinan syntymän aikoihin satuja kerrottiin aikuisten viihdykkeeksi. Nyt klovnikaksikko, Babylon & Ré (Minna Puolanto ja Hanna Seppä), tarjoilee oman tulkintansa tästä klassikosta jälleen aikuisille. Tässä versiossa ei tarvitse sensuroida tai annostella hurjimpiakaan sävyjä ja tulkintoja, joita satuun on eri aikoina liitetty. Teoksen ohjaajana toimii Niina Sillanpää.

Punahilkka on siirtynyt viattomasta lapsuudesta aikuisuuteen. Mitä hänelle kuuluu? Mitä yksin metsään lähteminen hänelle tässä kohtaa elämää tarkoittaa? Klovnit päätyvät pohtimaan sadun symboliikkaa ja filosofoimaan elämän mysteeristä, menopaussista ja sankarillisuuden vaateesta. Susikin asuu ja vaanii heidän sisällään. Kuinka kestää pahuus itsessä? Mummon piirakat ovat lapsuuden muistoissa makoisia, mutta sukupolvien läpi kulkeva ankara kasvatus on joskus tihkunut myös omien lasten osaksi. Klovneissa nousevat pintaan läpi aikojen virtaavat tarinat, tottumukset, tajut ja tunteet – niin vihat, onnet kuin surutkin.

Teoksessa piirtyvät esiin sadun lukemattomat eri versiot ja arkkityyppiset teemat, kuten hyvän ja pahan taistelu. Klovnit kertovat, säikäyttävät, opettavat ja viihdyttävät pelkäämättä tarttua sadun tummempiinkaan juonteisiin. Susi ja Punahilkka kohtaavat toisensa monella tasolla. Esitys pohtii toisaalta sitä, miksi suden päällä on kulttuurissamme aina raskas pahuuden painolasti? Voisiko ollakin niin, että Punahilkka edustaa sadussa pahuutta? Ihminen vie tilaa muilta lajeilta, eikä taida lopettaa ennen kuin on hävittänyt myös itsensä.

Kaiken lisäksi klovnit tuntevat luissaan ja ytimissään, kuinka sadunkertojien ahdinko kasvaa tässä ajassamme. Vaikka he joutuvatkin hautaamaan oman tehtävänsä, nuoruutensa, kauneutensa, säästötilinsä, kaikki unelmansa ja muutaman pahan tapansa, Punahilkka ei kuole koskaan.

Työryhmä on tehnyt aiemmin Punahilkasta esitykset lapsille (Punahilkan paluu, Red Nose Company 2023) sekä nuorille (Punahilkka K13, Red Nose Company 2024). Kuolematon Punahilkka on työryhmän kolmas tulkinta sadusta.

HUUDEILLA
Kanneltalon esitykset ovat osa Helsingin kaupungin rahoittamaa Huudeilla-aluehanketta. Kannelmäen ja Malminkartanon alueiden asukkaat ovat päässeet seuraamaan teoksen valmistumista avoimissa harjoituksissa prosessin eri vaiheissa. Mukana olleille tarjotaan kutsuliput Kanneltalon esityksiin.

TYÖRYHMÄ
Näyttämöllä: Minna Puolanto ja Hanna Seppä
Ohjaus: Niina Sillanpää
Käsikirjoitus: Työryhmä
Valo ja äänisuunnittelu: Jere Kolehmainen
Pukusuunnittelu: Noora Salmi ja työryhmä
Valokuvat: Ilari Kallinen
Tuotanto: Red Nose Company
Yhteistuotanto: Red Nose Company, Kanneltalo, Huudeilla-aluehanke

Kesto: 1,5 h (ei väliaikaa)
Ikäsuositus: aikuisille, K14

","sv":"

Kuolematon Punahilkka är en föreställning som bjuder vuxna på den klassiska sagan. Även de gamla trivs då clownerna badar åskådarna i skratt och gråt

För hundratals år sedan, när berättelsen om Rödluvan uppstod, berättades sagor som underhållning för vuxna. Clownduon Babylon & Ré (Minna Puolanto och Hanna Seppä) som nu underhåller oss bjuder återigen sin egen tolkning av denna klassiker till vuxna. Niina Sillanpää har regisserat verket.

För hundratals år sedan, när berättelsen om Rödluvan uppstod, berättades sagor som underhållning för vuxna. Clownduon Babylon & Ré (Minna Puolanto och Hanna Seppä) som nu underhåller oss bjuder återigen sin egen tolkning av denna klassiker till vuxna. Niina Sillanpää har regisserat verket.

Föreställningen vänder helt på sagan och öppnar den från alla håll. Clownerna tar sig an Rödluvans betydelser, barlaster och folkloristiska skikt. De leder oss, skrämmer, undervisar och naturligtvis underhåller de oss utan rädsla för att ta tag i de mörkare sakerna. Bra och ont bor i oss alla. Vågar vi titta på våra mörka punkter? Ser vi även ljuset bredvid? Clownerna badar åskådarna i skratt och gråt. De känner i märg och ben hur sagoberättarnas trångmål ökar i vår tid som är kärv för kulturen. Även om clownerna är tvungna att begrava vissa drömmar och kanske några dåliga vanor, kommer Rödluvan aldrig att dö.

Föreställningen behandlar sagornas arketypiska teman, oräkneliga olika versioner av berättelsen och traditioner för framförandet. Arbetsgruppen har tidigare lagt fram föreställningen Rödluvan för barn (Punahilkan paluu, Red Nose Company 2023) och för unga (Punahilkka K13, Red Nose Company 2024). I föreställningen för vuxna kan skaparna utnyttja allt material de samlat in om Rödluvan. Nu behöver man inte censurera eller portionera ut ens de mest raka nyanser och tolkningar som under olika tider har fogats till sagan.

HUUDEILLA
Föreställningarna är en del av det av Helsingfors stad finansierade regionprojektet Huudeilla. Invånarna i Gamlas och Malmgård får delta i delaktiggörande öppna övningar i olika faser av produktionen av verket. I manuset beaktas observationer och iakttagelser som samlats in av åskådarna. De som deltagit bjuds på biljetter till Gamlasgårdens föreställningar.

Längd 1,5 h (ingen paus)
Åldersrekommendation: 14+

ARBETSGRUPP
På scenen Minna Puolanto och Hanna Seppä
Regi Niina Sillanpää
Manus: arbetsgrupp
Ljus- och ljudplanering Jere Kolehmainen
Kostymering Noora Salmi
Fotografier och grafisk uppsyn Ilari Kallinen
Produktion Red Nose Company
Samproduktion Red Nose Company, Gamlasgården, områdesprojektet Huudeilla

","en":"

The Immortal Little Red Riding Hood brings the classic tale back to adults. Even grown-ups will be thoroughly entertained as a pair of clowns lead the audience through waves of laughter and tears.

Hundreds of years ago, around the time the Little Red Riding Hood story first emerged, fairy tales were primarily intended as entertainment for adults. Now, the delightful clown duo Babylon & Ré (Minna Puolanto and Hanna Seppä) offer their own take on this classic to an adult audience. The performance is directed by Niina Sillanpää.

Hundreds of years ago, around the time the Little Red Riding Hood story first emerged, fairy tales were primarily intended as entertainment for adults. Now, the delightful clown duo Babylon & Ré (Minna Puolanto and Hanna Seppä) offer their own take on this classic to an adult audience. The performance is directed by Niina Sillanpää.

The show turns the fairy tale inside out, examining it from every angle. The clowns dissect the meanings, historic burdens and folkloric layers of Little Red Riding Hood. They guide, startle, enlighten and, of course, entertain, fearlessly diving into even the darkest threads of the tale. Good and evil live in all of us. Do we dare look into our own shadowy corners? And if we do, will we also see light beside them? The clowns will bathe the audience in laughter and tears. They will feel the growing despair of storytellers in a time when culture is being hollowed out. Even though the clowns may have to bury some of their dreams and perhaps a few bad habits, Little Red Riding Hood never dies.

This performance explores the archetypal themes of the tale, its countless variations and the traditions of performing stories. The team has previously created Little Red Riding Hood performances for children (The Return of Little Red Riding Hood, Red Nose Company 2023) and teens (Little Red Riding Hood, Red Nose Company 2024). Now, in this version for adults, they bring together all the material they have ever gathered about the story. No need to censor or dilute even the boldest shades or interpretations that have been associated with the tale through the ages.

IN THE HOOD
The performances are part of the Huudeilla (\"In the Hood\") neighbourhood project, funded by the City of Helsinki. Residents of the Kannelmäki and Malminkartano areas are invited to take part in open, participatory rehearsals during various stages of the production process. Feedback and observations collected from the participants will be incorporated into the script. Those involved in the workshops will receive complimentary tickets to performances at Kanneltalo.

Duration: 1.5 hours (no intermission)
Recommended age: 14+

CREATIVE TEAM
On stage: Minna Puolanto and Hanna Seppä
Directed by: Niina Sillanpää
Script: Creative team
Light and sound design: Jere Kolehmainen
Costume design: Noora Salmi
Photography and visual design: Ilari Kallinen
Production: Red Nose Company
Co-production: Red Nose Company, Kanneltalo, Huudeilla Neighbourhood Project

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OHJAUS\tMinna Savin

VISUAALINEN SUUNNITTELU\tJohannes Saljas vierailija

ÄÄNISUUNNITTELU JA LAULUT\tMinna Savin

ESIINTYJÄ\tMinna Savin


Kesto: noin 45 min

Suositusikä: yli 3-vuotiaat, 1.4.-luokkalaiset

Kieli: Suomi


Lippulaivan kirjastossa on esitysten ohella Kierrätysaskartelua Romupajassa klo 15–17. Romupajassa askarrellaan ja rakennetaan erilaisesta kierrätysmateriaalista vain oma mielikuvitus rajana. Käytössä rakenteluun on kuumaliima eli voi tehdä isojakin teoksia. Teokset voi myös maalata.


Tapahtuma on osa Espoon Lasten viikonlopun ohjelmaa. Lue lisää Lasten viikonlopusta espoo.fi-sivulta: espoo.fi/lastenviikonloppu.

Tapahtuman järjestää Espoonlahden kulttuurihanke.

","sv":"

Plastpåsehavet är en poetisk och visuell föreställning om havet, plast och havets djur. Föreställningen tar publiken till havsstranden, till de stenar som slipats av sand och vågor, för att känna och höra vad havet har att säga just idag. Efter föreställningen får publiken vistas på scenen och utforska det landskap som byggts upp under föreställningen.


REGI Minna Savin

VISUELL DESIGN Gästkonstnär Johannes Saljas

LJUDDESIGN OCH SÅNGER Minna Savin

FRAMTRÄDANDE Minna Savin


Längd ca 45 min

Rekommenderas för barn mellan över 3 år, årskurs 1–4.

Språk: finska


Evenemanget är en del av programmet på Barnens veckoslut i Esbo. Läs mer om Barnens veckoslut på Esbo stads webbplats: www.esbo.fi/barnens-veckoslut. 

","en":"

Sea of Plastic Bags is a poetic and visual performance about the sea, plastic, and marine animals. The performance takes the audience to the seashore, to the stones smoothed by sand and waves, to feel and hear what the sea has to say today. After the performance, the audience is invited onto the stage to spend time exploring the landscape created during the show.


DIRECTION Minna Savin

VISUAL DESIGN Guest artist Johannes Saljas

SOUND DESIGN AND SONGS Minna Savin

PERFORMER Minna Savin


Duration approx. 45 min

Recommended for children aged over 3 years, 1-4. graders

Language: Finnish


This event is part of Children’s Weekend in Espoo. Read more about Children’s Weekend: www.espoo.fi/en/childrens-weekend. 

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OHJAUS\tMinna Savin

VISUAALINEN SUUNNITTELU\tJohannes Saljas vierailija

ÄÄNISUUNNITTELU JA LAULUT\tMinna Savin

ESIINTYJÄ\tMinna Savin


Kesto: noin 45 min

Suositusikä: yli 3-vuotiaat, 1.4.-luokkalaiset

Kieli: Suomi


Lippulaivan kirjastossa on esitysten ohella Kierrätysaskartelua Romupajassa klo 15–17. Romupajassa askarrellaan ja rakennetaan erilaisesta kierrätysmateriaalista vain oma mielikuvitus rajana. Käytössä rakenteluun on kuumaliima eli voi tehdä isojakin teoksia. Teokset voi myös maalata.


Tapahtuma on osa Espoon Lasten viikonlopun ohjelmaa. Lue lisää Lasten viikonlopusta espoo.fi-sivulta: espoo.fi/lastenviikonloppu.

Tapahtuman järjestää Espoonlahden kulttuurihanke.

","sv":"

Plastpåsehavet är en poetisk och visuell föreställning om havet, plast och havets djur. Föreställningen tar publiken till havsstranden, till de stenar som slipats av sand och vågor, för att känna och höra vad havet har att säga just idag. Efter föreställningen får publiken vistas på scenen och utforska det landskap som byggts upp under föreställningen.


REGI Minna Savin

VISUELL DESIGN Gästkonstnär Johannes Saljas

LJUDDESIGN OCH SÅNGER Minna Savin

FRAMTRÄDANDE Minna Savin


Längd ca 45 min

Rekommenderas för barn mellan över 3 år, årskurs 1–4.

Språk: finska


Evenemanget är en del av programmet på Barnens veckoslut i Esbo. Läs mer om Barnens veckoslut på Esbo stads webbplats: www.esbo.fi/barnens-veckoslut. 

","en":"

Sea of Plastic Bags is a poetic and visual performance about the sea, plastic, and marine animals. The performance takes the audience to the seashore, to the stones smoothed by sand and waves, to feel and hear what the sea has to say today. After the performance, the audience is invited onto the stage to spend time exploring the landscape created during the show.


DIRECTION Minna Savin

VISUAL DESIGN Guest artist Johannes Saljas

SOUND DESIGN AND SONGS Minna Savin

PERFORMER Minna Savin


Duration approx. 45 min

Recommended for children aged over 3 years, 1-4. graders

Language: Finnish


This event is part of Children’s Weekend in Espoo. Read more about Children’s Weekend: www.espoo.fi/en/childrens-weekend. 

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#HelloEspoo

 

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Welcome to Arabic learning club, where you could enjoy learning Arabic language, and doing different activities like craft and getting support in your studies!

 

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Tervetuloa arabiankieliseen kerhoon oppimaan, askartelemaan ja saamaan tukea koulunkäyntiin!

 

Kerho on suunnattu arabian kielen taitoisille kouluikäisille lapsille ja nuorille. Vetäjänä vapaaehtoinen opettaja.

 

Kerho järjestetään joka perjantai klo 17-19. Ei ennakkoilmoittautumista. Lämpimästi tervetuloa!

#HelloEspoo

 

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Welcome to Arabic learning club, where you could enjoy learning Arabic language, and doing different activities like craft and getting support in your studies!

 

The club is aimed for school. No pre-registration. Welcome!


#HelloEspoo

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Torstaisin kello 17-19.30, Entressen kirjasto, Sininen huone

6.11. kokoonnumme JUKEBOKSI tilassa, kirjaston aulasta ohjataan oikeaan paikkaan! Tervetuloa!

Haluatko saada uusia ideoita ja kokeilla uusia tekniikoita taidepäiväkirjan tekemiseen?

Taidepäiväkirjatyöpajassa työstetään taidepäiväkirjaa kuvan ja tekstin kautta. Taidepäiväkirjoissa hyödynnetään paljon kierrätysmateriaaleja. Materiaalit, myös päiväkirjapohjan, saat kirjastosta. Tai ota omat materiaalit mukaan. 

Tämä tapahtumasarja on osa kirjaston ohjelmaa ja toteutettu asiakkaiden toiveiden pohjalta – tule kokemaan uusia tapoja aistia kirjallisuutta.


Järjestäjä: Kirjasto

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