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"description": {
"fi": "Eino Ruutsalo oli kokeilija ja kumouksellinen hahmo Suomen taiteen kentässä: hän loi monta huomattavaa uraa eri taiteen aloilla, joita hän myös yhdisteli ennakkoluulottomasta aikana, jolloin raja-aidat olivat vielä ylittämättömiä. Aluksi hän kohosi kansainväliseen maineeseen maalarina, mutta siirtyi sitten elokuvientekijäksi kehittäen uudenlaisia tekniikoita perinteisen dokumentin rinnalla. Myöhemmin hän alkoi rakentaa valo ja liike -kokeilujen kautta kineettisiä veistoksia. Aurinkokello on tällainen kehitelmä. Metallisen alustan päällä on rei'itetty ja viilutettu kiiltävä teräskiekko. Se toimii täysin mekaanisesti tuulen voimalla. Ideana on, että auringonvalon osuessa kiekkoon ja tuulen sitä pyörittäessä, heijastuskuvio siirtyy paikasta toiseen. Teoksen materiaali on ruostumaton teräs ja sen mitat ovat 54x70cm. Ks. myös Viestejä tuntemattomilta. Teos kuuluu Didrichsenin taidemuseon omiin kokoelmiin.",
"sv": "Eino Ruutsalo var en experimentator och en revolutionell gestalt inom den finländska konsten: han gjorde en betydande karriär inom flere olika områden inom konsten. Först blev han internationellt känd som målare, men övergick sedan till filmmakare, och utvecklade nya tekniker vid sidan av den traditionella dokumentären. Senare började han genom olika ljus- och rörelse-experiment bygga kinetiska skulpturer. Soluret är ett dylikt verk. En glänsande, perforerad stålskiva som placerats på ett metallunderlag. Verket fungerar alldeles mekaniskt med hjälp av vindens styrka. Idén är att när solens strålar faller på stålskivan och vinden snurrar det uppstår reflektioner som rör på sig. Verkets material är rostfritt stål och dess mått är 54x70cm. Det ingår i Didrichsens konstmuseums samling.",
"en": "Eino Ruutsalo was an experimental and radical figure in the Finnish arts scene: he had a remarkable career in many artistic disciplines, including film-making, painting, sculpture, and visual poetry comprised of text, hand-written and typewritten fragments and photographs. His work was very progressive for the time in Finland, opposing the traditional nationalistic-patriotic values. At the beginning of his career was known internationally as a painter, but then moved to other mediums including filmmaking and new technology. In the 1960's he directed a series of experimental short films, such as Kinetic Images (Kineettisiä kuvia). His works have been said to have preceded modern music videos with their techniques. He scratched film frames with needles or painted them and used modern jazz and electronic composers to accompany his moving images. In this respect, he was also a fundamental figure in the development of the Finnish electronic music scene. During the 1960s, he also directed a series of long feature films and later in 1972, a documentary film on the architect Alvar Aalto. Later he began developing light and moving experiments by creating kinetic sculptures. Sundial is an example of the later kinetic experimental sculptures from the 1970s. On a metal base sits a perforated and veneered and shiny steel disk. It works fully mechanically in the movement of the wind. The idea is that when the sunlight hits the disk it creates a reflection and the wind turns it, causing the reflection to move from one place to another. The sculpture is made of rust-proof steel and measures 54 x 70cm. It belongs to the collections of the Didrichsen Art Museum. See also: Viestejä tuntemattomilta/Sculptures of/from the Unknown."
},
"name": {
"fi": "Aurinkokello",
"sv": "Solur",
"en": "Sundial"
},
"info_url": {
"fi": "https://www.hamhelsinki.fi/",
"sv": "https://www.hamhelsinki.fi/sv/",
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"fi": "Didrichsenin taidemuseo, Veistospuisto, Kuusisaari",
"sv": "Didrichsens konstmuseum, Granö.",
"en": "Didrichsen Art Museum, Kuusisaari"
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