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"fi": "<p>Otto Koskelo<br> Les Fruits d’Or</p><p>Fastholman huvila rakennettiin 1910. Seutu oli tuolloin vauraan helsinkiläisen eliitin <br> suosimaa virkistysaluetta. Fastholman huvila tyhjennettiin aktivisteista ja purettiin <br> poliisivalvonnassa vastoin kaupunkisuunnittelun ja kiinteistötoimen johdon ohjetta <br> alkuvuodesta 2015. Alueelle johtaa edelleen umpeen kasvanut katulyhdyin valaistu <br> polku. Metsässä on pimeää ja nokkosia. Poimin sinulle omenan. Puut voivat <br> kuulemma kasvaa jopa 200 vuotta vanhoiksi. Muistatko kun me varastettiin yliopiston <br> juhlista skumppaa ja vietiin se mielenosoittajille, jotka oli leiriintyny’ koulun aulaan? <br> Mä kirjotin sillon siitä, kuinka kun taidemuseot synty ja eliitin yksityiskokoelmia <br> muutti porvarillisista kodeista yhteisen alueelle niin se fokalisointi niiden siinä <br> narratiivissa muuttu. »Fokalisointi vai foucaulisointi?» Niin siis sehän on se vitsi siinä, <br> eikö siinä oo kyse kans’ siis subjektifikaatiosta jos aattelee, ett’ ne muodosti jonkun <br> tarinan ne teokset ja sit niillä on uus’ kollektiivinen narratiivi siellä yhteisen alueella?<br> » Mä en tajuu enää mistä sä puhut. Tuu tänne.» Omenat maistuvat makeilta ja <br> hapokkailta.</p><p> <br> The Fastholma Villa was built in 1910. The area was then a popular recreation ground <br> for the rich elite of Helsinki. The Fastholma Villa was emptied of activists and <br> dismantled under police surveillance against the recommendation of the head of city <br> planning and real estate in 2015. An overgrown path, lit with streetlights, still lead to <br> the area. In the woods it’s dark and there are nettles. I pick you an apple. The trees can <br> grow even a two hundred years old I’ve heard. Do you remember when we stole <br> sparkling wine from that university party and gave it to the demonstrators who had <br> made a camp into the school foyer? At that time, I was writing about how, you know, <br> when the art museums were born and all these private collections of the elite were <br> moving from the bourgeois home to the area of the common, how the focalization <br> changed in their narrative. “The focalization or the foucaulization?” Yeah that’s the <br> joke of it, isn’t it not also about subjectification if you think that they formed some <br> story, those works and and then they have a new collective narrative in the area of the <br> common? “I don’t understand what you are talking about. Come here.” The apples <br> taste sweet and acidic.</p><p> <br> ottokoskelo.com</p>"
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