Event List
Filtering retrieved events
Query parameters can be used to filter the retrieved events by the following criteria.
Ongoing local events
Use to quickly access local (municipality level) events that are upcoming or have not ended yet.
Combines the search on a number of description, name, and keyword fields. Locality is defined on
the basis of MUNIGEO_MUNI value, which is set in the settings file. In the Helsinki case all the
events would be retrieved that happen within Helsinki. Comes in two flavors: AND and OR.
Use local_ongoing_AND=lapset,musiikki to search for the events with both search
terms in the description fields and local_ongoing_OR to search for the events with at
least one term mentioned. In case you need to realize a more complicated logic and search for a
combination of search terms as in (singing OR vocal) AND (workshop OR training) use
local_ongoing_OR_setX parameter, where X is a number.
Examples:
event/?local_ongoing_OR=lapsi,musiikki
event/?local_ongoing_OR_set1=lapsi,musiikki&local_ongoing_OR_set2=leiri,kurssi
Ongoing internet events
Use to quickly access internet-based events that are upcoming or have not ended yet. Usage is the
same as for local ongoing events, three variations: internet_ongoing_AND,
internet_ongoing_OR, and internet_ongoing_OR_setX, Note, that
local_ongoing and internet_ongoing are mutually exclusive.
Example:
event/?internet_ongoing_AND=lapsi,musiikki
All ongoing events
All ongoing events, both internet and local combined. Usage is the same as for local ongoing
events: all_ongoing_AND, all_ongoing_OR and all_ongoing_OR_setX
Example:
event/?all_ongoing_AND=lapsi,musiikki
Internet based
Filter for all the events that happen in the internet, both past and upcoming.
Example:
event/?internet_based=true
Event time
Use start and end to restrict the date range of returned events.
Any events that intersect with the given date range will be returned.
The parameters start and end can be given in the following formats:
- ISO 8601 (including the time of day), i.e. YYYY-MM-DDTHH:MM:SSZ
- yyyy-mm-dd
In addition, today (for start or end of today) and now
(for the exact current timestamp) can be used in either parameter to get current events.
Example:
event/?start=today&end=2020-12-31
event/?start=now&end=today
You can also use days filter to restrict the date range of returned events.
Any events that intersect with the current time and amount of days from current time will
be returned.
The parameters start and end cannot be used together with the
days parameter.
Example:
event/?days=7
Event start/end time
Use starts_after, starts_before, ends_after, and
ends_before to filter for the events that start and end within certain hours,
for example for the ones that start after 17:00 and end before 21:00.
The parameters can be given as:
- Hours only
- Hours and minutes separated by a colon
Example:
event/?starts_after=16:30&ends_before=21
Event weekday
Use weekday to filter for the events that occurs within
certain weekdays. Weekdays are to be input as Iso 8601 weekday numbers, where 1 is Monday
and 7 is Sunday.
The parameter can include:
- One weekday
- Multiple weekdays separated by a comma
Example (Saturdays and Sundays):
event/?weekday=6,7
Event duration
Use max_duration to filter for the events that last up to a specified time, or
min_duration to filter for the events that last at least a specified amount of time.
The parameters are expressed in format:
- 86400 or 86400s (24 hours)
- 180m or 3h (3 hours)
- 3d (3 days)
Example:
event/?max_duration=3d
Event location
Bounding box
To restrict the retrieved events to a geographical region, use the query parameter bbox
in the format
bbox=west,south,east,north
Where west is the longitude of the rectangle's western boundary, south
is the latitude of the rectangle's southern boundary, and so on. The default coordinate system
is the trusty old EPSG:4326 known from all online maps, and can be overridden with srid
parameter.
Example:
event/?bbox=24.9348,60.1762,24.9681,60.1889
Specific location
To restrict the retrieved events to a known location(s), use the query parameter
location, separating values by commas if you wish to query for several locations.
Location ids are found at the place endpoint, which lists the locations in decreasing
number of events found. Most locations originate from the Helsinki service point registry (tprek),
hence the format tprek:28473. An easy way to locate service points is to browse
servicemap.hel.fi, which uses the same location ids, e.g.
servicemap.hel.fi/unit/28473.
Example:
event/?location=tprek:28473
District
To restrict the retrieved events to city district(s), use the query parameter division,
separating values by commas if you wish to query for several divisions.
City of Helsinki neighborhoods (kaupunginosa), districts (peruspiiri) and subdistricts (osa-alue) are supported. Check the divisions on the Helsinki map service.
You may query either by specific OCD division type peruspiiri:malmi, or by division
name malmi. The latter query checks all divisions with the name, regardless of
division type.
Example:
event/?division=malmi
Within a distance (or "circle filter")
To restrict the retrieved events to a certain distance from a point, use the query parameters
dwithin_origin and dwithin_metres in the format
dwithin_origin=lon,lat&dwithin_metres=distance
Where lon is the longitude of the origin point, lat is the latitude
of the origin point, and distance is the radius in metres.
Both parameters are required. The default coordinate system is EPSG:4326 and can be overridden
with the srid parameter.
Example:
event/?dwithin_origin=24.9348,60.1762&dwithin_metres=1000
Event category
To restrict the retrieved events by category, use the query parameter keyword,
separating values by commas if you wish to query for any of several keywords, or the parameter
keyword_AND, if you require all provided values (separated by commas) to be present.
Use parameter keyword! if you require all provided values (separated by commas)
not to be present.
In case you need to realize a more complicated logic and search for a combination of keywords as in
(yso:p1235 OR yso:p1947) AND (yso:p14004 OR yso:p11185) use keyword_OR_setX
parameter, where X is a number.
Keyword ids are found at the keyword endpoint, which lists the keywords in decreasing
number of events found. The common keywords used in all events originate from the general Finnish
ontology (YSO), hence the format yso:p4354.
The most common event categories are listed in the two keyword sets helsinki:topics and helsinki:audiences, which list the YSO keywords that are present in most events to specify event main topic and audience.
Example:
event/?keyword=yso:p4354
event/?keyword_OR_set1=yso:p1235,yso:p1947&keyword_OR_set2=yso:p14004,yso:p11185
Keyword set search
Some services maintain curated keyword sets, which can also be used in search with query
parameters keyword_set_AND and keyword_set_OR. As names of the keyword
sets can repeat between the services, ids should be supplied. Say, we have one keyword set
Music with id "myservice:1" that contains keywords rock and jazz, and another keyword set
Workshops with keywords "workshop" and "seminar" and id "myservice:2". Then a request
/event/?keyword_set_AND=myservice:1,myservice:2 would return the events matching
the following expression: (rock OR jazz) AND (workshop OR seminar).
Event last modification time
To find events that have changed since you last polled Linkedevents API (to e.g. update your
event cache), it is best to use the query parameter last_modified_since.
This allows you to only return data that has changed after your last update. You may also
include events that have been deleted in the API in the results by using the
show_deleted filter. This allows you to update your cache with all added, modified
and deleted events without having to fetch *all* future events every time.
Example:
event/?last_modified_since=2020-04-07&show_deleted=true
Specific ids
To find events that have specific id use parameter ids, separating values by commas
if you wish to query for several event ids.
Example:
event/?ids=helsinki:1
Event status
Events in Linkedevents (indicated by the event_status field) may be either
scheduled as planned (EventScheduled), rescheduled if their start time has
changed after they were first published (EventRescheduled), cancelled if they
were cancelled altogether after publication (EventCancelled), or postponed to the
indefinite future if they could not be organized at the original time (EventPostponed).
These statuses stem from schema.org.
You may filter events with only the desired status with the event_status filter.
Example:
event/?event_status=EventCancelled
It is also possible to use multiple event_status parameters in a single query.
Statuses must be separated by a comma.
Example:
event/?event_status=EventCancelled,EventPostponed
Event type
Events in Linkedevents (indicated by the type_id field) may be event (General),
course (Course) or volunteering (Volunteering). By default, only events
with General type_id are returned.
You may filter events with only the desired type with the event_type filter, separating
values by commas if you wish to query for several types.
Example:
event/?event_type=General,Course
Event text
To find out events that contain a specific string in any of the text fields, use the query
parameter text.
Example:
event/?text=shostakovich
Combined text
While the text search is looking for the events containg exact matches of the search
string, combined_text filtering finds events with exact text match for event text
fields but retrieves expected keywords on the basis of similarity. Filtering for keywords works
similar ways as keyword free_text filtering.
Example:
event/?combined_text=lapppset
Full-text search
Use full_text to perform advanced PostgreSQL full-text search with weighted relevance ranking.
This search method provides more sophisticated results than basic text matching by:
- Searching across multiple fields with different priority levels
- Supporting stemming and language-specific text processing
- Ranking results by relevance when no other sorting is specified
The search covers the following fields with weighted priorities:
- Highest priority (A): Event names, location names
- High priority (B): Keywords, audience keywords
- Medium priority (C): Short descriptions
- Lowest priority (D): Full descriptions
Use full_text_language to specify the search language. Accepts single language
(e.g., 'fi') or comma-separated multiple languages (e.g., 'fi,en,sv'). Supported languages:
fi, en, sv, zh_hans, ru, ar. Defaults to 'fi' if not specified.
Examples:
event/?full_text=musiikki
event/?full_text=music&full_text_language=en
event/?full_text=lapset&full_text_language=fi,en,sv
Event price
Events may or may not contain the offers field that lists event pricing.
To return only free or non-free events, use the query parameteris_free. However,
note that from some data sources, no event pricing info is available, so this filter will only
return those events which have pricing data available.
Example:
event/?is_free=true
Event language
To find events that have a set language or event data translated into that language, use the
query parameter language. If you only wish to see events that have a set language,
use the in_language parameter, and if you only want event data translated to a set
language, use the translation parameter.
Supported languages are found at the language endpoint, which also lists which
languages have translations available. Currently, translations are supported in fi,
sv, en, ru, zh_hans, and ar.
Example:
event/?language=ru
Event audience age boundaries.
To find events that are designed for specific age audiences use the query paramteres
audience_min_age_lt, audience_min_age_gt, audience_max_age_lt,
audience_max_age_gt.
audience_min_age_lt returns the events whose minimal age is lower than or equals the
specified value, audience_min_age_gt returns the events whose minimal age is greater
than or equals the specified value. max_age parameteres, naturally, work the same way
only for the maximum age of the event audience. Note, that the events that are not designed for
the specific audiences will be omitted.
audience_max_age and audience_min_age parameters without lt
and gt modifiers are left for backward compatibility only and should not be employed.
Example:
event/?audience_min_age_gt=10
Select events suitable for certain age.
To find events that are suitable for certain age use the query paramter suitable_for
that returns all the events that are suitable for the age or age range specified. Under the hood
it excludes all the events that have max age limit below or min age limit above the age specified.
Suitable events with just one age boundary specified are returned, events with no age limits
specified are excluded. Query parameter can take either one or two arguments, the order of
parameters when specifying the age range is not important.
Examples:
event/?suitable_for=12
event/?suitable_for=12,14
Event publisher
To find out events that are published by a specific organization, use the query parameter
publisher, separating values by commas if you wish to query for several publishers.
Existing publisher organizations are found at the organization endpoint. City of
Helsinki internal publishers have ids of the form ahjo:origin_id as they originate
from the Helsinki Ahjo decisionmaking system, and have a rather complex hierarchy. External
publishers may have their own namespaces, ids and hierarchies.
Also, it is possible to fetch events under a specific publisher organization hierarchy (say
City of Helsinki)
by using the parameter publisher_ancestor, which returns all events published
by any suborganizations (at any level) of the given organization.
Example:
event/?publisher=ytj:0586977-6
event/?publisher_ancestor=ahjo:00001
Event data source
To find out events that originate from a specific source system, use the query parameter
data_source. All event ids are of the form data_source:origin_id,
so this allows you to return only events coming to Linkedevents from a specific data system.
helsinki is the name of our own data source, i.e. events where Linkedevents API
itself is the master data.
Example:
event/?data_source=helsinki
Event hierarchy
Events in linkedevents may be either standalone events, or they may have super or sub events.
There are two types of super events, indicated in the field super_event_type
by recurring (repeating events, event series) and umbrella
(festivals etc.).
recurring events last for a period and have sub_events that all have
similar data, but different dates.
umbrella events last for a period and may have different sub_events,
including recurring events (i.e. an umbrella festival may have a
recurring theater play sub_event, which may have several nights
as sub_events.)
Super event type
You may use the query parameter super_event_type, comma separated, to get only
super events of specific types. You may use none if you want non-super events
included.
Example:
event/?super_event_type=umbrella,none
Super event
You may use the query parameter super_event, comma separated, to get all subevents
for specific superevents. You may use none if you want all events which have no
superevent included.
Example:
event/?super_event=linkedevents:agg-103
Hide super event
You may use the query parameter hide_super_event to exclude super events from the response.
Example:
event/?hide_super_event=true
Hide recurring children
You may use the query parameter hide_recurring_children to hide all child events
for super events which are of type recurring.
Example:
event/?hide_recurring_children=true
Sub events
You may use the query parameter hide_recurring_children_sub_events in pair with hide_recurring_children to apply other filters to child events.
If you want to get only super_events of weekend events then pair hide_recurring_children and hide_recurring_children_sub_events with
weekday=6,7
Example:
event/?hide_recurring_children=true&hide_recurring_children_sub_events=true&weekday=6,7
Event with registration
To find out events with or without a registration, use the query parameterregistration.
Example:
event/?registration=true
Open enrolment
Two endpoints show the events that have connected registrations and have places either at the event
itself enrolment_open or in the waiting lists enrolment_open_waitlist.
Note that the latter query parameter when set to true returns also the events that
have open spots at the event itself. Null values are regarded as unlimited number of spots at
the event or in the waiting list.
For example:
event/?enrolment_open_waitlist=true
Enrolment open on a given date
It is possible to check if a given datetime is within events' enrolment start and end times. In other words, if any events are open on a given date and time. The given datetime is expected to be in the events' timezone.
enrolment_open_on parameter displays events where the given datetime is within the
enrolment_start_time and enrolment_end_time of the events. If an event
has a registration, the registration's enrolment start and end times will be preferred over the event's times.
For example:
event/?enrolment_open_on=2024-02-19T12:00:00
Attendee capacity
Filters for filtering by event maximum_attendee_capacity and minimum_attendee_capacity:
Filtering for maximum_attendee_capacity
It is possible to filter by maximum_attendee_capacity using gte (>) or lte (<) filters.
maximum_attendee_capacity_gte parameter displays events with maximum attendee capacity greater than
or equal the applied parameter (integer value)
Example:
event/?maximum_attendee_capacity_gte=10
maximum_attendee_capacity_lte parameter displays events with maximum attendee capacity less than
or equal the applied parameter (integer value)
Example:
event/?maximum_attendee_capacity_lte=10
Filtering for minimum_attendee_capacity
It is possible to filter by minimum_attendee_capacity using gte (>) or lte (<) filters.
minimum_attendee_capacity_gte parameter displays events with minimum attendee capacity greater than
or equal the applied parameter (integer value)
Example:
event/?minimum_attendee_capacity_gte=10
minimum_attendee_capacity_lte parameter displays events with minimum attendee capacity less than
or equal the applied parameter (integer value)
Example:
event/?minimum_attendee_capacity_lte=10
Remaining registration attendee or waiting list capacity
Filters for filtering by registration remaining_attendee_capacity and remaining_waiting_list_capacity:
Filtering for registration remaining_attendee_capacity
It is possible to filter by registration remaining_attendee_capacity using gte (>=) or isnull filters.
registration__remaining_attendee_capacity__gte parameter displays events where registration's
remaining attendee capacity is greater than or equal the applied parameter (integer value)
Example:
event/?registration__remaining_attendee_capacity__gte=10
registration__remaining_attendee_capacity__isnull parameter displays events where registration's
remaining attendee capacity is or is not NULL
The values True, true and 1 are all considered to be "true".
The values False, false and 0 are all considered to be "false".
Example:
event/?registration__remaining_attendee_capacity__isnull=true
Filtering for registration remaining_waiting_list_capacity
It is possible to filter by registration remaining_waiting_list_capacity using gte (>=) or isnull filters.
registration__remaining_waiting_list_capacity__gte parameter displays events where registration's
remaining waiting list capacity is greater than or equal the applied parameter (integer value)
Example:
event/?registration__remaining_waiting_list_capacity__gte=10
registration__remaining_waiting_list_capacity__isnull parameter displays events where registration's
remaining waiting list capacity is or is not NULL
The values True, true and 1 are all considered to be "true".
The values False, false and 0 are all considered to be "false".
Example:
event/?registration__remaining_waiting_list_capacity__isnull=true
Filtering for authenticated users
By default, only public events are shown in the event list. However, certain query parameters allow customizing the listing for authenticated users
Show all events
show_all parameter displays all events authenticated user can edit, including drafts,
and public non-editable events
Example:
event/?show_all=true
Publication status
Events in Linkedevents (indicated by the publication_status field) may be either
(draft) if the event is not published yet or (public) for published
events.
You may filter events with only the desired publication status with the
publication_status filter.
Example:
event/?publication_status=draft
Only editable events
admin_user parameter displays all events authenticated user can edit, including drafts,
but no other public events
Example:
event/?admin_user=true
Only editable events for registration
registration_admin_user parameter displays all events whose registration the user can modify
Example:
event/?registration_admin_user=true
Events created by the user
created_by parameter only displays events by the authenticated user
Example:
event/?created_by=true
Getting detailed data
In the default case, keywords, locations, and other fields that refer to separate resources are only displayed as simple references.
If you want to include the complete data from related resources in the current response, use
the keyword include. Please note, however, that including all the resources
inlined in *every* event will result in a huge number of duplicate data in the json, making
the json very slow to generate and process and causing considerable API load and long response
times when too many such requests are made. Therefore, if you are listing the maximum number
of events (100) or updating your cache with all events, please consider caching the keyword
and location data separately to prevent unnecessary API slowdown and continuous repeated work.
Keyword and location data seldom change and are easily fetched from their own endpoints
separately.
Example:
event/?include=location,keywords
Ordering
Default normal search ordering is descending order by -last_modified_time.
Default full text search ordering is based on search relevance rank and id (-rank,id).
You may also order results by start_time, end_time, name,
duration, enrolment_start_time, enrolment_end_time,
registration__enrolment_start_time, registration__enrolment_end_time,
enrolment_start and enrolment_end. Descending order is denoted by
adding - in front of the parameter, default order is ascending.
For example:
event/?sort=-end_time
Enrolment start and enrolment end
The ordering filters enrolment_start and enrolment_end have two
notable differences compared to the rest of the ordering filters related to enrolment start
and enrolment end times:
First, if an event has a registration with an enrolment time defined, the registration's time will be preferred over the event's time.
Second, if neither the event's registration nor the event has enrolment times defined
(enrolment_start_time and enrolment_end_time are both NULL), the
event will be placed at the end of the results list regardless of whether ascending or
descending order was used.
GET /v1/event/?format=api&include=location%2Ckeywords&page=45
{ "meta": { "count": 32827, "next": "https://linkedevents.api.test.hel.ninja/v1/event/?format=api&include=location%2Ckeywords&page=46", "previous": "https://linkedevents.api.test.hel.ninja/v1/event/?format=api&include=location%2Ckeywords&page=44" }, "data": [ { "id": "kulke:67590", "has_user_editable_resources": false, "location": { "id": "tprek:8740", "has_user_editable_resources": false, "data_source": "tprek", "publisher": "ahjo:u021800", "divisions": [ { "type": "muni", "ocd_id": "ocd-division/country:fi/kunta:helsinki", "municipality": null, "name": { "fi": "Helsinki", "sv": "Helsingfors" } }, { "type": "district", "ocd_id": "ocd-division/country:fi/kunta:helsinki/peruspiiri:malmi", "municipality": "Helsinki", "name": { "fi": "Malmi", "sv": "Malm" } }, { "type": "sub_district", "ocd_id": "ocd-division/country:fi/kunta:helsinki/osa-alue:ala-malmi", "municipality": "Helsinki", "name": { "fi": "Ala-Malmi", "sv": "Nedre Malm" } }, { "type": "neighborhood", "ocd_id": "ocd-division/country:fi/kunta:helsinki/kaupunginosa:malmi", "municipality": "Helsinki", "name": { "fi": "Malmi", "sv": "Malm" } } ], "created_time": "2023-08-15T08:12:54.264692Z", "last_modified_time": "2025-03-27T09:09:27.443498Z", "custom_data": null, "email": "malmitalo.vahtimestarit@hel.fi", "contact_type": null, "address_region": null, "postal_code": "00700", "post_office_box_num": null, "address_country": null, "deleted": false, "has_upcoming_events": true, "n_events": 1372, "image": 414658, "parent": null, "replaced_by": null, "position": { "type": "Point", "coordinates": [ 25.01497, 60.250507 ] }, "address_locality": { "fi": "Helsinki", "sv": "Helsingfors", "en": "Helsinki" }, "info_url": { "fi": "http://www.malmitalo.fi/", "sv": "https://www.malmitalo.fi/sv/framsidan", "en": "https://www.malmitalo.fi/en/frontpage" }, "name": { "fi": "Malmitalo", "sv": "Malms kulturhus", "en": "Cultural Centre Malmitalo" }, "description": { "fi": "Esitys- ja näyttelytoiminnan lisäksi talossa 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Hän ammentaa vaikutteita jazzista, folkista ja globaaleista perinteistä ja luo musiikkia, joka asettaa kuuntelun, vuorovaikutuksen ja yhteyden genrejen ulkopuolelle.</p><p>Chico Matada on Mosambikissa syntynyt rumpali, säveltäjä ja yhtyeenjohtaja, jonka musiikki yhdistää afrikkalaisia rytmisiä perinteitä moderniin jazziin, elokuvamaisiin sovituksiin ja improvisaatioon. Suomessa asuva Matada ammentaa erityisesti mosambikilaisen Ndau-heimon Ndokodo-musiikista ja yhdistää sen moderniin jazz-harmoniaan.</p><p>Musiikki on samanaikaisesti meditatiivista ja rytmisesti eloisaa – kutsu kuulijalle pysähtyä, kuunnella ja tuntea.</p><p>Kieli: monikielinen</p><p>Kesto 180 min.</p>", "sv": "<p>Joni Vierre och Chico Matada uppträder på Nordhusets Global Music Club.</p><p>Joni Vierre är en finländsk kompositör, musiker och lärare som i sitt arbete kombinerar komposition, improvisation och interkulturellt samarbete. Han hämtar inspiration från jazz, folkmusik och globala traditioner för att skapa musik som driver lyssnandet, interaktionen och kontakten bortom genrerna.</p><p>Chico Matada är en trummis, tonsättare och bandledare född i Moçambique, vars musik kombinerar afrikanska rytmtraditioner med modern jazz, filmiska arrangemang och improvisation. Matada, som bor i Finland, använder sig särskilt av Ndokodo-musiken från den moçambikiska Ndau-stammen och kombinerar den med modern jazzharmonik.</p><p>Musiken är på samma gång meditativ och rytmiskt vibrerande – en inbjudan till lyssnaren att stanna upp, lyssna och känna.</p>", "en": "<p>Joni Vierre and Chico Matada will perform at the Vuotalo Global Music Club event.</p><p>Joni Vierre is a Finnish composer, musician, and educator whose work blends composition, improvisation, and intercultural collaboration. Drawing on influences from jazz, folk, and global traditions, he creates music that prioritizes listening, exchange, and connection beyond genre.</p><p>Chico Matada is a Mozambique-born drummer, composer and bandleader whose music combines African rhythmic traditions with modern jazz, cinematic arrangements and improvisation. Matada, who lives in Finland, draws in particular from the Ndokodo music of the Mozambican Ndau tribe, combining it with modern jazz harmony. 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Se johdattaa yleisön musiikin ja tanssin kulta-aikaan aina Buenos Airesista Harlemiin ja 1920-luvulta 1930-luvulle. Maailmankuulun tangovisionääri Marcos Ayalan johtama show on täynnä eleganssia, intohimoa, rakkauden voimaa ja vapautta.</p><p>Tango Golden Years on elämää sykkivä musiikillinen ja koreografinen matka läpi swingin, big bandien, klubien, tangolaulujen ja milongan. Se on valon ja varjon maailma, jossa tanssista tulee historiaa, muistot heräävät eloon joka askeleella ja rytmi kaikuu vapauden äänenä.</p><p>Vaikka esitys kumpuaa tangon juurilta, se puhuttelee myös nykyaikaa. Se tuo esiin taiteen voiman, joka yhdistää kulttuureja, rikkoo raja-aitoja ja voi muuttaa tuskan kauneudeksi.</p><p>Marcos Ayala Dance Company on argentiinalainen tanssiryhmä, jonka Marcos Ayala perusti vuonna 2010. Jo vuosia ryhmä on kiertänyt ympäri maailmaa loppuunmyydyille katsomoille. Sen tuotantojen ydin on klassinen argentiinalainen tango yhdistettynä nykyteatteriin, -musiikkiin ja kuvataiteeseen – jokainen show tuo tangon maailmaan uutta luovuutta ja ennennäkemättömiä koreografioita. Ryhmä nähdään Helsingissä Savoy-teatterissa 16. huhtikuuta 2026.</p><p>Marcos Ayala on tanssija, koreografi ja ohjaaja, joka on pienestä pitäen opiskellut kansantansseja, klassisia ja moderneja tekniikoita, jazzia ja tietenkin tangoa. Hän on voittanut useita kansainvälisiä palkintoja, esimerkiksi World Championship of Tango (Japani 2006) ja Latin ACE Awards (New York 2015).</p><p>Ovet 18.00</p><p>Kesto n. 2 tuntia 30 minuuttia väliaikoineen</p><p>Permanto K18 anniskelualue. Parveke ikärajaton, ei anniskelua</p>", "sv": "<p>Den intensiva dansföreställningen Tango Golden Years tar dig med till en värld där tango möter jazz. Den leder publiken genom musikens och dansens guldålder, från Buenos Aires till Harlem och från 1920- till 1930-talet. Föreställningen, som leds av den världsberömde tangovisionären Marcos Ayala, är full av elegans, passion, kärlekens kraft och frihet.</p><p>Tango Golden Years är en musikalisk och koreografisk resa genom swing, storband, klubbar, tangolåtar och milonga som pulserar av liv. Det är en värld av ljus och skugga, där dans blir historia, minnen väcks till liv med varje steg och rytmen ekar som ljudet av frihet.</p><p>Även om föreställningen har sina rötter i tangon talar den också till vår tid. Den belyser konstens förmåga att förena kulturer, bryta ner barriärer och förvandla smärta till skönhet.</p><p>Marcos Ayala Dance Company är en argentinsk dansgrupp som grundades 2010 av Marcos Ayala. I flera år har gruppen turnerat världen över för utsålda arenor. Kärnan i dess produktioner är klassisk argentinsk tango i kombination med modern teater, musik och bildkonst – varje show bidrar med ny kreativitet och aldrig tidigare skådade koreografier i tangons värld. Gruppen uppträder på Savoy-teatern i Helsingfors den 16 april 2026.</p><p>Marcos Ayala är en dansare, koreograf och regissör som sedan tidig ålder har studerat folkdanser, klassiska och moderna tekniker, jazz och naturligtvis tango. Han har vunnit flera internationella priser, bl.a. World Championship of Tango (Japan 2006) och Latin ACE Awards (New York 2015).</p><p>Dörrar 18.00</p><p>Längd ca 2 timmar och 30 minuter, inklusive pauser</p><p>Parkett K-18-område med serveringstillstånd. Balkongen utan åldersgräns, ingen servering.</p>", "en": "<p>The intense Tango Golden Years dance performance will take you to a world where tango meets jazz. The show will take the audience through the golden age of music and dance, from Buenos Aires to Harlem and from the 1920s to the 1930s. Led by world-renowned tango visionary Marcos Ayala, the show will be full of elegance, passion, the power of love and freedom.</p><p>Tango Golden Years is a musical and choreographic journey through swing, big bands, clubs, tango songs and milonga that pulsates with life. It is a world of light and shadow, where dance becomes history, memories come alive with every step and rhythm echoes as the sound of freedom.</p><p>Although the performance has its roots in tango, it also speaks to the present day. It highlights the power of art to unite cultures, break down barriers and transform pain into beauty.</p><p>Marcos Ayala Dance Company is an Argentinian dance company founded by Marcos Ayala in 2010. For years, the group has been touring the world and playing sold-out shows. At the heart of its productions is classical Argentine tango combined with contemporary theatre, music and visual art – each show bringing new creativity and unprecedented choreography to the world of tango. The group will play the Savoy Theatre in Helsinki on 16 April 2026.</p><p>Marcos Ayala is a dancer, choreographer and director who has studied folk dance, classical and modern techniques, jazz and, of course, tango from an early age. He has won several international awards, including the World Championship of Tango (Japan 2006) and the Latin ACE Awards (New York 2015).</p><p>The doors will open at 18.00</p><p>Duration: roughly 2 h 30 min, incl. intermission</p><p>The floor: R18 alcohol serving area. The gallery: no age restrictions, no alcohol serving.<br>.</p>" }, "provider_contact_info": null, "location_extra_info": null, "provider": { "fi": "Aftersunset Oy", "sv": "Aftersunset Oy", "en": "Aftersunset Oy" }, "short_description": { "fi": "Intensiivinen Tango Golden Years -tanssiesitys vie sinut maailmaan, jossa tango kohtaa jazzin. Se johdattaa yleisön musiikin ja tanssin kulta-aikaan aina Buenos Airesista Harlemiin ja 1920-luvulta 1930-luvulle. 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– About the Kevätuhri – en ritual för fyra clowner.", "en": "Red Nose Company: About the Kevätuhri – About the Kevätuhri – a ritual for four clowns." }, "description": { "fi": "<p>Luvassa on täysin poikkeuksellinen näyttämöllepano Stravinskyn ja kumppaneiden ikonisen Kevätuhrin innoittamana.</p><p>Neljä klovnia tarttuvat suurteokseen ja perkaavat sävellyksen sekä sen sadat tulkinnat. He heittäytyvät toimeen täydellä sydämellä, kaikkensa likoon laittaen. Esityksessä klovnit tanssivat oman koreografiansa varta vasten heille sävellettyyn musiikkiin. Päämääränä on yhteyden kokemuksia voimistava rituaali, jossa ei uhrata enää yhtäkään nuorta tyttöä.<br> <br>Kevätuhrin ensi-ilta 1913 oli skandaali ja syntyi aikaan, jossa leijuivat ensimmäisen maailmansodan enteet. Djagilevin venäläinen baletti esitti ensi-illassa esityksen sinnikkäästi loppuun asti, vaikka yleisöstä osa juoksi huutaen karkuun. Nizinsky, Roerich ja Stravinsky loivat myyttisen tarinan, jossa ihmislajin väkivaltaisuus ja yhteisöllisyys, uhraaminen ja rituaalit tuotiin katsojien eteen paljaina ja pelotta. Kevätuhri vavisutti totuttuja kaavoja ja on vaikuttanut länsimaisen taiteen kehitykseen kenties enemmän kuin mikään muu teos.<br> <br>Ajassamme puhaltavat jälleen sodan tuulet. Klovneilla onkin suuri missio palauttaa rauha tähän maailmaan. Kevätuhrin alkuperäiskoreografin, Nizinskin innoittamana klovnit kääntävät katseensa maata kohden. Löytyykö luontoyhteyden vahvistamisesta tarvittavaa voimaa, jolla polarisaation, eriarvoistavan kehityksen ja väkivallan kierteen voisi kääntää parempaan suuntaan?<br> <br>Kevätuhrin aiemmat ja usein varsin vakavat tulkinnat ovat inspiroitumisen aarreaitta. Tällä kertaa komedialta ei voida välttyä, kun klovnit Babylon, ExMayhem, Hoenanen ja Ré avaavat omaa suhdettaan Stravinskyn musiikkiin, aikaisempiin koreografioihin, kevään piirileikkeihin, esivanhempiin, aikamme tietäjiin, uhraamiseen ja toisaalta uhrautumiseen. Mitä klovnit ovat itse valmiita uhraamaan? Entä ihmiskunta? Painaako vaakakupissa enemmän yhteinen hyvä vaiko sittenkin oma mielihyvä?<br> <br>Esitys on tulvillaan sanatonta komiikkaa.<br> <br>Kesto: 2 h sis. väliaika<br>Ikäsuositus: K13<br>Kieli: englanti, (suomi)</p><p>TYÖRYHMÄ<br><b> Käsikirjoitus ja koreografia </b>Työryhmä<br><b> Ohjaus</b> Niina Sillanpää<br><b> Näyttämöllä</b> Johanna Keinänen, Kaisa Niemi, Minna Puolanto ja Hanna Seppä<br><b> Musiikin sävellys ja äänisuunnittelu</b> Tommi Lindell<br><b> Valosuunnittelu</b>Juha Tuisku<br><b> Puku- ja lavastussuunnittelu</b> Paula Koivunen<br><b> Innoittajina</b> Igor Stravisky, Nikolai Roerich, Vatslav Nižinski…<br><b> Yhteistuotanto</b> Red Nose Company, Tanssiteatteri Tsuumi, Stoa<br><b> Kuvat</b> Jolle Onnismaa</p>", "sv": "<p>Clownerna dansar en koreografi till Stravinskijs storverk med stor passion och stort hjärta.</p><p>Det här är en helt exceptionell tolkning av Stravinskijs och hans samarbetspartners ikoniska Våroffer. Clownerna dansar en egen koreografi till detta storverk med stort hjärta, och satsar sitt allt. Målet är att hitta en ritual som stärker upplevelsen av kontakt i dag, när man inte längre offrar unga flickor.</p><p>Våroffrets premiär 1913 var en skandal och kom till i en tid då förebud om det första världskriget låg i luften. Djagilevs ryska balett slutförde premiärföreställningen, trots att en del av publiken skrikande flydde. Niżyński, Roerich och Stravinskij skapade en mytisk berättelse, där mänsklighetens våldsamhet och gemenskap, offer och ritualer lades fram för publiken öppet och oförskräckt. Våroffer skakade om de invanda mönstren och har påverkat den västerländska konstens utveckling kanske mer än något annat verk.</p><p>Krigets vindar blåser åter i vår tid. Clownerna har ett stort uppdrag att återställa freden i världen. Inspirerade av Niżyński, den ursprungliga koreografen för Våroffer, vänder clownerna blicken mot marken. Kan en starkare relation till naturen ge den kraft som behövs för att vända spiralen av polarisering, ökande ojämlikhet och våld?</p><p>De tidigare och ofta ganska seriösa tolkningarna av Våroffer är en skattkista av inspiration. Den här gången går det inte att undvika komik, när clownerna Babylon, ExMayhem, Hoenanen och Ré öppnar upp sin egen relation till Stravinskijs musik, vårens ringlekar, förfäder, vår tids schamaner, offer och uppoffringar. Vad är clownerna själva beredda att offra? Hur är det med mänskligheten? Väger det gemensamma bästa eller den egna njutningen tyngre?</p><p>Föreställningen flödar av ordlös komik!</p><p>Längd 2 timmar, inklusive paus<br>Åldersrekommendation: För vuxna, från 13 år<br>Språk: engelska, finska</p><p>ARBETSGRUPP<br>Manus: Arbetsgrupp<br>Regi: Niina Sillanpää<br>På scenen: Johanna Keinänen, Kaisa Niemi, Minna Puolanto och Hanna Seppä<br>Musik: Tommi Lindell feat. Igor Stravinskij<br>Ljuddesign: Tommi Lindell<br>Ljusdesign: Juha Tuisku<br>Musikalisk konsultation: Marzi Nyman<br>Kostym och scenografi: Paula Koivunen<br>Bilder: Jolle Onnismaa<br>Samproduktion: Red Nose Company, Tanssiteatteri Tsuumi, Stoa</p>", "en": "<p>The clowns will dance their choreography to Stravinsky's great work with great passion and all their heart.</p><p>The audience is in for an entirely exceptional interpretation of the iconic The Rite of Spring by Stravinsky and Co. The clowns will be dancing to their own choreography for this masterpiece with all their heart and soul. The aim is to find a contemporary ritual that will enhance the experience of connection, without sacrificing any more young girls.</p><p>The 1913 premiere of The Rite of Spring was a scandal and came at a time when the first signs of the coming First World War could be sensed. Diaghilev’s Ballets Russes ballet company performed the premiere of the piece with perseverance until the end, even though some of the audience members ran away screaming. Nizinsky, Roerich and Stravinsky created a mythical story in which the violence and communalism, sacrifice and rituals of the human species were fearlessly laid bare in front the audience. The Rite of Spring shook the familiar structures to their core and has influenced the development of Western art perhaps more than any other work.</p><p>War is once again a looming presence in our time. The clowns have a great mission to restore peace to this world. Inspired by Nijinsky, the original choreographer of The Rite of Spring, the clowns turn their gaze to the ground. Does strengthening their connection with nature lend them the necessary power to reverse the spiral of polarisation, inequality and violence?<br>The earlier and often quite serious interpretations of The Rite of Spring are a treasure trove of inspiration. 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arvista, joista olemme vuosikymmenet vaienneet.</p><p>Tuberkuloosiparantola oli asukkailleen yhtä aikaa taivas ja helvetti samojen seinien sisällä. Epidemian historia sisältää niin kuolemaa, häpeää ja eristystä kuin parantolaromansseja, hauskanpitoa ja selviytymistarinoita.</p><p>Lentävä kuolema perehtyy kansalliseen tragediaamme, löytäen sieltä yhteisöllisyyttä, lähimmäisenrakkautta ja järjestelmällistä ja sisukasta työtä ihmishenkien pelastamiseksi.</p><p>Elokuva vie elävälle matkalle parantoloiden aikaan: Se antaa katsojalle yllätyksiä täynnä olevan parantolakokemuksen, ja dokumentaarisen todistusvoiman avulla vie salaisuuksien äärelle.</p><p>Lentävä kuolema paljastaa tuberkuloosin unohdetut tarinat ja antaa mahdollisuuden puhua kokemuksista, joista on vaiettu yli 50 vuotta. Lentävä kuolema kulkee kahdessa eri aikatasossa vuorotellen nykyisyyden ja parantola-aikakauden välillä ja kertoo kollektiivisen tarinan yksilötarinoiden sijaan.</p><p>Ainutlaatuisissa vuonna 1971 tallennetuissa SKS:n arkiston audionauhoissa kolme potilasta kertovat kokemuksistaan parantolan arjesta. Hahmot ovat iloinen maalaistyttö Enne, synkkyyteen taipuva Tenho ja uskonnollinen vastarakastunut Kalevi. Elokuvassa käytetyt arkistofilmit ja valokuvat ovat valtaosin ennennäkemättömiä.</p><p>Kesto: 70 min</p><p>Ikäraja: K-7</p><p>Vapaa pääsy!</p>", "sv": "<p>Lentävä kuolema är en röntgenbild av de ärr som tuberkulosen lämnat efter sig, något vi har tigit om i decennier.</p><p>Tuberkulossanatoriet var samtidigt ett himmelrike och ett helvete för de boende. Epidemihistorien innehåller död, skam och isolering, liksom sanatorieromanser, nöje och överlevnadsberättelser. Filmen Lentävä kuolema utforskar vår nationella tragedi och finner i den en känsla av gemenskap, nästankärlek och en systematisk och modig insats i att rädda människoliv.</p><p>Filmen för dig på en levande resa till sanatoriernas tid: Den ger tittaren en sanatorieupplevelse full av överraskningar, och med hjälp av dokumentära bevis avslöjar den även hemligheter.</p><p>Lentävä kuolema avslöjar de glömda historierna om tuberkulosen och ger en möjlighet att tala om upplevelserna man har tigit om i över 50 år. Lentävä kuolema framskrider i två olika tidsplan växelvis mellan nutid och sanatoriets era och berättar en kollektiv berättelse i stället för individuella berättelser.</p><p>I de unika inspelningarna från 1971 från FLS:s arkiv berättar tre patienter om sina upplevelser av sanatorievardagen. Karaktärerna omfattas av den glada bondflickan Enne, Tenho som blir dyster till sinnet och religösa och nykära Kalevi. De arkivfilmer och fotografier som används i filmen har till stor del aldrig visats förr.</p><p>Längd: 70 min.</p><p>Åldersgräns: K-7</p><p>Fritt inträde!</p>", "en": "<p>The film Lentävä kuolema – ‘the flying death’ – is an X-ray of the scars left by tuberculosis, which we have been carrying in silence for decades.</p><p>The tuberculosis sanatorium was both heaven and hell within the same walls for the residents. The story of the epidemic features death, shame and isolation, but also tales of love at the sanatorium, joy and survival. Lentävä kuolema explores our national tragedy, revealing a sense of community, neighbourly love, and a systematic and determined effort to save human lives.</p><p>The film takes you on a vivid journey to the era of sanatoria: It offers the viewer a sanatorium experience full of surprises and reveals the secrets through the power of documentary evidence. 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– About the Kevätuhri – en ritual för fyra clowner.", "en": "Red Nose Company: About the Kevätuhri – About the Kevätuhri – a ritual for four clowns." }, "description": { "fi": "<p>Luvassa on täysin poikkeuksellinen näyttämöllepano Stravinskyn ja kumppaneiden ikonisen Kevätuhrin innoittamana.</p><p>Neljä klovnia tarttuvat suurteokseen ja perkaavat sävellyksen sekä sen sadat tulkinnat. He heittäytyvät toimeen täydellä sydämellä, kaikkensa likoon laittaen. Esityksessä klovnit tanssivat oman koreografiansa varta vasten heille sävellettyyn musiikkiin. Päämääränä on yhteyden kokemuksia voimistava rituaali, jossa ei uhrata enää yhtäkään nuorta tyttöä.<br> <br>Kevätuhrin ensi-ilta 1913 oli skandaali ja syntyi aikaan, jossa leijuivat ensimmäisen maailmansodan enteet. Djagilevin venäläinen baletti esitti ensi-illassa esityksen sinnikkäästi loppuun asti, vaikka yleisöstä osa juoksi huutaen karkuun. Nizinsky, Roerich ja Stravinsky loivat myyttisen tarinan, jossa ihmislajin väkivaltaisuus ja yhteisöllisyys, uhraaminen ja rituaalit tuotiin katsojien eteen paljaina ja pelotta. Kevätuhri vavisutti totuttuja kaavoja ja on vaikuttanut länsimaisen taiteen kehitykseen kenties enemmän kuin mikään muu teos.<br> <br>Ajassamme puhaltavat jälleen sodan tuulet. Klovneilla onkin suuri missio palauttaa rauha tähän maailmaan. Kevätuhrin alkuperäiskoreografin, Nizinskin innoittamana klovnit kääntävät katseensa maata kohden. Löytyykö luontoyhteyden vahvistamisesta tarvittavaa voimaa, jolla polarisaation, eriarvoistavan kehityksen ja väkivallan kierteen voisi kääntää parempaan suuntaan?<br> <br>Kevätuhrin aiemmat ja usein varsin vakavat tulkinnat ovat inspiroitumisen aarreaitta. Tällä kertaa komedialta ei voida välttyä, kun klovnit Babylon, ExMayhem, Hoenanen ja Ré avaavat omaa suhdettaan Stravinskyn musiikkiin, aikaisempiin koreografioihin, kevään piirileikkeihin, esivanhempiin, aikamme tietäjiin, uhraamiseen ja toisaalta uhrautumiseen. Mitä klovnit ovat itse valmiita uhraamaan? Entä ihmiskunta? Painaako vaakakupissa enemmän yhteinen hyvä vaiko sittenkin oma mielihyvä?<br> <br>Esitys on tulvillaan sanatonta komiikkaa.<br> <br>Kesto: 2 h sis. väliaika<br>Ikäsuositus: K13<br>Kieli: englanti, (suomi)</p><p>TYÖRYHMÄ<br><b> Käsikirjoitus ja koreografia </b>Työryhmä<br><b> Ohjaus</b> Niina Sillanpää<br><b> Näyttämöllä</b> Johanna Keinänen, Kaisa Niemi, Minna Puolanto ja Hanna Seppä<br><b> Musiikin sävellys ja äänisuunnittelu</b> Tommi Lindell<br><b> Valosuunnittelu</b>Juha Tuisku<br><b> Puku- ja lavastussuunnittelu</b> Paula Koivunen<br><b> Innoittajina</b> Igor Stravisky, Nikolai Roerich, Vatslav Nižinski…<br><b> Yhteistuotanto</b> Red Nose Company, Tanssiteatteri Tsuumi, Stoa<br><b> Kuvat</b> Jolle Onnismaa</p>", "sv": "<p>Clownerna dansar en koreografi till Stravinskijs storverk med stor passion och stort hjärta.</p><p>Det här är en helt exceptionell tolkning av Stravinskijs och hans samarbetspartners ikoniska Våroffer. Clownerna dansar en egen koreografi till detta storverk med stort hjärta, och satsar sitt allt. Målet är att hitta en ritual som stärker upplevelsen av kontakt i dag, när man inte längre offrar unga flickor.</p><p>Våroffrets premiär 1913 var en skandal och kom till i en tid då förebud om det första världskriget låg i luften. Djagilevs ryska balett slutförde premiärföreställningen, trots att en del av publiken skrikande flydde. Niżyński, Roerich och Stravinskij skapade en mytisk berättelse, där mänsklighetens våldsamhet och gemenskap, offer och ritualer lades fram för publiken öppet och oförskräckt. Våroffer skakade om de invanda mönstren och har påverkat den västerländska konstens utveckling kanske mer än något annat verk.</p><p>Krigets vindar blåser åter i vår tid. Clownerna har ett stort uppdrag att återställa freden i världen. Inspirerade av Niżyński, den ursprungliga koreografen för Våroffer, vänder clownerna blicken mot marken. Kan en starkare relation till naturen ge den kraft som behövs för att vända spiralen av polarisering, ökande ojämlikhet och våld?</p><p>De tidigare och ofta ganska seriösa tolkningarna av Våroffer är en skattkista av inspiration. Den här gången går det inte att undvika komik, när clownerna Babylon, ExMayhem, Hoenanen och Ré öppnar upp sin egen relation till Stravinskijs musik, vårens ringlekar, förfäder, vår tids schamaner, offer och uppoffringar. Vad är clownerna själva beredda att offra? Hur är det med mänskligheten? Väger det gemensamma bästa eller den egna njutningen tyngre?</p><p>Föreställningen flödar av ordlös komik!</p><p>Längd 2 timmar, inklusive paus<br>Åldersrekommendation: För vuxna, från 13 år<br>Språk: engelska, finska</p><p>ARBETSGRUPP<br>Manus: Arbetsgrupp<br>Regi: Niina Sillanpää<br>På scenen: Johanna Keinänen, Kaisa Niemi, Minna Puolanto och Hanna Seppä<br>Musik: Tommi Lindell feat. Igor Stravinskij<br>Ljuddesign: Tommi Lindell<br>Ljusdesign: Juha Tuisku<br>Musikalisk konsultation: Marzi Nyman<br>Kostym och scenografi: Paula Koivunen<br>Bilder: Jolle Onnismaa<br>Samproduktion: Red Nose Company, Tanssiteatteri Tsuumi, Stoa</p>", "en": "<p>The clowns will dance their choreography to Stravinsky's great work with great passion and all their heart.</p><p>The audience is in for an entirely exceptional interpretation of the iconic The Rite of Spring by Stravinsky and Co. The clowns will be dancing to their own choreography for this masterpiece with all their heart and soul. The aim is to find a contemporary ritual that will enhance the experience of connection, without sacrificing any more young girls.</p><p>The 1913 premiere of The Rite of Spring was a scandal and came at a time when the first signs of the coming First World War could be sensed. Diaghilev’s Ballets Russes ballet company performed the premiere of the piece with perseverance until the end, even though some of the audience members ran away screaming. Nizinsky, Roerich and Stravinsky created a mythical story in which the violence and communalism, sacrifice and rituals of the human species were fearlessly laid bare in front the audience. The Rite of Spring shook the familiar structures to their core and has influenced the development of Western art perhaps more than any other work.</p><p>War is once again a looming presence in our time. The clowns have a great mission to restore peace to this world. Inspired by Nijinsky, the original choreographer of The Rite of Spring, the clowns turn their gaze to the ground. Does strengthening their connection with nature lend them the necessary power to reverse the spiral of polarisation, inequality and violence?<br>The earlier and often quite serious interpretations of The Rite of Spring are a treasure trove of inspiration. 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"http://www.vuotalo.fi/en/events/event/FFE233CA54AC444330E14EE8E21410BC/Skidikino_S_" }, "name": { "fi": "Skidikino (S) – Myyrä ja herätyskello", "sv": "Skidikino (S) – Myyrä ja herätyskello", "en": "Skidikino (S) – Myyrä ja herätyskello" }, "description": { "fi": "<p>Kevään Skidikinossa moikataan myyrää! Myyrälle ja hänen ystävilleen aiheuttaa ihmetystä Myyrän kolon edestä löytynyt herätyskello. Sillä on hauska leikkiä, koska se tikittää ja sen viisareita voi käännellä.</p><p>Tsekkiläisen Zdenek Milerin luoma vekkuli Myyrä-hahmo tarjoaa ihastuttavan riemukkaita hetkiä kaikenikäisille! Elokuvassa on musiikkisäestys. Soveltuu myös perheen pienimmille.</p><p>Skidikino on lyhytelokuvahetki yli 3-vuotiaille. Se sopii päiväkotiryhmille ja kotihoidossa oleville alle kouluikäisille lapsille yhdessä aikuisen kanssa. Skidikinoihin liittyy Pikkukroko-oppimateriaali, jonka voi ladata Vuotalon nettisivuilta. Kuvitetussa materiaalissa aiheena on elokuvissa käynti. Vuotalo - Taidekasvatus</p><p>Kieli: sanaton <br>Kesto: n. 30 min <br>Hinta: 0 € <br>Ikäraja: S <br>Ryhmille pakolliset ilmoittautumiset: www.kultus.hel.fi <br>Lisätietoja: salla.fornaro@hel.fi</p>", "sv": "<p>Skidikino är en kortfilmssession för barn över 3 år. Passar för daghemsgrupper och barn under skolåldern som föräldrarna tar om hand hemma, tillsammans med en vuxen.</p><p>Till Skidikino finns läromaterialet Pikkukroko (Lilla krokodilen) som kan laddas ner på Vuotalos webbplats. Det illustrerade materialet behandlar temat biobesök. Vuotalo - Taidekasvatus <br> <br>Längd: ca. 30 min <br>Språk: ordlös <br>Anmälan för grupper på kultus.hel.fi <br>Mera info: salla.fornaro@hel.fi</p>", "en": "<p>Skidikino is a short film session for ages 3 and up. Suitable for daycare groups and children under school-age who are being cared for at home, accompanied by an adult.</p><p>Before your visit, you can download Pikkukroko (Little Crocodile) study materials from Vuotalo’s website. The illustrated material tells a story about going to the cinema. 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"2025-12-03T07:12:55.725697Z", "last_modified_time": "2026-03-20T01:14:00.850416Z", "date_published": null, "start_time": "2026-04-14T15:00:00Z", "end_time": null, "custom_data": null, "environmental_certificate": null, "environment": null, "audience_min_age": null, "audience_max_age": null, "super_event_type": null, "deleted": false, "maximum_attendee_capacity": null, "minimum_attendee_capacity": null, "enrolment_start_time": null, "enrolment_end_time": null, "local": false, "replaced_by": null, "info_url": { "fi": "http://www.stoa.fi/fi/tapahtumat/event/825BCA3D97CB1F03E5BAED2E9F76C44D/Red_Nose_Company_About_the_Kevatuhri", "sv": "http://www.stoa.fi/sv/evenemang/event/825BCA3D97CB1F03E5BAED2E9F76C44D/Red_Nose_Company_About_the_Kevatuhri", "en": "http://www.stoa.fi/en/events/event/825BCA3D97CB1F03E5BAED2E9F76C44D/Red_Nose_Company_About_the_Kevatuhri" }, "name": { "fi": "Red Nose Company: About the Kevätuhri – – rituaali neljälle klovnille", "sv": "Red Nose Company: About the Kevätuhri – About the Kevätuhri – en ritual för fyra clowner.", "en": "Red Nose Company: About the Kevätuhri – About the Kevätuhri – a ritual for four clowns." }, "description": { "fi": "<p>Luvassa on täysin poikkeuksellinen näyttämöllepano Stravinskyn ja kumppaneiden ikonisen Kevätuhrin innoittamana.</p><p>Neljä klovnia tarttuvat suurteokseen ja perkaavat sävellyksen sekä sen sadat tulkinnat. He heittäytyvät toimeen täydellä sydämellä, kaikkensa likoon laittaen. Esityksessä klovnit tanssivat oman koreografiansa varta vasten heille sävellettyyn musiikkiin. Päämääränä on yhteyden kokemuksia voimistava rituaali, jossa ei uhrata enää yhtäkään nuorta tyttöä.<br> <br>Kevätuhrin ensi-ilta 1913 oli skandaali ja syntyi aikaan, jossa leijuivat ensimmäisen maailmansodan enteet. Djagilevin venäläinen baletti esitti ensi-illassa esityksen sinnikkäästi loppuun asti, vaikka yleisöstä osa juoksi huutaen karkuun. Nizinsky, Roerich ja Stravinsky loivat myyttisen tarinan, jossa ihmislajin väkivaltaisuus ja yhteisöllisyys, uhraaminen ja rituaalit tuotiin katsojien eteen paljaina ja pelotta. Kevätuhri vavisutti totuttuja kaavoja ja on vaikuttanut länsimaisen taiteen kehitykseen kenties enemmän kuin mikään muu teos.<br> <br>Ajassamme puhaltavat jälleen sodan tuulet. Klovneilla onkin suuri missio palauttaa rauha tähän maailmaan. Kevätuhrin alkuperäiskoreografin, Nizinskin innoittamana klovnit kääntävät katseensa maata kohden. Löytyykö luontoyhteyden vahvistamisesta tarvittavaa voimaa, jolla polarisaation, eriarvoistavan kehityksen ja väkivallan kierteen voisi kääntää parempaan suuntaan?<br> <br>Kevätuhrin aiemmat ja usein varsin vakavat tulkinnat ovat inspiroitumisen aarreaitta. Tällä kertaa komedialta ei voida välttyä, kun klovnit Babylon, ExMayhem, Hoenanen ja Ré avaavat omaa suhdettaan Stravinskyn musiikkiin, aikaisempiin koreografioihin, kevään piirileikkeihin, esivanhempiin, aikamme tietäjiin, uhraamiseen ja toisaalta uhrautumiseen. Mitä klovnit ovat itse valmiita uhraamaan? Entä ihmiskunta? Painaako vaakakupissa enemmän yhteinen hyvä vaiko sittenkin oma mielihyvä?<br> <br>Esitys on tulvillaan sanatonta komiikkaa.<br> <br>Kesto: 2 h sis. väliaika<br>Ikäsuositus: K13<br>Kieli: englanti, (suomi)</p><p>TYÖRYHMÄ<br><b> Käsikirjoitus ja koreografia </b>Työryhmä<br><b> Ohjaus</b> Niina Sillanpää<br><b> Näyttämöllä</b> Johanna Keinänen, Kaisa Niemi, Minna Puolanto ja Hanna Seppä<br><b> Musiikin sävellys ja äänisuunnittelu</b> Tommi Lindell<br><b> Valosuunnittelu</b>Juha Tuisku<br><b> Puku- ja lavastussuunnittelu</b> Paula Koivunen<br><b> Innoittajina</b> Igor Stravisky, Nikolai Roerich, Vatslav Nižinski…<br><b> Yhteistuotanto</b> Red Nose Company, Tanssiteatteri Tsuumi, Stoa<br><b> Kuvat</b> Jolle Onnismaa</p>", "sv": "<p>Clownerna dansar en koreografi till Stravinskijs storverk med stor passion och stort hjärta.</p><p>Det här är en helt exceptionell tolkning av Stravinskijs och hans samarbetspartners ikoniska Våroffer. Clownerna dansar en egen koreografi till detta storverk med stort hjärta, och satsar sitt allt. Målet är att hitta en ritual som stärker upplevelsen av kontakt i dag, när man inte längre offrar unga flickor.</p><p>Våroffrets premiär 1913 var en skandal och kom till i en tid då förebud om det första världskriget låg i luften. Djagilevs ryska balett slutförde premiärföreställningen, trots att en del av publiken skrikande flydde. Niżyński, Roerich och Stravinskij skapade en mytisk berättelse, där mänsklighetens våldsamhet och gemenskap, offer och ritualer lades fram för publiken öppet och oförskräckt. Våroffer skakade om de invanda mönstren och har påverkat den västerländska konstens utveckling kanske mer än något annat verk.</p><p>Krigets vindar blåser åter i vår tid. Clownerna har ett stort uppdrag att återställa freden i världen. Inspirerade av Niżyński, den ursprungliga koreografen för Våroffer, vänder clownerna blicken mot marken. Kan en starkare relation till naturen ge den kraft som behövs för att vända spiralen av polarisering, ökande ojämlikhet och våld?</p><p>De tidigare och ofta ganska seriösa tolkningarna av Våroffer är en skattkista av inspiration. Den här gången går det inte att undvika komik, när clownerna Babylon, ExMayhem, Hoenanen och Ré öppnar upp sin egen relation till Stravinskijs musik, vårens ringlekar, förfäder, vår tids schamaner, offer och uppoffringar. Vad är clownerna själva beredda att offra? Hur är det med mänskligheten? Väger det gemensamma bästa eller den egna njutningen tyngre?</p><p>Föreställningen flödar av ordlös komik!</p><p>Längd 2 timmar, inklusive paus<br>Åldersrekommendation: För vuxna, från 13 år<br>Språk: engelska, finska</p><p>ARBETSGRUPP<br>Manus: Arbetsgrupp<br>Regi: Niina Sillanpää<br>På scenen: Johanna Keinänen, Kaisa Niemi, Minna Puolanto och Hanna Seppä<br>Musik: Tommi Lindell feat. Igor Stravinskij<br>Ljuddesign: Tommi Lindell<br>Ljusdesign: Juha Tuisku<br>Musikalisk konsultation: Marzi Nyman<br>Kostym och scenografi: Paula Koivunen<br>Bilder: Jolle Onnismaa<br>Samproduktion: Red Nose Company, Tanssiteatteri Tsuumi, Stoa</p>", "en": "<p>The clowns will dance their choreography to Stravinsky's great work with great passion and all their heart.</p><p>The audience is in for an entirely exceptional interpretation of the iconic The Rite of Spring by Stravinsky and Co. The clowns will be dancing to their own choreography for this masterpiece with all their heart and soul. The aim is to find a contemporary ritual that will enhance the experience of connection, without sacrificing any more young girls.</p><p>The 1913 premiere of The Rite of Spring was a scandal and came at a time when the first signs of the coming First World War could be sensed. Diaghilev’s Ballets Russes ballet company performed the premiere of the piece with perseverance until the end, even though some of the audience members ran away screaming. Nizinsky, Roerich and Stravinsky created a mythical story in which the violence and communalism, sacrifice and rituals of the human species were fearlessly laid bare in front the audience. The Rite of Spring shook the familiar structures to their core and has influenced the development of Western art perhaps more than any other work.</p><p>War is once again a looming presence in our time. The clowns have a great mission to restore peace to this world. Inspired by Nijinsky, the original choreographer of The Rite of Spring, the clowns turn their gaze to the ground. Does strengthening their connection with nature lend them the necessary power to reverse the spiral of polarisation, inequality and violence?<br>The earlier and often quite serious interpretations of The Rite of Spring are a treasure trove of inspiration. This time, comedy cannot be avoided, as clowns Babylon, ExMayhem, Hoenanen and Ré dance out their own relationship with Stravinsky's music, spring circle dances, ancestors, the seers of our time, sacrifice and self-sacrifice. What are the clowns themselves prepared to sacrifice? What about humanity? Is it the common good that matters more or our own pleasure?</p><p>The show is full of unspoken comedy!</p><p>Duration 2 hours, including intermission<br>Recommended age: For adults, over 13s<br>Language: English, Finnish</p><p>CREATIVE TEAM<br>Written by: The creative team<br>Directed by: Niina Sillanpää<br>On stage: Johanna Keinänen, Kaisa Niemi, Minna Puolanto and Hanna Seppä<br>Music: Tommi Lindell feat. 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"http://www.malmitalo.fi/fi/tapahtumat/event/B3D2B4F8FCFA28019E91C3F1B9659AE8/PROSESSISSA_esitys_teatteriesityksen_valmistamisesta", "sv": "http://www.malmitalo.fi/sv/evenemang/event/B3D2B4F8FCFA28019E91C3F1B9659AE8/PROSESSISSA_en_framstallning_om_utarbetande_av_en_teaterforestallning", "en": "http://www.malmitalo.fi/en/events/event/B3D2B4F8FCFA28019E91C3F1B9659AE8/PROSESSISSA_IN_PROCESS_a_show_about_the_making_of_a_theatre_performance" }, "name": { "fi": "PROSESSISSA – esitys teatteriesityksen valmistamisesta", "sv": "PROSESSISSA – en framställning om utarbetande av en teaterföreställning", "en": "PROSESSISSA – IN PROCESS, a show about the making of a theatre performance" }, "description": { "fi": "<p>PROSESSISSA-esityksessä Malmitalo muuntautuu taiteellisen prosessin näyttämöksi.</p><p>Yleisö pääsee reaaliajassa seuraamaan teatteritaiteilijoiden työskentelyä kokonaisuuden eri osa-alueiden parissa sekä vaikuttamaan illan päätteeksi Malmisalin estradilla nähtävän ainutkertaisen näyttämöteoksen sisältöön. Jos olet koskaan pohtinut, kuinka vuorovaikutteinen, todellisista elämäkokemuksista ponnistava esitysprosessi tapahtuu – tämä on esitys juuri sinulle!</p><p>Esitys on osa Helsingin Kaupunginteatterin Pääroolissa Malmi - hanketta, jossa toteutetaan alue- ja yhteisölähtöistä teatteri- ja taidetoimintaa. Hanke on yksi Helsingin kaupungin Helsingin malli -hankkeista.</p><p>Kuvassa Talvikki Eerola ja Reetta Kankare.</p><p>Esitys on maksuton, mutta liput täytyy varata ennakkoon. Lippujen varaus Lyytin kautta: https://www.lyyti.in/PROSESSISSA_esitys</p><p>Esityksen kieli on suomi. Suosittelemme esitystä yli 13-vuotiaille.</p><p>Esityksen kesto 2 t 30 min, sis väliajan</p><p>Työryhmä</p><p>Esityskonsepti:<br>Laura Ikonen, Aleksi Kinnunen, Janne Puustinen</p><p>Taiteelliset suunnittelijat ja osallistavien pisteiden vetäjät:<br>Laura Ikonen, Jenny Jumppanen, Riikka Karjalainen, Aleksi Kinnunen, Mirja Neuvonen, Janne Puustinen</p><p>Näyttelijät:<br>Laura Ikonen, Reetta Kankare, Heli Lyytikäinen</p><p>Avustajaoppaat:<br>Mari Ikonen, Marina Toivonen</p><p>Tuotanto:<br>Helsingin Kaupunginteatterin yleisötyö / Pääroolissa Malmi, Malmitalo</p>", "sv": "<p>I föreställningen PROSESSISSA omvandlas Malms kulturhus till en scen för den konstnärliga processen.</p><p>Publiken kan i realtid följa teaterkonstnärernas arbete bland de olika delområdena i helheten och i slutet av kvällen påverka innehållet i ett unikt scenuppförande som ses på Malmsalens estrad. <br> <br>Föreställningen är en del av Helsingfors stadsteaters projekt Pääroolissa Malmi (Malm i huvudrollen), i vilken man genomför regional och samhällsbaserad teater- och konstverksamhet. Projektet är ett av Helsingfors stads Helsingforsmodellen-projekt.<br> <br>På bilden: Talvikki Eerola och Reetta Kankare.</p><p>Föreställningen är avgiftsfri, men biljetterna måste förhandsbokas. Biljetterna till föreställningen finns tillgängliga i februari 2026.</p><p>Föreställningens språk är finska.</p>", "en": "<p>The PROSESSISSA performance transforms Malmitalo into a stage for an artistic process.</p><p>The audience will be given the chance to see the work of the theatre artists in real time and will be shown how the artists work on the different aspects of the performance. They will also be able to influence the content of this unique performance work, shown on the stage of Malmi Hall at the end of the evening. <br> <br>The performance is part of the Helsinki City Theatre's Pääroolissa Malmi (Starring Malmi) project, which implements regional and community-based theatre and art activities. This project is one of the City of Helsinki's Helsinki Model projects.<br> <br>Pictured Talvikki Eerola and Reetta Kankare.</p><p>The performance is free of charge, but tickets must be booked in advance. Tickets for the show will be available in February 2026.</p><p>The performance will be in Finnish.</p>" }, "provider_contact_info": null, "location_extra_info": null, "provider": null, "short_description": { "fi": "PROSESSISSA-esityksessä Malmitalo muuntautuu taiteellisen prosessin näyttämöksi.", "sv": "I föreställningen PROSESSISSA omvandlas Malms kulturhus till en scen för den konstnärliga processen.", "en": "The PROSESSISSA performance transforms Malmitalo into a stage for an artistic process." }, "@id": "https://linkedevents.api.test.hel.ninja/v1/event/kulke:67589/?format=api", "@context": "http://schema.org", "@type": "Event/LinkedEvent" }, { "id": "kulke:67468", "has_user_editable_resources": false, "location": { "id": "tprek:8740", "has_user_editable_resources": false, "data_source": "tprek", "publisher": "ahjo:u021800", "divisions": [ { "type": "muni", "ocd_id": "ocd-division/country:fi/kunta:helsinki", "municipality": null, "name": { "fi": "Helsinki", "sv": "Helsingfors" } }, 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"description": { "fi": "<p>Tule mukaan laulamaan! Suositut Malmitalon yhteislaulut jatkuvat keväällä 2026!</p><p>Jukka Okkosen ja Pauli Kainulaisen johdolla jokainen saa laulaa sydämensä kyllyydestä ihania ikisuosikkeja.<br>Yhteislauluja järjestetään Malmitalon pienessä salissa kuukauden ensimmäisinä tiistaina seuraavasti:</p><p>Ti 13.1. klo 17.00<br>Ti 3.2. klo 17.00<br>Ti 10.3. klo 17.00<br>Ti 14.4. klo 17.00<br>Ti 12.5. klo 17.00</p><p>Kesto: 1 t<br>Vapaa pääsy</p>", "sv": "<p>Kom med och sjung! Den populära allsången på Malms kulturhus fortsätter våren 2026!</p><p>Under ledning av Jukka Okkonen och Pauli Kainulainen får var och en sjunga härliga favoriter med hela sitt hjärta.<br>Allsången ordnas i den lilla salen i Malms kulturhus den första tisdagen i månaden enligt följande:</p><p>Tis 13.1 kl. 17.00<br>Tis 3.2 kl. 17.00<br>Tis 10.3 kl. 17.00<br>Tis 14.4 kl. 17.00<br>Tis 12.5 kl. 17.00</p><p>Längd: 1 h<br>Fritt inträde</p>", "en": "<p>Come sing with us! 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Pääset harjoittamaan kädentaitojasi ja kokeilemaan, miten erilaiset materiaalit taipuvat uuteen käyttöön.</p><p>Huhtikuussa järjestetään kolme työpajaa Roskaa!-näyttelyn keskellä, Vuotalon aulassa. Saat kaikki tarvittavat materiaalit paikan päältä. Työpajat eivät maksa mitään. Työpajat sopivat kaiken ikäisille, mutta alle kouluikäiset voivat osallistua vain oman aikuisen seurassa.</p><p>Roskasta kaunista -pajat toteutetaan yhteistyössä Työväenopiston kanssa. Työpajoja ohjaa Kristiina Tergujeff. 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Havukainen, Inkeri Hyvönen, Ella Lahdenmäki<br>Koreografia: Antton Laine ja työryhmä<br>Äänisuunnittelu: Roy Boswell, Oscar Fagerudd ja työryhmä<br>Video: Työryhmän kotivideoista ja arkistomateriaaleista koostanut Liisa Mudist<br>Kiertueen valosuunnittelu: Heikki Paasonen<br>Kiertueen skenografia: Heikki Paasonen ja työryhmä<br>Kiertueen teknikot: Oscar Fagerudd, Aleksi Karjalainen ja Pinja Kokkonen<br>Kiertueen tour manager: Jukka Siurua<br>Kiertueen tuotanto: Ella Lahdenmäki ja työryhmä<br>Esityskuvat: Jukka Hämeenniemi / @agg_dad Juliste: Jaakko Pietiläinen</p><p>Suositusikäraja: K-12<br>Esityksen kesto: 1 h 45 min, ei väliaikaa</p><p>Permanto K18 anniskelualue. Parveke ikärajaton, ei anniskelua.</p><p>Esitystä ovat tukeneet: Kansan sivistysrahasto (presidentti Tarja Halosen rahasto), Ida Aalberg -säätiö (Petra Uexküllin rahasto), Samuel Huberin taidesäätiö, Helsingin kaupunki, SKR Pirkanmaa, SKR Uusimaa, SKR Varsinais-Suomi</p>", "sv": "<p>Jumppatytöt är en föreställning om estetisk truppgymnastik.</p><p>Den beskriver tidigare gymnasters resa till sina tidigare och nuvarande kroppar – träning, tävling, jämförelser, bedömning, glädje, skönhet, gemenskap och kamratskap.<br>Föreställningen är en hyllning till den finländska damgymnastiken och till alla som någon gång tränat så att de fått blodsmak i munnen.<br>Ett särskilt tack till dagböckerna från 1998–2009 och till de flickor som orkade skriva i dem och behöll dem trots skammen.</p><p>”NJUT!”</p><p>Om skaparna av Jumppatytöt-turnén:</p><p>Text, regi, dramaturgi, framförande: Katariina Havukainen, Inkeri Hyvönen, Ella Lahdenmäki<br>Koreografi: Antton Laine och en arbetsgrupp<br>Ljuddesign: Roy Boswell, Oscar Fagerudd och en arbetsgrupp<br>Video: Liisa Mudist har sammanställt arbetsgruppens hemmavideor och arkivmaterial<br>Ljusdesign för turnén: Heikki Paasonen<br>Turnéns scenografi: Heikki Paasonen och en arbetsgrupp<br>Tekniker under turnén: Oscar Fagerudd, Aleksi Karjalainen och Pinja Kokkonen<br>Tour manager för turnén: Jukka Siurua<br>Turnéproduktion: Ella Lahdenmäki och en arbetsgrupp<br>Bilder från föreställningen: Jukka Hämeenniemi/@agg_dad Juliste: Jaakko Pietiläinen</p><p>Åldersrekommendation: K-12<br>Föreställningens längd: 1 h 45 min, ingen paus</p><p>Parkett K-18-område med serveringstillstånd. Balkongen utan åldersgräns, ingen servering.</p><p>Föreställningen har fått stöd av: Folkets Kulturfond (president Tarja Halonens fond), Ida Aalberg-stiftelsen (Petra Uexkülls fond), Samuel Hubers konststiftelse, Helsingfors stad, Finska Kulturfonden Birkaland, Finska Kulturfonden Nyland, Finska Kulturfonden Egentliga Finland</p>", "en": "<p>Jumppatytöt (‘Gymnastics Girls’) is a performance about team gymnastics.</p><p>It is a journey of former gymnasts into past and present bodies – into training, competition, comparison, evaluation, joy, beauty, communality and peerage.<br>The performance is an ode to Finnish women’s gymnastics and to everyone who has ever practised until they can taste metal in their mouth.<br>Special thanks to diary entries from 1998–2009 and the girls who kept writing them and held onto them despite the embarrassment.</p><p>“ENJOY!”</p><p>Jumppatytöt tour creative team:</p><p>Script, direction, dramaturgy, performance: Katariina Havukainen, Inkeri Hyvönen, Ella Lahdenmäki<br>Choreography: Antton Laine and the team<br>Sound design: Roy Boswell, Oscar Fagerudd and the team<br>Video: Compiled by Liisa Mudist from the team’s home videos and archival material<br>Lighting design for the tour: Heikki Paasonen<br>Scenography for the tour: Heikki Paasonen and the team<br>Tour technicians: Oscar Fagerudd, Aleksi Karjalainen and Pinja Kokkonen<br>Tour manager: Jukka Siurua<br>Tour production: Ella Lahdenmäki and the team<br>Performance images: Jukka Hämeenniemi / @agg_dad Poster: Jaakko Pietiläinen</p><p>Minimum age recommendation: 12<br>Performance duration: 1 h 45 min, no intermission</p><p>The floor: R18 alcohol serving area. 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Esitystoiminnan lisäksi Kanneltalo on Kaarelan alueen asukkaiden yhteinen olohuone. Viihtyisä aula tarjoaa vapaata oleskelutilaa, korkea galleria kutsuu tutustumaan vaihtuviin näyttelyihin ja kahvilassa järjestetään maksuttomia esityksiä ja tapahtumia. Saman katon alta löytyy myös kirjasto, työväenopisto ja nuorisotalo.", "sv": "Flera urpremiärer och mångsidigt med gästprogram syns varje år på Gamlasgårdens scen. Utöver teater- och konsertverksamheten är Gamlasgården också ett gemensamt vardagsrum för områdets invånare. Den trivsamma aulan har rum för fri vistelse, det höga galleriet bjuder in till olika utställningar och i caféet arrangeras avgiftsfria uppträdanden och evenemang. Under samma tak finns också ett bibliotek, ett arbetarinstitut och en ungdomsgård.", "en": "In addition to a performance venue, Kanneltalo also serves as the shared living room of the residents of the Kaarela area. 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Kaikki ovat tervetulleita, ikään katsomatta. Iltapäivät ovat ilmaisia ja tarvittavat materiaalit saa paikan päältä.</p><p>Pistäydy tai viihdy vaikka koko aika!</p><p>Työpajoja ohjaavat nuorisotyöntekijä sekä nuoret itse. Tarkemmasta ohjelmasta kerrotaan Vuotalon aulassa ja somekanavissa viimeistään viikkoa ennen.</p><p>Vapaa pääsy</p><p>Huom! Ei järjestetä 6.4.2026.</p>", "sv": "<p>På måndagseftermiddagarna utlovas pyssel, hantverk och trevlig samvaro.</p><p>Ungdomar i Nordsjö har kommit med idéer om vad man kan göra när skol- eller arbetsdagen är slut. Alla är välkomna, oavsett ålder. Eftermiddagarna är kostnadsfria och det nödvändiga materialet finns tillgängligt på plats. Titta in eller stanna hela tiden!</p><p>Workshopparna leds av en ungdomsledare och ungdomarna själva. 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Luvassa on sarja intiimejä konsertteja, joissa Saijonmaan säestäjänä toimii huippupianisti <b>Petri Somer</b>. Kiertue saapuu Helsingin Savoy-teatteriin lauantaina 11. huhtikuuta.</p><p>Ainutlaatuinen ja henkilökohtainen kiertue on nimetty Saijonmaan lokakuussa ilmestyneen omaelämäkerran mukaan ja kyseessä on hänen ensimmäinen laaja kiertueensa Suomessa pitkään aikaan. Väliajallisten konserttien jälkeen järjestetään kirjailijatapaaminen, jossa Saijonmaa signeeraa kirjoja ja albumejaan.</p><p><i>“Elämäni laulut ovat tulleet luokseni mystisillä tavoilla, aivan kuin ne olisivat etsineet minua maailmalta. Laulu vapaudelle -kiertueella haluan jakaa nämä maagiset tarinat yleisön kanssa. On ihanaa vihdoin päästä tekemään pitkä kiertue läpi rakkaan synnyinmaani!”</i> -Arja Saijonmaa</p><p>Saijonmaa on yksi Pohjoismaiden kautta aikain ikonisimpia laulajia ja oman tiensä kulkijoita. Saijonmaan 50-vuotinen ura pitää sisällään merkittäviä hetkiä: Saijonmaa on laulanut Mihail Gorbatshovin kanssa, seikkaillut Keski-Amerikan viidakoissa, vieraillut Jasser Arafatin aavikkobunkkerissa ja noussut laulajatähdeksi niin Suomessa, Ruotsissa kuin Norjassa. Hänen elämäänsä taiteilijana on leimannut menestys, mutta hän on kokenut myös kovia takaiskuja niin urallaan kuin henkilökohtaisessa elämässään. Tästä kaikesta hän kertoo koskettavasti ja viihdyttävästi, usein pieni pilke silmäkulmassa. Laulu vapaudelle on unohtumaton tarina lahjakkaasta taiteilijasta, joka on elänyt häkellyttävän rikkaan elämän.</p><p>Arja Saijonmaa aloitti laulajan ja näyttelijän uransa 1960-luvun Ylioppilasteatterissa ja tuli suuren yleisön tietosuuteen Mikis Theodorakisin laulujen tulkitsijana. Saijonmaan tunnetuimpiin kappaleisiin lukeutuvat mm. Ystävän laulu, Högt över havet ja Miten voin kyllin kiittää. Hänet on nähty viime vuosina mm. Elämäni biisi -ohjelman tähtilaulajana sekä ruotsalaisessa Så Mycket Bättre -ohjelmassa.</p><p>Hän on kerännyt mainetta myös muualla maailmassa, ja Ruotsin kuningaspari palkitsi hänet arvostetulla Litteris et Artibus -ansiomerkillä keväällä 2025. Saijonmaa on ollut uransa alusta lähtien aktiivinen ihmisoikeuksien puolestapuhuja, ja hän on toiminut YK:n hyvän tahdon lähettiläänä.</p><p>Kesto n. 2,5 h, sisältää väliajan</p><p>Ikäraja: K-18</p><p>Permanto anniskelualue. Parvekkeella ei anniskelua.</p>", "sv": "<p>Arja Saijonmaa, som är en av vår tids mest älskade sångerskor, ger sig under våren 2026 ut på konsertturnén Laulu vapaudelle, där den eldiga artisten berättar om sin fantastiska livshistoria genom sina mest älskade sånger och berättelser. Turnén kommer till Savoy-teatern i Helsingfors lördagen den 11 april.</p><p>Den unika och personliga turnén har fått sitt namn efter Saijonmaas självbiografi En sång om frihet som kom ut i oktober, och är hennes första stora turné i Finland på länge. Efter konserterna, som inkluderar en paus, ordnas ett författarevenemang där Saijonmaa signerar sina böcker och skivor.</p><p>”Sångerna i mitt liv har kommit till mig på mystiska sätt, som om de letat efter mig i världen. Under Laulu vapaudelle-turnén vill jag dela dessa magiska berättelser med publiken. Det är underbart att äntligen få göra en lång turné i mitt kära fosterland!” – Arja Saijonmaa</p><p>Saijonmaa är en av de mest ikoniska sångerskorna i Norden genom tiderna, och en som går sina egna vägar. Saijonmaas 50-åriga karriär har innehållit många stora ögonblick: Hon har sjungit med Michail Gorbatjov, varit på äventyr i Centralamerikas djungel, besökt Yassir Arafats ökenbunker och blivit en stjärna såväl i Finland som i Sverige och Norge. Hennes liv som artist har präglats av framgångar, men hon har också upplevt tuffa motgångar i karriären och privatlivet. Om allt detta berättar hon på ett berörande och underhållande sätt, ofta med glimten i ögat. Sången om frihet är en oförglömlig berättelse om en begåvad artist som har levt ett fantastiskt rikt liv.</p><p>Arja Saijonmaa inledde sin karriär som sångerska och skådespelerska på Ylioppilasteatteri på 1960-talet och blev känd för den stora allmänheten som tolkare av Mikis Theodorakis sånger. Till hennes mest kända låtar hör Ystävän laulu, Högt över havet och Jag vill tacka livet. På senare år har hon synts som stjärnsångerska i programmet Mitt livs låt och i Så Mycket Bättre i Sverige.</p><p>Hon har också blivit berömd i andra delar av världen, och det svenska kungaparet belönade henne med den prestigefyllda utmärkelsen Litteris et Artibus våren 2025. Saijonmaa har varit en aktiv förespråkare för mänskliga rättigheter sedan början av sin karriär och har varit FN:s goodwill-ambassadör.</p><p>Längd ca 2,5 h, inklusive paus.</p><p>Åldersgräns: K-18.</p><p>Parketten är ett område med serveringstillstånd. Ingen servering på balkongen.</p>", "en": "<p>One of the most beloved singers of our time, Arja Saijonmaa will embark on a concert tour entitled Laulu vapaudelle (‘Song for Freedom’) in spring 2026, where the fiercely spirited artist will tell her amazing life story to audiences through her most beloved songs and stories. The tour will arrive at the Savoy Theatre in Helsinki on Saturday 11 April.</p><p>The unique and personal tour is named after Saijonmaa’s autobiography published in October, and is the artist’s first extensive tour in Finland in a long time. After the concerts and their intermissions, Saijonmaa will hold a meet and greet session where she will sign books and albums.</p><p>“The songs of my life have come to me in mysterious ways, as if they were searching for me around the world. On the Laulu vapaudelle tour, I want to share these magical stories with the audience. It’s wonderful to finally be able to do a long tour across my beloved native country!” – Arja Saijonmaa</p><p>Saijonmaa is one of the most iconic Nordic singers and trailblazers of all time. Her 50-year career has included some remarkable moments: Saijonmaa has sung with Mikhail Gorbachev, adventured in the jungles of Central America, visited Yasser Arafat’s desert bunker and risen to singing stardom in Finland, Sweden and Norway alike. Her life as an artist has been marked by success, but she has also experienced tough setbacks in her career and personal life. She tells all this in a touching and entertaining way, often with a twinkle in her eye. Laulu vapaudelle is an unforgettable story about a talented artist who has lived a stunningly rich life.</p><p>Arja Saijonmaa began her singing and acting career in the 1960s at Helsinki Student Theatre and came to the public’s attention as an interpreter of songs by Mikis Theodorakis. Some of Saijonmaa’s best-known songs include Ystävän laulu, Högt över havet and Miten voin kyllin kiittää. In recent years, she has appeared as the star singer of the Elämäni biisi TV show and on the Swedish show Så Mycket Bättre, among others.</p><p>She has also gained fame in other parts of the world and was granted the prestigious Litteris et Artibus award by the King and Queen of Sweden in spring 2025. Saijonmaa has been an active advocate of human rights since the beginning of her career, and she has served as a UN Goodwill Ambassador.</p><p>Duration: roughly 2.5 h, incl. intermission</p><p>Age rating: 18+</p><p>The floor: R18 alcohol serving area. 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– About the Kevätuhri – en ritual för fyra clowner.", "en": "Red Nose Company: About the Kevätuhri – About the Kevätuhri – a ritual for four clowns." }, "description": { "fi": "<p>Luvassa on täysin poikkeuksellinen näyttämöllepano Stravinskyn ja kumppaneiden ikonisen Kevätuhrin innoittamana.</p><p>Neljä klovnia tarttuvat suurteokseen ja perkaavat sävellyksen sekä sen sadat tulkinnat. He heittäytyvät toimeen täydellä sydämellä, kaikkensa likoon laittaen. Esityksessä klovnit tanssivat oman koreografiansa varta vasten heille sävellettyyn musiikkiin. Päämääränä on yhteyden kokemuksia voimistava rituaali, jossa ei uhrata enää yhtäkään nuorta tyttöä.<br> <br>Kevätuhrin ensi-ilta 1913 oli skandaali ja syntyi aikaan, jossa leijuivat ensimmäisen maailmansodan enteet. Djagilevin venäläinen baletti esitti ensi-illassa esityksen sinnikkäästi loppuun asti, vaikka yleisöstä osa juoksi huutaen karkuun. Nizinsky, Roerich ja Stravinsky loivat myyttisen tarinan, jossa ihmislajin väkivaltaisuus ja yhteisöllisyys, uhraaminen ja rituaalit tuotiin katsojien eteen paljaina ja pelotta. Kevätuhri vavisutti totuttuja kaavoja ja on vaikuttanut länsimaisen taiteen kehitykseen kenties enemmän kuin mikään muu teos.<br> <br>Ajassamme puhaltavat jälleen sodan tuulet. Klovneilla onkin suuri missio palauttaa rauha tähän maailmaan. Kevätuhrin alkuperäiskoreografin, Nizinskin innoittamana klovnit kääntävät katseensa maata kohden. Löytyykö luontoyhteyden vahvistamisesta tarvittavaa voimaa, jolla polarisaation, eriarvoistavan kehityksen ja väkivallan kierteen voisi kääntää parempaan suuntaan?<br> <br>Kevätuhrin aiemmat ja usein varsin vakavat tulkinnat ovat inspiroitumisen aarreaitta. Tällä kertaa komedialta ei voida välttyä, kun klovnit Babylon, ExMayhem, Hoenanen ja Ré avaavat omaa suhdettaan Stravinskyn musiikkiin, aikaisempiin koreografioihin, kevään piirileikkeihin, esivanhempiin, aikamme tietäjiin, uhraamiseen ja toisaalta uhrautumiseen. Mitä klovnit ovat itse valmiita uhraamaan? Entä ihmiskunta? Painaako vaakakupissa enemmän yhteinen hyvä vaiko sittenkin oma mielihyvä?<br> <br>Esitys on tulvillaan sanatonta komiikkaa.<br> <br>Kesto: 2 h sis. väliaika<br>Ikäsuositus: K13<br>Kieli: englanti, (suomi)</p><p>TYÖRYHMÄ<br><b> Käsikirjoitus ja koreografia </b>Työryhmä<br><b> Ohjaus</b> Niina Sillanpää<br><b> Näyttämöllä</b> Johanna Keinänen, Kaisa Niemi, Minna Puolanto ja Hanna Seppä<br><b> Musiikin sävellys ja äänisuunnittelu</b> Tommi Lindell<br><b> Valosuunnittelu</b>Juha Tuisku<br><b> Puku- ja lavastussuunnittelu</b> Paula Koivunen<br><b> Innoittajina</b> Igor Stravisky, Nikolai Roerich, Vatslav Nižinski…<br><b> Yhteistuotanto</b> Red Nose Company, Tanssiteatteri Tsuumi, Stoa<br><b> Kuvat</b> Jolle Onnismaa</p>", "sv": "<p>Clownerna dansar en koreografi till Stravinskijs storverk med stor passion och stort hjärta.</p><p>Det här är en helt exceptionell tolkning av Stravinskijs och hans samarbetspartners ikoniska Våroffer. Clownerna dansar en egen koreografi till detta storverk med stort hjärta, och satsar sitt allt. Målet är att hitta en ritual som stärker upplevelsen av kontakt i dag, när man inte längre offrar unga flickor.</p><p>Våroffrets premiär 1913 var en skandal och kom till i en tid då förebud om det första världskriget låg i luften. Djagilevs ryska balett slutförde premiärföreställningen, trots att en del av publiken skrikande flydde. Niżyński, Roerich och Stravinskij skapade en mytisk berättelse, där mänsklighetens våldsamhet och gemenskap, offer och ritualer lades fram för publiken öppet och oförskräckt. Våroffer skakade om de invanda mönstren och har påverkat den västerländska konstens utveckling kanske mer än något annat verk.</p><p>Krigets vindar blåser åter i vår tid. Clownerna har ett stort uppdrag att återställa freden i världen. Inspirerade av Niżyński, den ursprungliga koreografen för Våroffer, vänder clownerna blicken mot marken. Kan en starkare relation till naturen ge den kraft som behövs för att vända spiralen av polarisering, ökande ojämlikhet och våld?</p><p>De tidigare och ofta ganska seriösa tolkningarna av Våroffer är en skattkista av inspiration. Den här gången går det inte att undvika komik, när clownerna Babylon, ExMayhem, Hoenanen och Ré öppnar upp sin egen relation till Stravinskijs musik, vårens ringlekar, förfäder, vår tids schamaner, offer och uppoffringar. Vad är clownerna själva beredda att offra? Hur är det med mänskligheten? Väger det gemensamma bästa eller den egna njutningen tyngre?</p><p>Föreställningen flödar av ordlös komik!</p><p>Längd 2 timmar, inklusive paus<br>Åldersrekommendation: För vuxna, från 13 år<br>Språk: engelska, finska</p><p>ARBETSGRUPP<br>Manus: Arbetsgrupp<br>Regi: Niina Sillanpää<br>På scenen: Johanna Keinänen, Kaisa Niemi, Minna Puolanto och Hanna Seppä<br>Musik: Tommi Lindell feat. 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Diaghilev’s Ballets Russes ballet company performed the premiere of the piece with perseverance until the end, even though some of the audience members ran away screaming. Nizinsky, Roerich and Stravinsky created a mythical story in which the violence and communalism, sacrifice and rituals of the human species were fearlessly laid bare in front the audience. The Rite of Spring shook the familiar structures to their core and has influenced the development of Western art perhaps more than any other work.</p><p>War is once again a looming presence in our time. The clowns have a great mission to restore peace to this world. Inspired by Nijinsky, the original choreographer of The Rite of Spring, the clowns turn their gaze to the ground. Does strengthening their connection with nature lend them the necessary power to reverse the spiral of polarisation, inequality and violence?<br>The earlier and often quite serious interpretations of The Rite of Spring are a treasure trove of inspiration. 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ostoksille tai varaa oma myyntipöytä! 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Klubi tarjoilee mukaansa tempaavan musiikin lisäksi myös muuta mukavaa lapsille sopivaa ohjelmaa. Aloitetaan viikonloppu yhdessä!</p><p>Tapahtumassa myös työpaja koko perheelle!</p><p><b>Reditus Duo</b><br>Toinen Brasiliasta, toinen Italiasta – kohtaamispaikka: Tallinna. Juuri Viron pääkaupungissa syntyi Reditus Duo. Duoon kuuluvat Marcelo Chacur Politano (sävellykset, kitara ja perinteiset huilut) sekä Francesco Pio Russo (fagotti ja saksofonit). Molemmat muusikot työskentelevät Virossa tohtorintutkimustensa parissa Viron musiikki- ja teatteriakatemiassa, ja heidän musiikillinen yhteistyönsä ylittää perinteiset tyylirajat klassisen, jazzin ja kansanmusiikin kohdatessa läheisessä kulttuurienvälisessä vuoropuhelussa.</p><p>Ohjelma koostuu Marcelo Politanon sävellyksistä, jotka saavat inspiraationsa Etelä-Amerikan ja Viron kansanmusiikkiperinteistä, sekä hetkistä, joissa korostuu vapaa improvisaatio. Osa teoksista toimii improvisaation kehyksinä, kun taas toiset on sävelletty tuomaan esiin soittimien mekaanisia tai kulttuurisia erityispiirteitä sekä muusikoiden ainutlaatuista taiteellista ilmaisua.</p><p>Konsertti ilmentää paluuta yhteisiin musiikillisiin juuriin sekä kulttuuristen ja tyylillisten rajojen ylittämistä. Tämä musiikillinen välitila – sävellyksen ja improvisaation, eri lajien ja perinteiden välissä – heijastaa molempien muusikoiden taiteellisen tutkimuksen ydintä Viron musiikki- ja teatteriakatemiassa sekä Sibelius-Akatemiassa. Marcelo Politanon tutkimus keskittyy kulttuurienväliseen säveltämiseen, kun taas Francesco Russo tutkii improvisaatiotekniikoita fagotilla.</p><p><b>Sayan</b><br>Sayan on dynaaminen musiikkitrio, joka yhdistää persialaisen musiikin rikkaan perinteen globaalin näkökulman kanssa. Yhtyeessä soivat kamanche, qanun ja lyömäsoittimet, ja heidän äänimaailmansa rakentaa sillan perinnön ja nykyilmaisun välille. Persialaiseen musiikkiperinteeseen juurtunut Sayan vaalii kulttuurinsa ydintä samalla kun se tutkii uusia ulottuvuuksia improvisaation, yhteistyön ja oman sävellystyön kautta.</p><p><b>Lumoava hiekkamaalaustyöpaja</b><br>Maksuton ja kaikille avoin työpaja. Hiekalla luodut kuviot valuvat, leviävät, aaltoilevat, katoavat ja muuttuvat toisenlaiseksi jatkuvasti. Pienimmät lapset ovat tervetulleita työpajaan oman aikuisen seurassa. <br>Paikka: Kanneltalon galleria <br>Aika: klo 18–20</p><p>Global Club Nights -klubien tavoitteena on turvallisen, osallistavan ja luovan ympäristön luominen ja siltojen rakentaminen kaikkien musiikin ystävien ja heidän yhteisöjensä välille. Global Club Nights on tuotettu yhteistyössä Sibelius-Akatemian globaalin musiikin osaston ja Kanneltalon kanssa.</p><p>Tapahtumilla pyritään rakentamaan siltoja kaikkien musiikin ystävien ja heidän yhteisöjensä välille. Kulttuurikeskus Kanneltalo tuottaa Global Club Nights (GCN) -illat yhteistyössä Sibelius-Akatemian Global Music -koulutusohjelman ja Maailman musiikin keskuksen kanssa.</p><p>Paikka: Kahvilan Stage<br>klo 18-20.30<br>Vapaa pääsy</p>", "sv": "<p>Global Club Nights (GCN) är en klubbserie där människor som arbetar med och älskar musik samlas för att fira musiken tillsammans.</p><p>De avgiftsfria klubbkvällarna börjar tidigt, så barn är också välkomna i sällskap av en vuxen. Låt oss inleda veckoslutet tillsammans!</p><p><b>Residus Duo</b> <br>En från Brasilien, den andra från Italien – mötesplats: Tallinn. Det var i Estlands huvudstad som Reditus Duo föddes. Duon består av Marcelo Chacur Politano (kompositioner, gitarr och traditionella flöjter) och Francesco Pio Russo (fagott och saxofoner). De två musikerna, som båda bedriver doktorsstudier vid Estlands musik- och teaterakademi, presenterar en ljudlig utforskning som överskrider traditionella genregränser genom mötet mellan klassisk musik, jazz och folkmusik i en nära interkulturell dialog.<br>Programmet inkluderar kompositioner av Marcelo Politano, inspirerade av sydamerikanska och estniska folktraditioner, samt stunder av fri improvisation. Vissa stycken fungerar som ramar för improvisation, medan andra är skrivna för att framhäva specifika mekaniska eller kulturella egenskaper hos instrumenten och musikernas unika konstnärskap.</p><p>Konserten uttrycker dessutom en återgång till gemensamma musikaliska rötter och överskridandet av kulturella och stilistiska gränser. Detta gränsland inom musiken – mellan komposition och improvisation, mellan genrer och traditioner – speglar kärnan i båda musikernas konstnärliga forskning vid Estlands musik- och teaterakademi och Sibelius-Akademin. Marcelo Politanos forskning fokuserar på interkulturell komposition, medan Francesco Russo undersöker improvisationstekniker på fagott.</p><p><b>Sayan</b><br>Sayan är en dynamisk musiktrio som förenar den rika persiska musiktraditionen med ett globalt perspektiv. Ensemblen består av kamanche, qanun och slagverk, och skapar ett ljudlandskap som bygger en bro mellan tradition och modern uttrycksform.<br>Med rötter i den persiska musikkulturen värnar Sayan om sin kulturella essens samtidigt som gruppen utforskar nya dimensioner genom improvisation, samarbeten och originalkompositioner.</p><p>Syftet med klubbarna är att skapa en trygg, inkluderande och kreativ miljö och bygga broar mellan alla musikälskare och deras gemenskaper. Global Club Nights har producerats i samarbete med avdelningen för global musik vid Sibelius-Akademin och Gamlasgården.</p><p>Evenemangen syftar till att bygga broar mellan alla musikälskare och deras gemenskaper. Kulturcentret Gamlasgården producerar Global Club Nights (GCN)-kvällarna i samarbete med Sibelius-Akademins utbildningsprogram Global Music.</p>", "en": "<p>Global Club Nights (GCN) is a club series where people who work with and love music come together to celebrate music.</p><p>The free club nights start early, so children are welcome when accompanied by an adult. In addition to exciting music, the club also offers other fun activities suitable for children. Let's start the weekend together!</p><p><b>Reditus Duo</b><br>One from Brazil, the other from Italy, the meeting place: Tallinn. It is in the Estonian capital that the Reditus Duo was born. The duo is composed of Marcelo Chacur Politano (compositions, guitar and traditional flutes) and Francesco Pio Russo (bassoon and saxophones). The two musicians, both working in Estonia on doctoral research projects at the Estonian Academy of Music and Theatre in Tallinn, present a sound exploration that transcends traditional genre boundaries through the encounter of classical, jazz and folk within a close intercultural dialogue.</p><p>The program includes compositions by Marcelo Politano inspired by South American and Estonian folk traditions, as well as moments of free improvisation. Some pieces serve as frameworks for improvisation, while others were composed to highlight specific mechanical or cultural characteristics of the instruments and the unique artistry of the performers. The concert further embodies a return to shared musical roots and the crossing of cultural and stylistic boundaries. This liminal musical space — between composition and improvisation, between genres and traditions — reflects the core of both musicians' artistic research at the Estonian Academy of Music and Theatre. and the Sibelius Academy. Marcelo Politano’s research explores intercultural music composition, while Francesco Russo investigates improvisational techniques on the bassoon.</p><p><b>Sayan</b><br>Sayan is a dynamic musical trio blending the rich traditions of Persian music with a global perspective. The ensemble features Kamanche, Qanun, and Percussion, creating a sound that bridges heritage and contemporary expression. Rooted in Persian musical traditions, Sayan is dedicated to preserving their cultural essence while exploring new dimensions through improvisation, collaboration, and original composition.</p><p><b>Enchanting sand painting workshop</b><br>The patterns created with sand flow, spread, ripple, disappear and constantly change into something different. Child friendly workshop is free and open to everyone. The smallest children are welcome to the workshop accompanied by their own adult. <br>Venue: Kanneltalo Gallery <br>Time: 6–8 p.m.</p><p>Global Club Nights aims to create a safe, inclusive and creative environment and build bridges between all music lovers and their communities. Global Club Nights has been produced in cooperation with the Sibelius Academy’s Global Music Department and Kanneltalo.</p><p>The events aim to build bridges between all music lovers and their communities. 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