Filtering retrieved events

Query parameters can be used to filter the retrieved events by the following criteria.

Ongoing local events

Use to quickly access local (municipality level) events that are upcoming or have not ended yet. Combines the search on a number of description, name, and keyword fields. Locality is defined on the basis of MUNIGEO_MUNI value, which is set in the settings file. In the Helsinki case all the events would be retrieved that happen within Helsinki. Comes in two flavors: AND and OR. Use local_ongoing_AND=lapset,musiikki to search for the events with both search terms in the description fields and local_ongoing_OR to search for the events with at least one term mentioned. In case you need to realize a more complicated logic and search for a combination of search terms as in (singing OR vocal) AND (workshop OR training) use local_ongoing_OR_setX parameter, where X is a number.

Examples:

event/?local_ongoing_OR=lapsi,musiikki

See the result

event/?local_ongoing_OR_set1=lapsi,musiikki&local_ongoing_OR_set2=leiri,kurssi

See the result

Ongoing internet events

Use to quickly access internet-based events that are upcoming or have not ended yet. Usage is the same as for local ongoing events, three variations: internet_ongoing_AND, internet_ongoing_OR, and internet_ongoing_OR_setX, Note, that local_ongoing and internet_ongoing are mutually exclusive.

Example:

event/?internet_ongoing_AND=lapsi,musiikki

See the result

All ongoing events

All ongoing events, both internet and local combined. Usage is the same as for local ongoing events: all_ongoing_AND, all_ongoing_OR and all_ongoing_OR_setX

Example:

event/?all_ongoing_AND=lapsi,musiikki

See the result

Internet based

Filter for all the events that happen in the internet, both past and upcoming.

Example:

event/?internet_based=true

See the result

Event time

Use start and end to restrict the date range of returned events. Any events that intersect with the given date range will be returned.

The parameters start and end can be given in the following formats:

  • ISO 8601 (including the time of day), i.e. YYYY-MM-DDTHH:MM:SSZ
  • yyyy-mm-dd

In addition, today (for start or end of today) and now (for the exact current timestamp) can be used in either parameter to get current events.

Example:

event/?start=today&end=2020-12-31

See the result

event/?start=now&end=today

See the result

You can also use days filter to restrict the date range of returned events. Any events that intersect with the current time and amount of days from current time will be returned.

The parameters start and end cannot be used together with the days parameter.

Example:

event/?days=7

See the result

Event start/end time

Use starts_after, starts_before, ends_after, and ends_before to filter for the events that start and end within certain hours, for example for the ones that start after 17:00 and end before 21:00.

The parameters can be given as:

  • Hours only
  • Hours and minutes separated by a colon

Example:

event/?starts_after=16:30&ends_before=21

See the result

Event weekday

Use weekday to filter for the events that occurs within certain weekdays. Weekdays are to be input as Iso 8601 weekday numbers, where 1 is Monday and 7 is Sunday.

The parameter can include:

  • One weekday
  • Multiple weekdays separated by a comma

Example (Saturdays and Sundays):

event/?weekday=6,7

See the result

Event duration

Use max_duration to filter for the events that last up to a specified time, or min_duration to filter for the events that last at least a specified amount of time.

The parameters are expressed in format:

  • 86400 or 86400s (24 hours)
  • 180m or 3h (3 hours)
  • 3d (3 days)

Example:

event/?max_duration=3d

See the result

Event location

Bounding box

To restrict the retrieved events to a geographical region, use the query parameter bbox in the format

bbox=west,south,east,north

Where west is the longitude of the rectangle's western boundary, south is the latitude of the rectangle's southern boundary, and so on. The default coordinate system is the trusty old EPSG:4326 known from all online maps, and can be overridden with srid parameter.

Example:

event/?bbox=24.9348,60.1762,24.9681,60.1889

See the result

Specific location

To restrict the retrieved events to a known location(s), use the query parameter location, separating values by commas if you wish to query for several locations.

Location ids are found at the place endpoint, which lists the locations in decreasing number of events found. Most locations originate from the Helsinki service point registry (tprek), hence the format tprek:28473. An easy way to locate service points is to browse servicemap.hel.fi, which uses the same location ids, e.g. servicemap.hel.fi/unit/28473.

Example:

event/?location=tprek:28473

See the result

District

To restrict the retrieved events to city district(s), use the query parameter division, separating values by commas if you wish to query for several divisions.

City of Helsinki neighborhoods (kaupunginosa), districts (peruspiiri) and subdistricts (osa-alue) are supported. Check the divisions on the Helsinki map service.

You may query either by specific OCD division type peruspiiri:malmi, or by division name malmi. The latter query checks all divisions with the name, regardless of division type.

Example:

event/?division=malmi

See the result

Within a distance (or "circle filter")

To restrict the retrieved events to a certain distance from a point, use the query parameters dwithin_origin and dwithin_metres in the format

dwithin_origin=lon,lat&dwithin_metres=distance

Where lon is the longitude of the origin point, lat is the latitude of the origin point, and distance is the radius in metres. Both parameters are required. The default coordinate system is EPSG:4326 and can be overridden with the srid parameter.

Example:

event/?dwithin_origin=24.9348,60.1762&dwithin_metres=1000

See the result

Event category

To restrict the retrieved events by category, use the query parameter keyword, separating values by commas if you wish to query for any of several keywords, or the parameter keyword_AND, if you require all provided values (separated by commas) to be present. Use parameter keyword! if you require all provided values (separated by commas) not to be present.

In case you need to realize a more complicated logic and search for a combination of keywords as in (yso:p1235 OR yso:p1947) AND (yso:p14004 OR yso:p11185) use keyword_OR_setX parameter, where X is a number.

Keyword ids are found at the keyword endpoint, which lists the keywords in decreasing number of events found. The common keywords used in all events originate from the general Finnish ontology (YSO), hence the format yso:p4354.

The most common event categories are listed in the two keyword sets helsinki:topics and helsinki:audiences, which list the YSO keywords that are present in most events to specify event main topic and audience.

Example:

event/?keyword=yso:p4354

See the result

event/?keyword_OR_set1=yso:p1235,yso:p1947&keyword_OR_set2=yso:p14004,yso:p11185

See the result

Some services maintain curated keyword sets, which can also be used in search with query parameters keyword_set_AND and keyword_set_OR. As names of the keyword sets can repeat between the services, ids should be supplied. Say, we have one keyword set Music with id "myservice:1" that contains keywords rock and jazz, and another keyword set Workshops with keywords "workshop" and "seminar" and id "myservice:2". Then a request /event/?keyword_set_AND=myservice:1,myservice:2 would return the events matching the following expression: (rock OR jazz) AND (workshop OR seminar).

Event last modification time

To find events that have changed since you last polled Linkedevents API (to e.g. update your event cache), it is best to use the query parameter last_modified_since. This allows you to only return data that has changed after your last update. You may also include events that have been deleted in the API in the results by using the show_deleted filter. This allows you to update your cache with all added, modified and deleted events without having to fetch *all* future events every time.

Example:

event/?last_modified_since=2020-04-07&show_deleted=true

See the result

Specific ids

To find events that have specific id use parameter ids, separating values by commas if you wish to query for several event ids.

Example:

event/?ids=helsinki:1

See the result

Event status

Events in Linkedevents (indicated by the event_status field) may be either scheduled as planned (EventScheduled), rescheduled if their start time has changed after they were first published (EventRescheduled), cancelled if they were cancelled altogether after publication (EventCancelled), or postponed to the indefinite future if they could not be organized at the original time (EventPostponed). These statuses stem from schema.org.

You may filter events with only the desired status with the event_status filter.

Example:

event/?event_status=EventCancelled

See the result

It is also possible to use multiple event_status parameters in a single query. Statuses must be separated by a comma.

Example:

event/?event_status=EventCancelled,EventPostponed

Event type

Events in Linkedevents (indicated by the type_id field) may be event (General), course (Course) or volunteering (Volunteering). By default, only events with General type_id are returned.

You may filter events with only the desired type with the event_type filter, separating values by commas if you wish to query for several types.

Example:

event/?event_type=General,Course

See the result

Event text

To find out events that contain a specific string in any of the text fields, use the query parameter text.

Example:

event/?text=shostakovich

See the result

Combined text

While the text search is looking for the events containg exact matches of the search string, combined_text filtering finds events with exact text match for event text fields but retrieves expected keywords on the basis of similarity. Filtering for keywords works similar ways as keyword free_text filtering.

Example:

event/?combined_text=lapppset

See the result

Use full_text to perform advanced PostgreSQL full-text search with weighted relevance ranking. This search method provides more sophisticated results than basic text matching by:

  • Searching across multiple fields with different priority levels
  • Supporting stemming and language-specific text processing
  • Ranking results by relevance when no other sorting is specified

The search covers the following fields with weighted priorities:

  • Highest priority (A): Event names, location names
  • High priority (B): Keywords, audience keywords
  • Medium priority (C): Short descriptions
  • Lowest priority (D): Full descriptions

Use full_text_language to specify the search language. Accepts single language (e.g., 'fi') or comma-separated multiple languages (e.g., 'fi,en,sv'). Supported languages: fi, en, sv, zh_hans, ru, ar. Defaults to 'fi' if not specified.

Examples:

event/?full_text=musiikki

See the result

event/?full_text=music&full_text_language=en

See the result

event/?full_text=lapset&full_text_language=fi,en,sv

See the result

Event price

Events may or may not contain the offers field that lists event pricing. To return only free or non-free events, use the query parameteris_free. However, note that from some data sources, no event pricing info is available, so this filter will only return those events which have pricing data available.

Example:

event/?is_free=true

See the result

Event language

To find events that have a set language or event data translated into that language, use the query parameter language. If you only wish to see events that have a set language, use the in_language parameter, and if you only want event data translated to a set language, use the translation parameter.

Supported languages are found at the language endpoint, which also lists which languages have translations available. Currently, translations are supported in fi, sv, en, ru, zh_hans, and ar.

Example:

event/?language=ru

See the result

Event audience age boundaries.

To find events that are designed for specific age audiences use the query paramteres audience_min_age_lt, audience_min_age_gt, audience_max_age_lt, audience_max_age_gt.

audience_min_age_lt returns the events whose minimal age is lower than or equals the specified value, audience_min_age_gt returns the events whose minimal age is greater than or equals the specified value. max_age parameteres, naturally, work the same way only for the maximum age of the event audience. Note, that the events that are not designed for the specific audiences will be omitted.

audience_max_age and audience_min_age parameters without lt and gt modifiers are left for backward compatibility only and should not be employed.

Example:

event/?audience_min_age_gt=10

See the result

Select events suitable for certain age.

To find events that are suitable for certain age use the query paramter suitable_for that returns all the events that are suitable for the age or age range specified. Under the hood it excludes all the events that have max age limit below or min age limit above the age specified. Suitable events with just one age boundary specified are returned, events with no age limits specified are excluded. Query parameter can take either one or two arguments, the order of parameters when specifying the age range is not important.

Examples:

event/?suitable_for=12

See the result

event/?suitable_for=12,14

See the result

Event publisher

To find out events that are published by a specific organization, use the query parameter publisher, separating values by commas if you wish to query for several publishers.

Existing publisher organizations are found at the organization endpoint. City of Helsinki internal publishers have ids of the form ahjo:origin_id as they originate from the Helsinki Ahjo decisionmaking system, and have a rather complex hierarchy. External publishers may have their own namespaces, ids and hierarchies.

Also, it is possible to fetch events under a specific publisher organization hierarchy (say City of Helsinki) by using the parameter publisher_ancestor, which returns all events published by any suborganizations (at any level) of the given organization.

Example:

event/?publisher=ytj:0586977-6

See the result

event/?publisher_ancestor=ahjo:00001

See the result

Event data source

To find out events that originate from a specific source system, use the query parameter data_source. All event ids are of the form data_source:origin_id, so this allows you to return only events coming to Linkedevents from a specific data system. helsinki is the name of our own data source, i.e. events where Linkedevents API itself is the master data.

Example:

event/?data_source=helsinki

See the result

Event hierarchy

Events in linkedevents may be either standalone events, or they may have super or sub events. There are two types of super events, indicated in the field super_event_type by recurring (repeating events, event series) and umbrella (festivals etc.).

recurring events last for a period and have sub_events that all have similar data, but different dates.

umbrella events last for a period and may have different sub_events, including recurring events (i.e. an umbrella festival may have a recurring theater play sub_event, which may have several nights as sub_events.)

Super event type

You may use the query parameter super_event_type, comma separated, to get only super events of specific types. You may use none if you want non-super events included.

Example:

event/?super_event_type=umbrella,none

See the result

Super event

You may use the query parameter super_event, comma separated, to get all subevents for specific superevents. You may use none if you want all events which have no superevent included.

Example:

event/?super_event=linkedevents:agg-103

See the result

Hide super event

You may use the query parameter hide_super_event to exclude super events from the response.

Example:

event/?hide_super_event=true

See the result

Hide recurring children

You may use the query parameter hide_recurring_children to hide all child events for super events which are of type recurring.

Example:

event/?hide_recurring_children=true

See the result

Sub events

You may use the query parameter hide_recurring_children_sub_events in pair with hide_recurring_children to apply other filters to child events.

If you want to get only super_events of weekend events then pair hide_recurring_children and hide_recurring_children_sub_events with weekday=6,7

Example:

event/?hide_recurring_children=true&hide_recurring_children_sub_events=true&weekday=6,7

See the result

Event with registration

To find out events with or without a registration, use the query parameterregistration.

Example:

event/?registration=true

See the result

Open enrolment

Two endpoints show the events that have connected registrations and have places either at the event itself enrolment_open or in the waiting lists enrolment_open_waitlist. Note that the latter query parameter when set to true returns also the events that have open spots at the event itself. Null values are regarded as unlimited number of spots at the event or in the waiting list.

For example:

event/?enrolment_open_waitlist=true

See the result

Enrolment open on a given date

It is possible to check if a given datetime is within events' enrolment start and end times. In other words, if any events are open on a given date and time. The given datetime is expected to be in the events' timezone.

enrolment_open_on parameter displays events where the given datetime is within the enrolment_start_time and enrolment_end_time of the events. If an event has a registration, the registration's enrolment start and end times will be preferred over the event's times.

For example:

event/?enrolment_open_on=2024-02-19T12:00:00

See the result

Attendee capacity

Filters for filtering by event maximum_attendee_capacity and minimum_attendee_capacity:

Filtering for maximum_attendee_capacity

It is possible to filter by maximum_attendee_capacity using gte (>) or lte (<) filters.

maximum_attendee_capacity_gte parameter displays events with maximum attendee capacity greater than or equal the applied parameter (integer value)

Example:

event/?maximum_attendee_capacity_gte=10

See the result

maximum_attendee_capacity_lte parameter displays events with maximum attendee capacity less than or equal the applied parameter (integer value)

Example:

event/?maximum_attendee_capacity_lte=10

See the result

Filtering for minimum_attendee_capacity

It is possible to filter by minimum_attendee_capacity using gte (>) or lte (<) filters.

minimum_attendee_capacity_gte parameter displays events with minimum attendee capacity greater than or equal the applied parameter (integer value)

Example:

event/?minimum_attendee_capacity_gte=10

See the result

minimum_attendee_capacity_lte parameter displays events with minimum attendee capacity less than or equal the applied parameter (integer value)

Example:

event/?minimum_attendee_capacity_lte=10

See the result

Remaining registration attendee or waiting list capacity

Filters for filtering by registration remaining_attendee_capacity and remaining_waiting_list_capacity:

Filtering for registration remaining_attendee_capacity

It is possible to filter by registration remaining_attendee_capacity using gte (>=) or isnull filters.

registration__remaining_attendee_capacity__gte parameter displays events where registration's remaining attendee capacity is greater than or equal the applied parameter (integer value)

Example:

event/?registration__remaining_attendee_capacity__gte=10

See the result

registration__remaining_attendee_capacity__isnull parameter displays events where registration's remaining attendee capacity is or is not NULL

The values True, true and 1 are all considered to be "true".

The values False, false and 0 are all considered to be "false".

Example:

event/?registration__remaining_attendee_capacity__isnull=true

See the result

Filtering for registration remaining_waiting_list_capacity

It is possible to filter by registration remaining_waiting_list_capacity using gte (>=) or isnull filters.

registration__remaining_waiting_list_capacity__gte parameter displays events where registration's remaining waiting list capacity is greater than or equal the applied parameter (integer value)

Example:

event/?registration__remaining_waiting_list_capacity__gte=10

See the result

registration__remaining_waiting_list_capacity__isnull parameter displays events where registration's remaining waiting list capacity is or is not NULL

The values True, true and 1 are all considered to be "true".

The values False, false and 0 are all considered to be "false".

Example:

event/?registration__remaining_waiting_list_capacity__isnull=true

See the result

Filtering for authenticated users

By default, only public events are shown in the event list. However, certain query parameters allow customizing the listing for authenticated users

Show all events

show_all parameter displays all events authenticated user can edit, including drafts, and public non-editable events

Example:

event/?show_all=true

See the result

Publication status

Events in Linkedevents (indicated by the publication_status field) may be either (draft) if the event is not published yet or (public) for published events.

You may filter events with only the desired publication status with the publication_status filter.

Example:

event/?publication_status=draft

See the result

Only editable events

admin_user parameter displays all events authenticated user can edit, including drafts, but no other public events

Example:

event/?admin_user=true

See the result

Only editable events for registration

registration_admin_user parameter displays all events whose registration the user can modify

Example:

event/?registration_admin_user=true

See the result

Events created by the user

created_by parameter only displays events by the authenticated user

Example:

event/?created_by=true

See the result

Getting detailed data

In the default case, keywords, locations, and other fields that refer to separate resources are only displayed as simple references.

If you want to include the complete data from related resources in the current response, use the keyword include. Please note, however, that including all the resources inlined in *every* event will result in a huge number of duplicate data in the json, making the json very slow to generate and process and causing considerable API load and long response times when too many such requests are made. Therefore, if you are listing the maximum number of events (100) or updating your cache with all events, please consider caching the keyword and location data separately to prevent unnecessary API slowdown and continuous repeated work. Keyword and location data seldom change and are easily fetched from their own endpoints separately.

Example:

event/?include=location,keywords

See the result

Ordering

Default normal search ordering is descending order by -last_modified_time. Default full text search ordering is based on search relevance rank and id (-rank,id). You may also order results by start_time, end_time, name, duration, enrolment_start_time, enrolment_end_time, registration__enrolment_start_time, registration__enrolment_end_time, enrolment_start and enrolment_end. Descending order is denoted by adding - in front of the parameter, default order is ascending.

For example:

event/?sort=-end_time

See the result

Enrolment start and enrolment end

The ordering filters enrolment_start and enrolment_end have two notable differences compared to the rest of the ordering filters related to enrolment start and enrolment end times:

First, if an event has a registration with an enrolment time defined, the registration's time will be preferred over the event's time.

Second, if neither the event's registration nor the event has enrolment times defined (enrolment_start_time and enrolment_end_time are both NULL), the event will be placed at the end of the results list regardless of whether ascending or descending order was used.

GET /v1/event/?format=api&page=47
HTTP 200 OK
Allow: GET, POST, PUT, PATCH, HEAD, OPTIONS
Content-Type: application/json ;utf-8
Vary: Accept

{
    "meta": {
        "count": 37619,
        "next": "https://linkedevents.api.test.hel.ninja/v1/event/?format=api&page=48",
        "previous": "https://linkedevents.api.test.hel.ninja/v1/event/?format=api&page=46"
    },
    "data": [
        {
            "id": "kulke:69536",
            "has_user_editable_resources": false,
            "location": {
                "@id": "https://linkedevents.api.test.hel.ninja/v1/place/tprek:7259/?format=api"
            },
            "keywords": [
                {
                    "@id": "https://linkedevents.api.test.hel.ninja/v1/keyword/kulke:32/?format=api"
                },
                {
                    "@id": "https://linkedevents.api.test.hel.ninja/v1/keyword/kulke:44/?format=api"
                },
                {
                    "@id": "https://linkedevents.api.test.hel.ninja/v1/keyword/kulke:53/?format=api"
                },
                {
                    "@id": "https://linkedevents.api.test.hel.ninja/v1/keyword/kulke:54/?format=api"
                },
                {
                    "@id": "https://linkedevents.api.test.hel.ninja/v1/keyword/kulke:55/?format=api"
                },
                {
                    "@id": "https://linkedevents.api.test.hel.ninja/v1/keyword/yso:p1278/?format=api"
                }
            ],
            "registration": null,
            "super_event": null,
            "event_status": "EventRescheduled",
            "type_id": "General",
            "external_links": [],
            "offers": [
                {
                    "is_free": false,
                    "offer_price_groups": [],
                    "price": {
                        "fi": "24,50 € / 19 €",
                        "sv": "24,50 € / 19 €",
                        "en": "24,50 € / 19 €"
                    },
                    "description": null,
                    "info_url": {
                        "fi": "https://www.lippu.fi/artist/ismo-dance-company/#calendar-start=2026-10",
                        "sv": "https://www.lippu.fi/artist/ismo-dance-company/#calendar-start=2026-10",
                        "en": "https://www.lippu.fi/artist/ismo-dance-company/#calendar-start=2026-10"
                    }
                }
            ],
            "data_source": "kulke",
            "publisher": "ahjo:u48040010",
            "sub_events": [],
            "images": [
                {
                    "id": 2385384,
                    "has_user_editable_resources": false,
                    "license": "event_only",
                    "license_url": "",
                    "created_time": "2026-06-26T11:14:18.855270Z",
                    "last_modified_time": "2026-06-26T11:14:18.855284Z",
                    "url": "http://www.stoa.fi/instancedata/prime_product_resurssivaraus/kulke/embeds/EventPic_792300.jpg",
                    "name": "",
                    "cropping": "",
                    "photographer_name": null,
                    "alt_text": null,
                    "data_source": "kulke",
                    "publisher": "ahjo:u48040010",
                    "@id": "https://linkedevents.api.test.hel.ninja/v1/image/2385384/?format=api",
                    "@context": "http://schema.org",
                    "@type": "ImageObject"
                }
            ],
            "videos": [],
            "in_language": [],
            "audience": [],
            "created_time": "2026-06-26T11:14:18.751500Z",
            "last_modified_time": "2026-09-18T09:15:11.117846Z",
            "date_published": null,
            "start_time": "2026-10-04T12:00:00Z",
            "end_time": "2026-10-04T13:45:00Z",
            "custom_data": null,
            "environmental_certificate": null,
            "environment": null,
            "audience_min_age": null,
            "audience_max_age": null,
            "super_event_type": null,
            "deleted": false,
            "maximum_attendee_capacity": null,
            "minimum_attendee_capacity": null,
            "enrolment_start_time": null,
            "enrolment_end_time": null,
            "local": false,
            "replaced_by": null,
            "location_extra_info": null,
            "provider": null,
            "short_description": {
                "fi": "Rakkauden teemoja eri näkökulmista esittävä tapahtuma tuo yhteen viisi koreografia ja viisi hyvin erilaista tanssiteosta humoristisen juontajan johdattamana.",
                "sv": "Evenemanget, som belyser kärlekens teman ur olika perspektiv, förenar fem koreografier och fem mycket olika dansverk under ledning av en humoristisk värd.",
                "en": "This event, which explores themes of love from different perspectives, brings together five choreographers and five very different dance pieces, presented by a humorous host."
            },
            "name": {
                "fi": "Ismo Dance Company - 5 koreografiaa rakkaudesta",
                "sv": "Ismo Dance Company: 5 koreografier om kärlek",
                "en": "Ismo Dance Company: 5 Choreographies about Love"
            },
            "info_url": {
                "fi": "http://www.stoa.fi/fi/tapahtumat/event/8D139241C923D8B658F6311DA63A5BFC/Ismo_Dance_Company_-_5_koreografiaa_rakkaudesta",
                "sv": "http://www.stoa.fi/sv/evenemang/event/8D139241C923D8B658F6311DA63A5BFC/Ismo_Dance_Company_5_koreografier_om_karlek_",
                "en": "http://www.stoa.fi/en/events/event/8D139241C923D8B658F6311DA63A5BFC/Ismo_Dance_Company_5_Choreographies_about_Love_"
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                "fi": "Rakkauden teemoja eri näkökulmista esittävä tapahtuma tuo yhteen viisi koreografia ja viisi hyvin erilaista tanssiteosta humoristisen juontajan johdattamana.",
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                "sv": "<p>Evenemanget, som belyser kärlekens teman ur olika perspektiv, förenar fem koreografier och fem mycket olika dansverk under ledning av en humoristisk värd.</p><p>Ismo Dance Company bjuder på en unik danskväll med fem gästkoreografer: fyra från Finland och en från Norge. Kvällens verk, som varar mellan 10 och 20 minuter, kretsar kring temat kärlek och bjuder på fräscha, överraskande och mångfacetterade tolkningar av en av de mest centrala känslorna i människans liv.</p><p>Det är sällan man får uppleva ett så brett urval av korta samtida dansverk under en och samma kväll. Koreografernas olika bakgrunder och uttryckssätt skapar en rik och varierad helhet, som tilltalar såväl dansälskare som nya besökare.</p><p>Kvällens program leds av en överraskningsvärd, som guidar åskådarna in i verkens värld, förklarar koreografiernas olika lager och bygger en bro mellan publiken och föreställningarna – med glimten i ögat.</p><p>Som gästkoreografer medverkar <b>Karen Eide Bøen</b>, <b>Ismo-Pekka Heikinheimo</b>, <b>Heidi Masalin</b>, <b>Satu Rekola</b> och <b>Leo Terävä</b>.</p><p>Evenemanget är en samproduktion mellan Tanssi-idea ry, KATVE [blind spot] Company och Stoa.</p><p>Evenemanget stöds av Helsingfors stad samt Konst- och kulturmyndigheten.</p><p>Längd: ca 1 h 45 min.</p><p>Åldersrekommendation: 12+</p>",
                "en": "<p>This event, which explores themes of love from different perspectives, brings together five choreographers and five very different dance pieces, presented by a humorous host.</p><p>Ismo Dance Company presents a unique evening of dance featuring five guest choreographers: four from Finland and one from Norway. The evening’s performances, each lasting between 10 and 20 minutes, revolve around the theme of love, offering fresh, surprising and multifaceted interpretations of one of the most fundamental emotions in human life.</p><p>It is not often that you get to experience such a wide range of short contemporary dance pieces in the space of a single evening. The choreographers’ diverse backgrounds and styles of expression create a rich and varied programme that appeals to both dance enthusiasts and those experiencing it for the first time.</p><p>The evening is brought to life by a surprise host, who guides the audience into the world of the works, unravels the layers of the choreography and builds a bridge between the audience and the performances – with a twinkle in their eye.</p><p>The guest choreographers include <b>Karen Eide Bøen</b>, <b>Ismo-Pekka Heikinheimo</b>, <b>Heidi Masalin</b>, <b>Satu Rekola</b> and <b>Leo Terävä</b>.</p><p>The event is a joint production by Tanssi-idea ry, KATVE [blind spot] Company and Stoa.</p><p>The event is supported by the City of Helsinki and the Finnish Arts and Culture Agency.</p><p>Duration: roughly 1 h 45 min</p><p>Recommended age: 12+</p>"
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                "fi": "<p>Annantalon taidelauantaissa koko perhe voi viettää yhteistä aikaa taiteen parissa kaikille avoimissa työpajoissa, joissa voi piipahtaa tai viipyä pidempään.</p><p><b> Lasimaalaukset Matissen hengessä </b></p><p>Kuinka vahvasti sininen väri voi hehkua ja elää! Henri Matisse teki myöhäiskaudellaan sarjan sinisiä teoksia, joissa hän tutki muodon, liikkeen ja värin voimaa mahdollisimman pelkistetyin keinoin. Annantalon taidelauantaissa sukelletaan sinisen värin maailmaan ja työskennellään Matissen hengessä “piirtäen saksilla”. Teemme omia “lasimaalauksia” leikkaamalla ja liimaamalla sinistä silkkipaperia kerroksiksi. Millaisia muotoja ja kuvia sinun saksesi synnyttävät?</p><p><b>Lasimaalaukset Matissen hengessä on yksi Spektri-yhteisteokseen liittyvistä työpajoista. </b></p><p>Syksyllä 2026 Annantalon työpajoissa ja taideryhmissä toteutetaan yhteinen valotaideteos Spektri. Tämä työpaja on yksi monista, joissa työstetään teoksen eri osia. Tule mukaan tekemään oma osuutesi Annankadun puolelle sijoitettaviin, spektrin väreissä hehkuviin ikkunateoksiin.</p><p>Spektri-valoteoksen avajaisia juhlitaan 9.12. klo 18, jolloin Annantalon ikkunat syttyvät väriloistoon. Tule mukaan rakentamaan yhteistä Spektriä!</p><p>Osallistumiseen ei tarvita ennakkotaitoja ja kaikki ovat tervetulleita. Tarvittaessa lapsille on saatavilla kuulosuojaimia ja muita aistiapuvälineitä. Käytössä on myös hiljainen tila. Annantalon taidelauantai on maksuton ja sopii kaiken kielisille.</p><p>Työpajan ohjaavat Annantalon taidekasvattajat.</p><p>Lämpimästi tervetuloa Annantalolle lauantaisin!</p>",
                "sv": "<p>Under Annegårdens konstlördagar kan hela familjen umgås i konstens tecken i verkstäder som är öppna för alla och där man kan stanna en kortare eller längre stund.</p><p>Hur starkt den blå färgen kan glöda och leva! Under sin sena period skapade Henri Matisse en serie blå verk, där han utforskade formens, rörelsens och färgens kraft med så enkla medel som möjligt.  <br> <br>Under Annegårdens konstlördag dyker vi in i den blå färgens värld och arbetar i Matisse anda genom att ”rita med sax”. Vi skapar våra egna ”glasmålningar” genom att klippa och limma ihop blått silkespapper i flera lager. Vilka former och bilder skapar du med din sax?</p><p><b>Lasimaalaukset Matissen hengessä är en av verkstäderna i samband med det kollektiva verket Spektri</b></p><p>Under hösten 2026 skapas ett gemensamt ljuskonstverk i verkstäderna och konstgrupperna på Annegården: Spektri. Den här verkstaden är en av många där deltagarna arbetar med verkets olika delar. Kom och bidra med din del i de fönsterkonstverk som ska placeras längs Annegatan och som kommer att lysa i alla färger i spektrumet.</p><p>Invigningen av ljusverket Spektri firas den 9 december kl. 18, då Annegårdens fönster lyser upp i ett färgsprakande sken. Kom med och bygg upp ett gemensamt spektrum!</p><p>Inga förhandskunskaper behövs för att delta, och alla är välkomna. För barn finns hörselskydd och andra sinneshjälpmedel vid behov. Det finns också ett tyst rum. Annegårdens konstlördag är avgiftsfri och passar alla, oavsett vilket språk man talar.</p><p>Workshoppen leds av Annegårdens konstpedagoger.</p><p>Varmt välkommen till Annegården på lördagarna!</p>",
                "en": "<p>Annantalo Art Saturdays allow the whole family to spend time together enjoying art in open workshops – stop by briefly or stay for a longer visit.</p><p>How vivid and glowing the colour blue can be! In his later years, Henri Matisse produced a series of blue works in which he explored the power of form, movement and colour by using the simplest possible means.  <br> <br>On this Annantalo Art Saturday, we dive into the world of the colour blue and work in the spirit of Matisse by “drawing with scissors”. We make our own “stained-glass windows” by cutting and gluing layers of blue tissue paper. What sort of shapes and images will your scissors create?</p><p><b>Stained-glass Windows in the Spirit of Matisse is one of the workshops linked to the jointly created ‘Spectrum’ artwork</b> <br> <br>In autumn 2026, Annantalo’s workshops and art groups will create a collaborative light art installation entitled Spectrum. This workshop is one of many in which different parts of the work are created. Come and make your contribution to the window installations to be displayed on the Annankatu side, glowing in the different colours of the spectrum. <br> <br>The opening ceremony for the Spectrum light installation will be held on 9 December at 18.00, illuminating the windows of Annantalo in a blaze of colour. Come and join us in building our shared spectrum! <br> <br>No prior skills are needed to participate, and all are welcome. Hearing protection and other sensory aids are available for children when needed. There is also a quiet room in the premises. Annantalo Art Saturdays are free-of-charge and suitable for participants from all language backgrounds. <br> <br>The workshop will be hosted by Annantalo art educators. <br> <br>We look forward to seeing you at Annantalo on Saturdays!</p>"
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                "fi": "<p>Iida Turpeinen – WAUHAUS – Pipsa Lonka<br><strong>ELOLLISET</strong></p><p>”Stellerinmerilehmä, Stellers sjöko, Hydrodamalis gigas: Eläimistä ensimmäinen, joka pakotti ihmisen katsomaan itseään.”</p><p>Helsingissä, luonnontieteellisen museon näyttelysalissa seisoo stellerinmerilehmän luuranko. Matka sinne on kulkenut vuosisatojen halki ja maapallon poikki. Näiden luiden historiaan on kasautunut sarja hetkiä, joihin kietoutuu niin imperialismin kuin modernin luonnonsuojeluaatteen historia.</p><p>Elolliset kuljettaa katsojan erään tutkimusmatkan kautta sukupuuton käsitteen syntyhetkiin. Esitys piirtää esiin, miten länsimaiselle ihmiselle valkeni se musertava tosiasia, että voimme halutessamme pyyhkiä pois elävien kirjoista niin yksittäisiä elollisia kuin kokonaisia lajeja.</p><p>Näyttämöllä rakentuvan ja purkautuvan museon vitriinien kautta eteemme aukeaa näkymä aikojen taakse, missä kuudennen sukupuuttoaallon ensimmäiset väreet alkavat lyödä kaukaiselle rannalle. Elolliset katsoo kuudennen sukupuuttoaallon tapahtumista syyllistämättä, mutta vastuuta väistämättä.</p><p>Se tarkastelee hauskalla ja kaihoisalla katseella omaan älyynsä luottavaa ihmistä ja kuumeista oikean tiedon etsintää. Esitys saa kysymään mitä ovat ne käsitykset, joita meidän aikamme pitää ehdottoman varmoina ja luonnollisina, mutta jotka tulevat aikakaudet vielä osoittavat vääriksi?</p><p><strong>Iida Turpeisen</strong> romaani Elolliset on kaikkien aikojen menestynein suomalainen esikoisromaani. Teos ilmestyi vuonna 2023 ja voitti Helsingin Sanomien esikoiskirjapalkinnon, oli ehdolla Finlandia-palkinnon saajaksi, ylsi New York Timesin historiallisen fiktion lukusuosituslistalle ja sen käännösoikeudet on tällä hetkellä myyty lähes 30 kielialueelle.</p><p>Romaanin on näyttämölle dramatisoinut <strong>Pipsa Lonka</strong> ja teoksen taiteellisesta suunnittelusta vastaa <strong>WAUHAUS</strong>-kollektiivi. WAUHAUS on Helsingistä käsin toimiva palkittu monitaiteinen kollektiivi, joka tunnetaan kokonaisvaltaisesta audiovisuaalisesta näyttämöestetiikastaan sekä jaetun tekijyyden toimintamalleistaan.</p><p>Rooleissa:<br>Rauno Ahonen, Noora Dadu, Heidi Herala, Sanna-June Hyde, Unto Nuora, Mikko Paloniemi, Justus Pienmunne, Aino Seppo, Alexander Wendelin</p><p>Esitysoikeuksien valvoja: Agency North<br>Kirjailija: Iida Turpeinen<br>Ohjaus ja suunnittelu: WAUHAUS ja Erno Aaltonen <br>Dramatisointi: Pipsa Lonka <br>Dramaturgi: Ari-Pekka Lahti<br>Koreografi: Kauri Sorvari<br>Naamioinnin suunnittelu: Jaana Nykänen <br></p>"
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                "fi": "<p>Swedish Asshole saattaa huuto-itku-naurattaa.</p><p><i>Mutta Gunilla, joitakin asioita ei kerta kaikkiaan vaan sanota</i></p><p>Provosoiva, pitelemätön ja absurdi teos toimii tekijöilleen <b>Johanna Karlbergille, Antonia Atarahille ja Alen Nsambulle</b> hahmona, asenteena ja taiteellisena työskentelytapana, jonka motto on ”taide on helppoa, mikä tahansa voi olla taidetta” – taiteellisen vapauden puolestapuhujana. Kolme jatkuvassa muodonmuutoksessa olevaa antagonistia, jotka kärsivät sekä alemmuuskompleksista että suuruudenhulluudesta, kamppailevat siitä, kuka näkyy, kuuluu ja voittaa eniten. Kauniisti laulavan kvartetin sydäntäsurkeva ääni nousee korkealle taivaisiin.</p><p><i>Swedish Asshole</i> paljastaa harhakuvitelmia koskemattomuudesta, valkoisuudesta ja kuulumisen tarpeesta. Se on maisema, jossa suomenruotsalaisuus hallitsee kulttuurisena identiteettinä ja välitilana: vangittuna idän ja lännen, suomalaisuuden ja ruotsalaisuuden välissä.</p><p>Teos on osa <b>Liikkeellä marraskuussa</b> -festivaalia 5.–15.11.2026. Osana festivaalia taiteilijat käyvät keskustelua paikallisen taiteilijan kanssa avoimessa <i>Soup Talks</i> -tilaisuudessa 10.11. klo 12 Caisassa.<br> <br><b>Kieli:</b> ruotsi, englanti, skandinaavi<br><b>Sisältöhuomiot:</b> vilkkuvat valot, alastomuus, eritteitä, sitrushedelmä.<br><b>Ikäsuositus</b>: 15 +</p><p>**</p><p><b>Johanna Karlberg</b> on helsinkiläinen koreografi, esiintyjä ja esitysten tekijä, joka työskentelee ruumiillisuuden ja tanssin praktiikoista käsin. Hän valmistui Riveria Outokummun nykytanssin koulutusohjelmasta 2016 sekä Taideyliopiston Teatterikorkeakoulun Tanssijantaiteen maisteriohjelmasta 2022, ja on toiminut monipuolisesti Suomen taidekentällä vuodesta 2017 lähtien. Hän on työskennellyt esiintyjänä ja yhteistyökumppanina koreografien Sonya Lindforsin, Suvi Kemppaisen ja Heli Keskikallion, sekä kuvataiteilija Venla Heleniuksen, kanssa, tanssinopettajana kehitysvammaisille lapsille ja aikuisille, sekä kuraattorina ja fasilitaattorina UrbanApassa – antirasistisessa ja feministisessä taidealustassa.</p><p><b>Antonia Atarah</b> on ghanalais-suomalainen freelance-näyttelijä, taiteilija ja pedagogi, joka on suorittanut maisterintutkinnon Taideyliopiston Teatterikorkeakoulun näyttelijäntyön koulutusohjelmassa sekä musiikkiteatterin lisäopintoja ja työharjoittelun Accrassa, Ghanassa. Svenska Teaternin <i>Ronja Ryövärintyttären</i> debyyttipääroolin lisäksi Atarah on yhdistellyt työssään uteliaasti eri esittävän taiteen muotoja ja menetelmiä sekä toiminut eri ryhmissä Suomessa, Saksassa, Ghanassa ja Tansaniassa. Hän on tutkinut dekolonialistisia ja feministisiä lähestymistapoja esiintymiseen mm. teoksissa <i>Armageddon</i> (Sara Melleri, Sonya Lindfors ja Elina Pirinen) ja <i>ONE DROP</i> (Sonya Lindfors), sekä omassa kiertueteoksessaan, performatiivisessa installaatiossa <i>Don't thank for the food</i>.</p><p><b>Alen Nsambu</b> on helsinkiläinen koreografi ja esiintyjä, joka on valmistunut Kööpenhaminan Den Danske Scenekunstskolesta tanssin ja koreografian kandidaatiksi Rasmus Ölmen johtamana. Valmistumisensa jälkeen hän on työskennellyt kansainvälisesti mm. Alma Söderbergin, Sonya Lindforsin, Marie Toppin, WAUHAUS-kollektiivin ja Young Boy Dancing Groupin kanssa, sekä esiintynyt Suomen Kansallisteatterin ja Helsingin Kaupunginteatterin produktioissa.<br>Nsambun taiteellisen työn keskiössä ovat identiteetti, optiikka ja tavat, joilla erilaiset kehot saavat yhteiskunnassa eriäviä määriä näkyvyyttä ja läpinäkyvyyttä.</p><p>**</p><p><b>Konsepti, taiteellinen idea ja koollekutsuja:</b> Johanna Karlberg<br><b>Ohjaus, koreografia, esitys:</b> Antonia Atarah, Johanna Karlberg ja Alen Nsambu<br><b>Äänisuunnittelu ja musiikki:</b> Nicolas Leissi Rehn<br><b>Kuoro:</b> Akademiska Sångföreningen<br><b>Valosuunnittelu:</b> Kristian Palmu<br><b>Tilasuunnittelu:</b> Mikko Salminen<br><b>Pukusuunnittelu: </b>Mirjam Yeboah<br><b>Dramaturgi: </b>Even Minn<br><b>Tuotanto: </b>Johanna Karlberg<br><b>Tukijat: </b>Koneen Säätiö, Taiteen edistämiskeskus, Svenska Kulturfonden, Konstsamfundet<br><b>Residenssit: </b>Davvi - Senter for scenekunst, Hammerfest</p>",
                "en": "<p>Swedish Asshole might bring the audience into a scream-cry-laugh situation.</p><p><i>But Gunilla, some things you simply just don’t say</i><br>Provocative, unrestrained, and absurd, the creation works for its makers <b>Johanna Karlberg</b>, <b>Antonia Atarah</b>, and <b>Alen Nsambu</b> as a character, a mindset, and an artistic practice with the motto “art is easy, anything can be art”—vouching for artistic freedom. Three shapeshifting antagonists with both inferiority complexes and delusions of grandeur struggle their ways to win, be seen, and heard the most. A sweetly singing quartet’s heartbreaking harmonies rise up into the skies. <i>Swedish Asshole</i> reveals a delusion about immunity, whiteness, and the need of belonging. It is a landscape in which the cultural identity of Swedish speaking Finns as a liminal space rules; caught somewhere between east and west, the Finnish and the Swedish.<br><i>Swedish Asshole</i> premiered in March 2026 in Teater Viirus and returns now to take the stage in Caisa.</p><p>The performance is part of <b>Moving in November</b> 5.–15.11.2026. As part of the festival, there will be an open <i>Soup Talks</i> discussion with the artists and local host on the 10th of November at noon in Caisa.</p><p><b>Languages:</b> Swedish, English, Scandinavian<br><b>Please note:</b> The performances involves the use of blinking lights, nudity, bodily fluids, and citrus fruit.<br><b>Age recommendation</b>: +15 years</p><p>**<br> <br><b>Johanna Karlberg</b> is a Helsinki-based choreographer, performer and performance maker whose work is rooted in embodiment and dance practices. She graduated from the contemporary dance program at Riveria Outokumpu in 2016 and the Master’s Programme in Dance Performance at the University of the Arts Helsinki’s Theatre Academy in 2022; she has been active across the Finnish art scene since 2017. She has worked as a performer and collaborator with choreographers Sonya Lindfors, Suvi Kemppainen, and Heli Keskikallio, as well as visual artist Venla Helenius; as a dance teacher for children and adults with intellectual disabilities; and as a curator and facilitator for UrbanApa, an anti-racist and feminist art platform.</p><p><b>Antonia Atarah</b> is a Ghanaian-Finnish freelance actor, artist, and pedagogue with a master’s degree from the acting program of Uniarts Helsinki’s Theatre Academy, with additional studies in musical theatre and internship in Accra, Ghana. In addition to her debut leading role in <i>Ronja, the Robber’s daughter</i> at Svenska Teatern, Atarah has worked across diverse performing art forms, methods, and collectives in Finland, Germany, Ghana, and Tanzania. She has explored decolonial and feministic performing approaches in pieces such as <i>Armageddon</i> (Sara Melleri, Sonya Lindfors, Elina Pirinen) and <i>ONE DROP</i> (Sonya Lindfors), and in her own touring work, performative installation <i>Don’t thank for the food.</i></p><p><b>Alen Nsambu</b> is a Helsinki-based choreographer and performer who has graduated with a BFA degree in dance and choreography from Den Danske Scenekunstskolen in Copenhagen in 2022 with Rasmus Ölme as head of programme. Since graduating he has collaborated internationally with artists such as Alma Söderberg, Sonya Lindfors, Marie Topp, WAUHAUS and Young Boy Dancing Group, and has performed in productions of the Finnish National Theatre and Helsinki City Theatre.</p><p>Nsambu’s artistic practice is centered around identity, optics, and the ways different bodies are granted varying degrees of visibility, opacity, and transparency in society.</p><p>**</p><p><b>Concept, artistic idea, and facilitation:</b> Johanna Karlberg<br><b>Directing, choreography, and performance:</b> Antonia Atarah, Johanna Karlberg and Alen Nsambu<br><b>Sound design and music:</b> Nicolas Leissi Rehn<br><b>Choir:</b> Akademiska Sångföreningen<br><b>Light design:</b> Kristian Palmu<br><b>Spatial design:</b> Mikko Salminen<br><b>Costume design:</b> Mirjam Yeboah<br><b>Dramaturgy:</b> Even Minn<br><b>Production: </b>Johanna Karlberg<br><b>Supported by: </b>Kone Foundation, Arts Promotion Center Finland, Svenska Kulturfonde</p>"
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                "fi": "Liikkeellä marraskuussa – Johanna Karlberg, Antonia Atarah & Alen Nsambu: Swedish Asshole feat. Akademiska Sångföreningen",
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                "fi": "<p>Swedish Asshole saattaa huuto-itku-naurattaa.</p><p><i>Mutta Gunilla, joitakin asioita ei kerta kaikkiaan vaan sanota</i></p><p>Provosoiva, pitelemätön ja absurdi teos toimii tekijöilleen <b>Johanna Karlbergille, Antonia Atarahille ja Alen Nsambulle</b> hahmona, asenteena ja taiteellisena työskentelytapana, jonka motto on ”taide on helppoa, mikä tahansa voi olla taidetta” – taiteellisen vapauden puolestapuhujana. Kolme jatkuvassa muodonmuutoksessa olevaa antagonistia, jotka kärsivät sekä alemmuuskompleksista että suuruudenhulluudesta, kamppailevat siitä, kuka näkyy, kuuluu ja voittaa eniten. Kauniisti laulavan kvartetin sydäntäsurkeva ääni nousee korkealle taivaisiin.</p><p><i>Swedish Asshole</i> paljastaa harhakuvitelmia koskemattomuudesta, valkoisuudesta ja kuulumisen tarpeesta. Se on maisema, jossa suomenruotsalaisuus hallitsee kulttuurisena identiteettinä ja välitilana: vangittuna idän ja lännen, suomalaisuuden ja ruotsalaisuuden välissä.</p><p>Teos on osa <b>Liikkeellä marraskuussa</b> -festivaalia 5.–15.11.2026. Osana festivaalia taiteilijat käyvät keskustelua paikallisen taiteilijan kanssa avoimessa <i>Soup Talks</i> -tilaisuudessa 10.11. klo 12 Caisassa.<br> <br><b>Kieli:</b> ruotsi, englanti, skandinaavi<br><b>Sisältöhuomiot:</b> vilkkuvat valot, alastomuus, eritteitä, sitrushedelmä.<br><b>Ikäsuositus</b>: 15 +</p><p>**</p><p><b>Johanna Karlberg</b> on helsinkiläinen koreografi, esiintyjä ja esitysten tekijä, joka työskentelee ruumiillisuuden ja tanssin praktiikoista käsin. Hän valmistui Riveria Outokummun nykytanssin koulutusohjelmasta 2016 sekä Taideyliopiston Teatterikorkeakoulun Tanssijantaiteen maisteriohjelmasta 2022, ja on toiminut monipuolisesti Suomen taidekentällä vuodesta 2017 lähtien. Hän on työskennellyt esiintyjänä ja yhteistyökumppanina koreografien Sonya Lindforsin, Suvi Kemppaisen ja Heli Keskikallion, sekä kuvataiteilija Venla Heleniuksen, kanssa, tanssinopettajana kehitysvammaisille lapsille ja aikuisille, sekä kuraattorina ja fasilitaattorina UrbanApassa – antirasistisessa ja feministisessä taidealustassa.</p><p><b>Antonia Atarah</b> on ghanalais-suomalainen freelance-näyttelijä, taiteilija ja pedagogi, joka on suorittanut maisterintutkinnon Taideyliopiston Teatterikorkeakoulun näyttelijäntyön koulutusohjelmassa sekä musiikkiteatterin lisäopintoja ja työharjoittelun Accrassa, Ghanassa. Svenska Teaternin <i>Ronja Ryövärintyttären</i> debyyttipääroolin lisäksi Atarah on yhdistellyt työssään uteliaasti eri esittävän taiteen muotoja ja menetelmiä sekä toiminut eri ryhmissä Suomessa, Saksassa, Ghanassa ja Tansaniassa. Hän on tutkinut dekolonialistisia ja feministisiä lähestymistapoja esiintymiseen mm. teoksissa <i>Armageddon</i> (Sara Melleri, Sonya Lindfors ja Elina Pirinen) ja <i>ONE DROP</i> (Sonya Lindfors), sekä omassa kiertueteoksessaan, performatiivisessa installaatiossa <i>Don't thank for the food</i>.</p><p><b>Alen Nsambu</b> on helsinkiläinen koreografi ja esiintyjä, joka on valmistunut Kööpenhaminan Den Danske Scenekunstskolesta tanssin ja koreografian kandidaatiksi Rasmus Ölmen johtamana. Valmistumisensa jälkeen hän on työskennellyt kansainvälisesti mm. Alma Söderbergin, Sonya Lindforsin, Marie Toppin, WAUHAUS-kollektiivin ja Young Boy Dancing Groupin kanssa, sekä esiintynyt Suomen Kansallisteatterin ja Helsingin Kaupunginteatterin produktioissa.<br>Nsambun taiteellisen työn keskiössä ovat identiteetti, optiikka ja tavat, joilla erilaiset kehot saavat yhteiskunnassa eriäviä määriä näkyvyyttä ja läpinäkyvyyttä.</p><p>**</p><p><b>Konsepti, taiteellinen idea ja koollekutsuja:</b> Johanna Karlberg<br><b>Ohjaus, koreografia, esitys:</b> Antonia Atarah, Johanna Karlberg ja Alen Nsambu<br><b>Äänisuunnittelu ja musiikki:</b> Nicolas Leissi Rehn<br><b>Kuoro:</b> Akademiska Sångföreningen<br><b>Valosuunnittelu:</b> Kristian Palmu<br><b>Tilasuunnittelu:</b> Mikko Salminen<br><b>Pukusuunnittelu: </b>Mirjam Yeboah<br><b>Dramaturgi: </b>Even Minn<br><b>Tuotanto: </b>Johanna Karlberg<br><b>Tukijat: </b>Koneen Säätiö, Taiteen edistämiskeskus, Svenska Kulturfonden, Konstsamfundet<br><b>Residenssit: </b>Davvi - Senter for scenekunst, Hammerfest</p>",
                "en": "<p>Swedish Asshole might bring the audience into a scream-cry-laugh situation.</p><p><i>But Gunilla, some things you simply just don’t say</i><br>Provocative, unrestrained, and absurd, the creation works for its makers <b>Johanna Karlberg</b>, <b>Antonia Atarah</b>, and <b>Alen Nsambu</b> as a character, a mindset, and an artistic practice with the motto “art is easy, anything can be art”—vouching for artistic freedom. Three shapeshifting antagonists with both inferiority complexes and delusions of grandeur struggle their ways to win, be seen, and heard the most. A sweetly singing quartet’s heartbreaking harmonies rise up into the skies. <i>Swedish Asshole</i> reveals a delusion about immunity, whiteness, and the need of belonging. It is a landscape in which the cultural identity of Swedish speaking Finns as a liminal space rules; caught somewhere between east and west, the Finnish and the Swedish.<br><i>Swedish Asshole</i> premiered in March 2026 in Teater Viirus and returns now to take the stage in Caisa.</p><p>The performance is part of <b>Moving in November</b> 5.–15.11.2026. As part of the festival, there will be an open <i>Soup Talks</i> discussion with the artists and local host on the 10th of November at noon in Caisa.</p><p><b>Languages:</b> Swedish, English, Scandinavian<br><b>Please note:</b> The performances involves the use of blinking lights, nudity, bodily fluids, and citrus fruit.<br><b>Age recommendation</b>: +15 years</p><p>**<br> <br><b>Johanna Karlberg</b> is a Helsinki-based choreographer, performer and performance maker whose work is rooted in embodiment and dance practices. She graduated from the contemporary dance program at Riveria Outokumpu in 2016 and the Master’s Programme in Dance Performance at the University of the Arts Helsinki’s Theatre Academy in 2022; she has been active across the Finnish art scene since 2017. She has worked as a performer and collaborator with choreographers Sonya Lindfors, Suvi Kemppainen, and Heli Keskikallio, as well as visual artist Venla Helenius; as a dance teacher for children and adults with intellectual disabilities; and as a curator and facilitator for UrbanApa, an anti-racist and feminist art platform.</p><p><b>Antonia Atarah</b> is a Ghanaian-Finnish freelance actor, artist, and pedagogue with a master’s degree from the acting program of Uniarts Helsinki’s Theatre Academy, with additional studies in musical theatre and internship in Accra, Ghana. In addition to her debut leading role in <i>Ronja, the Robber’s daughter</i> at Svenska Teatern, Atarah has worked across diverse performing art forms, methods, and collectives in Finland, Germany, Ghana, and Tanzania. She has explored decolonial and feministic performing approaches in pieces such as <i>Armageddon</i> (Sara Melleri, Sonya Lindfors, Elina Pirinen) and <i>ONE DROP</i> (Sonya Lindfors), and in her own touring work, performative installation <i>Don’t thank for the food.</i></p><p><b>Alen Nsambu</b> is a Helsinki-based choreographer and performer who has graduated with a BFA degree in dance and choreography from Den Danske Scenekunstskolen in Copenhagen in 2022 with Rasmus Ölme as head of programme. Since graduating he has collaborated internationally with artists such as Alma Söderberg, Sonya Lindfors, Marie Topp, WAUHAUS and Young Boy Dancing Group, and has performed in productions of the Finnish National Theatre and Helsinki City Theatre.</p><p>Nsambu’s artistic practice is centered around identity, optics, and the ways different bodies are granted varying degrees of visibility, opacity, and transparency in society.</p><p>**</p><p><b>Concept, artistic idea, and facilitation:</b> Johanna Karlberg<br><b>Directing, choreography, and performance:</b> Antonia Atarah, Johanna Karlberg and Alen Nsambu<br><b>Sound design and music:</b> Nicolas Leissi Rehn<br><b>Choir:</b> Akademiska Sångföreningen<br><b>Light design:</b> Kristian Palmu<br><b>Spatial design:</b> Mikko Salminen<br><b>Costume design:</b> Mirjam Yeboah<br><b>Dramaturgy:</b> Even Minn<br><b>Production: </b>Johanna Karlberg<br><b>Supported by: </b>Kone Foundation, Arts Promotion Center Finland, Svenska Kulturfonde</p>"
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                "fi": "Esitystaiteilija Dana Michel pitää uimataitoa itseluottamuksen kehollisena ilmentymänä ja miettii, miksi hän ei vieläkään, lukuisista yrityksistään huolimatta, voi tuntea oloaan rauhalliseksi vedessä.",
                "en": "Performance artist Dana Michel considers the ability to swim to be one of the ways in which we might embody self-trust and wonders why, despite many attempts at learning, she still cannot really feel at ease in the water."
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                "fi": "Liikkeellä marraskuussa – Dana Michel: YOU CANNOT CAN",
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                "fi": "<p>Esitystaiteilija Dana Michel pitää uimataitoa itseluottamuksen kehollisena ilmentymänä ja miettii, miksi hän ei vieläkään, lukuisista yrityksistään huolimatta, voi tuntea oloaan rauhalliseksi vedessä.</p><p>Ja mikä estää suurinta osaa hänen perheestään uimasta, vaikka he ovat kotoisin saarelta, jota ympäröi sekä Atlantin valtameri että Karibianmeri? Kuinka turvalliseksi voi kokea olonsa maailmassa, jos ei pysty kellumaan siinä nesteessä, joka muodostaa suuren osan ihmiskehosta?</p><p>Näytettyään sooloteoksensa <i>YELLOW TOWEL</i> (2014), <i>MERCURIAL GEORGE</i> (2016), <i>CUTLASS SPRING</i> (2019) ja <i>MIKE</i> (2023) Liikkeellä marraskuussa -festivaalilla, Michel palaa Helsinkiin uudella sooloteoksellaan <i>YOU CANNOT CAN</i>, joka on luotu uima-altaaseen.</p><p><b>Teos esitetään Hotel St. Georgen spa-osastolla</b>, Helsingin sydämessä Vanhan kirkkopuiston kupeessa. Yleisön ympäröimänä Michel kahlaa uimisen ja turvallisen vedensaannin historioiden ja sosioekonomisten todellisuuksien virroissa. Hän käyttää kaleidoskooppista uteliaisuuttaan keskittyen siihen, kuinka voisimme karistaa pelkojamme. Voisiko tämä vedellinen seikkailu olla tie lopulliseen vapautumiseen?</p><p>Teos on osa <b>Liikkeellä marraskuussa</b> -festivaalia 5.–15.11.2026. Osana festivaalia Michel käy keskustelua paikallisen taiteilijan kanssa avoimessa <i>Soup Talks</i> -tilaisuudessa 12.11. klo 12 Caisassa.</p><p>**</p><p><b>Dana Michel</b> on Montrealissa toimiva esitystaiteilija. Hänen töissään improvisaatio, koreografia, veistotaide, komedia, hiphop, elokuvataide, tekno, runous, psykologia, dub ja yhteiskuntakritiikki yhdistyvät kokemukselliseksi pyörteeksi. Ennen valmistumistaan tanssin kandidaatiksi Concordia-yliopistosta parikymppisenä, Michel oli markkinointijohtaja, kilpajuoksija ja jalkapalloilija.</p><p>Vuonna 2014 hänet palkittiin vastaperustetulla ImPulsTanz Awardilla (Wien, Itävalta) tunnustuksena erinomaisista taiteellisista saavutuksista, ja hänet mainittiin New York Times -lehdessä yhtenä vuoden tärkeimmistä naiskoreografeista. Vuonna 2017 Michel palkittiin Venetsian biennaalin Hopeisella leijonalla tanssin innovaatiosta. Vuonna 2018 hänestä tuli Kanadan National Arts Centerin ensimmäinen tanssin residenssitaiteilija.</p><p>Vuonna 2019 hän sai ANTI Festival International Prize for Live Art -palkinnon. Vuonna 2022 Canada Council of the Arts antoi hänelle Jaqueline-Lemieux -palkinnon tunnustuksena hänen panoksestaan tanssin alalla Kanadassa. Vuonna 2024 hän sai Prix de la danse de Montréal -palkinnon kansainvälisestä toiminnasta, CINARSIN valitsemana.<br> <br>**</p><p><b>Tekijä ja esiintyjä:</b> Dana Michel<br><b>Taiteellinen aktivointi: </b>Alex Samaras, Angélique Willkie, Heidi Louis, Karl Notargiovanni, Roscoe Michel, Sierra Holder, Silvy Panet-Raymond, Simon Couturier, Tracy Maurice, Yoan Sorin<br><b>Lavastuksen konsultointi – tekninen johtaja: </b>Romain Guillet<br><b>Äänen konsultointi: </b>David Drury<br><b>Tuotanto: </b>SCORP CORPS - Dana Michel, Viva Delorme.<br><b>Levittäjä: </b>neon lobster – Giulia Messia & Katharina Wallisch<br><b>Yhteistuotanto:</b> Arsenic – Centre d’Art Scénique Contemporain (Lausanne, Sveitsi), Bergen Internasjonale Teater (Bergen, Norja), Festival TransAmériques (Montreal, Kanada), Kunstenfestivaldesarts (Bryssel, Belgia), Künstler*innenhaus Mousonturm (Frankfurt, Saksa), MDT (Tukholma, Ruotsi), O Espaço do Tempo (Montemor-o-novo, Portugali), Tanzquartier Wien (Wien, Itävalta).<br><b>Residenssit: </b>Baltic Triennial (Vilna, Liettua), Banff Centre for Arts and Creativity – Leighton Artist Studios (Banff, Kanada), Battersea Arts Centre (Lontoo, Iso-Britannia), Centre de Création O Vertigo – CCOV (Montreal, Kanada), Festival TransAmériques (Montreal, Kanada), Fierce Festival ja performance, possession + automation, Arts and Humanities Research Council (AHRC) rahoittamana (Birmingham, Iso-Britannia), Institutet (Vitsaniemi, Ruotsi), Kinosaki International Arts Center (Kinosaki, Japani), Kunstenfestivaldesarts (Bryssel, Belgia), marvaða (Reykjavik, Islanti), Rimbun Dahan (Kuala Lumpur, Malesia), The Chocolate Factory (New York, Yhdysvallat), Toronto Dance Theatre (Toronto, Kanada), Tangente St. Pölten (Sankt Pölten, Itävalta)<br>Teoksen toteuttamisen ovat mahdollistaneet Canada Council</p>",
                "en": "<p>Performance artist Dana Michel considers the ability to swim to be one of the ways in which we might embody self-trust and wonders why, despite many attempts at learning, she still cannot really feel at ease in the water.</p><p>And what is it that holds back the majority of her family from swimming, despite hailing from an island that is surrounded by both the Atlantic Ocean and the Caribbean Sea? How safe can you feel in the world if you cannot float in the liquid that makes up a large part of your body?</p><p>After having her solos <i>YELLOW TOWEL</i> (2014), <i>MERCURIAL GEORGE</i> (2016), <i>CUTLASS SPRING</i> (2019), and <i>MIKE</i> (2023) shown in the frame of Moving in November, Michel returns to Helsinki with <i>YOU CANNOT CAN</i>, a new solo performance in a swimming pool. The performance takes place in the spa section of Hotel St. George, located in the heart of Helsinki by the Old Church Park. Surrounded by the audience, Michel wades inside global histories and socio-economic realities of swimming and safe access to water. She uses her kaleidoscopically curious approach to focus on how we might shake off fears. Might this watery adventure be an entry point to ultimate liberation?</p><p>The performance is part of <b>Moving in November</b> 5.–15.11.2026. As part of the festival, there will be an open <i>Soup Talks</i> discussion with Michel and local host on the 12th of November at noon in Caisa.<br> <br>**</p><p><b>Dana Michel</b> is a live artist based in Montréal. Her works interact with the expanded fields of improvisation, choreography, sculpture, comedy, hip-hop, cinematography, techno, poetry, psychology, dub, and social commentary to create a centrifuge of experience. Before graduating from the BFA program in Contemporary Dance at Concordia University in her late twenties, Michel was a marketing executive, and a competitive runner and football player.</p><p>In 2014, she was awarded the newly created ImPulsTanz Award (Vienna) in recognition for outstanding artistic accomplishments, and was highlighted among notable female choreographers of the year by the New York Times. In 2017, Michel was awarded the Silver Lion for Innovation in Dance at the Venice Biennale. In 2018, she became the first ever dance artist in residence at the National Arts Centre, Canada.</p><p>In 2019, she was awarded the ANTI Festival International Prize for Live Art (Kuopio, Finland). In 2022, the Canada Council for the Arts awarded her the Jacqueline-Lemieux prize in recognition of her contribution to dance in Canada. In 2024, she was awarded the Prix de la danse de Montréal, International Distribution Category, presented by CINARS.<br> <br>**</p><p><b>Created and performed by:</b> Dana Michel<br><b>Artistic activators: </b>Alex Samaras, Angélique Willkie, Heidi Louis, Karl Notargiovanni, Roscoe Michel, Sierra Holder, Silvy Panet-Raymond, Simon Couturier, Tracy Maurice, Yoan Sorin.<br><b>Scenographic consultant - Technical direction: </b>Romain Guillet<br><b>Sound consultant: </b>David Drury<br><b>Production: </b>SCORP CORPS - Dana Michel, Viva Delorme.<br><b>Distribution: </b>neon lobster - Giulia Messia & Katharina Wallisch<br><b>Co-production:</b> Arsenic - Centre d’Art Scénique Contemporain (Lausanne, Switzerland), Bergen Internasjonale Teater (Bergen, Norway), Festival TransAmériques (Montréal, Canada), Kunstenfestivaldesarts (Brussels, Belgium), Künstler*innenhaus Mousonturm (Frankfurt, Germany), MDT (Stockholm, Sweden), O Espaço do Tempo (Montemor-o-novo, Portugal), Tanzquartier Wien (Vienna).<br><b>Creative residencies: </b>Baltic Triennial (Vilnius, Lithuania), Banff Centre for Arts and Creativity – Leighton Artist Studios (Banff, Canada), Battersea Arts Centre (London, United Kingdom), Centre de Création O Vertigo – CCOV (Montréal, Canada), Festival TransAmériques (Montréal, Canada), Fierce Festival and performance, possession + automation with funding from Arts and Humanities Research Council (AHRC) (Birmingham, United Kingdom), Institutet (Vitsaniemi, Sweden), Kinosaki International Arts Center (Kinosaki, Japan), Kunstenfestivaldesarts (Brussels, Belgium), marvaða (Reykjavik, Iceland), Rimbun Dahan (Kuala Lumpur, Malaysia), The Chocolate Factory (New York City, United States of America), Toronto Dance Theatre (T</p>"
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                "fi": "<p>Esitystaiteilija Dana Michel pitää uimataitoa itseluottamuksen kehollisena ilmentymänä ja miettii, miksi hän ei vieläkään, lukuisista yrityksistään huolimatta, voi tuntea oloaan rauhalliseksi vedessä.</p><p>Ja mikä estää suurinta osaa hänen perheestään uimasta, vaikka he ovat kotoisin saarelta, jota ympäröi sekä Atlantin valtameri että Karibianmeri? Kuinka turvalliseksi voi kokea olonsa maailmassa, jos ei pysty kellumaan siinä nesteessä, joka muodostaa suuren osan ihmiskehosta?</p><p>Näytettyään sooloteoksensa <i>YELLOW TOWEL</i> (2014), <i>MERCURIAL GEORGE</i> (2016), <i>CUTLASS SPRING</i> (2019) ja <i>MIKE</i> (2023) Liikkeellä marraskuussa -festivaalilla, Michel palaa Helsinkiin uudella sooloteoksellaan <i>YOU CANNOT CAN</i>, joka on luotu uima-altaaseen.</p><p><b>Teos esitetään Hotel St. Georgen spa-osastolla</b>, Helsingin sydämessä Vanhan kirkkopuiston kupeessa. Yleisön ympäröimänä Michel kahlaa uimisen ja turvallisen vedensaannin historioiden ja sosioekonomisten todellisuuksien virroissa. Hän käyttää kaleidoskooppista uteliaisuuttaan keskittyen siihen, kuinka voisimme karistaa pelkojamme. Voisiko tämä vedellinen seikkailu olla tie lopulliseen vapautumiseen?</p><p>Teos on osa <b>Liikkeellä marraskuussa</b> -festivaalia 5.–15.11.2026. Osana festivaalia Michel käy keskustelua paikallisen taiteilijan kanssa avoimessa <i>Soup Talks</i> -tilaisuudessa 12.11. klo 12 Caisassa.</p><p>**</p><p><b>Dana Michel</b> on Montrealissa toimiva esitystaiteilija. Hänen töissään improvisaatio, koreografia, veistotaide, komedia, hiphop, elokuvataide, tekno, runous, psykologia, dub ja yhteiskuntakritiikki yhdistyvät kokemukselliseksi pyörteeksi. Ennen valmistumistaan tanssin kandidaatiksi Concordia-yliopistosta parikymppisenä, Michel oli markkinointijohtaja, kilpajuoksija ja jalkapalloilija.</p><p>Vuonna 2014 hänet palkittiin vastaperustetulla ImPulsTanz Awardilla (Wien, Itävalta) tunnustuksena erinomaisista taiteellisista saavutuksista, ja hänet mainittiin New York Times -lehdessä yhtenä vuoden tärkeimmistä naiskoreografeista. Vuonna 2017 Michel palkittiin Venetsian biennaalin Hopeisella leijonalla tanssin innovaatiosta. Vuonna 2018 hänestä tuli Kanadan National Arts Centerin ensimmäinen tanssin residenssitaiteilija.</p><p>Vuonna 2019 hän sai ANTI Festival International Prize for Live Art -palkinnon. Vuonna 2022 Canada Council of the Arts antoi hänelle Jaqueline-Lemieux -palkinnon tunnustuksena hänen panoksestaan tanssin alalla Kanadassa. Vuonna 2024 hän sai Prix de la danse de Montréal -palkinnon kansainvälisestä toiminnasta, CINARSIN valitsemana.<br> <br>**</p><p><b>Tekijä ja esiintyjä:</b> Dana Michel<br><b>Taiteellinen aktivointi: </b>Alex Samaras, Angélique Willkie, Heidi Louis, Karl Notargiovanni, Roscoe Michel, Sierra Holder, Silvy Panet-Raymond, Simon Couturier, Tracy Maurice, Yoan Sorin<br><b>Lavastuksen konsultointi – tekninen johtaja: </b>Romain Guillet<br><b>Äänen konsultointi: </b>David Drury<br><b>Tuotanto: </b>SCORP CORPS - Dana Michel, Viva Delorme.<br><b>Levittäjä: </b>neon lobster – Giulia Messia & Katharina Wallisch<br><b>Yhteistuotanto:</b> Arsenic – Centre d’Art Scénique Contemporain (Lausanne, Sveitsi), Bergen Internasjonale Teater (Bergen, Norja), Festival TransAmériques (Montreal, Kanada), Kunstenfestivaldesarts (Bryssel, Belgia), Künstler*innenhaus Mousonturm (Frankfurt, Saksa), MDT (Tukholma, Ruotsi), O Espaço do Tempo (Montemor-o-novo, Portugali), Tanzquartier Wien (Wien, Itävalta).<br><b>Residenssit: </b>Baltic Triennial (Vilna, Liettua), Banff Centre for Arts and Creativity – Leighton Artist Studios (Banff, Kanada), Battersea Arts Centre (Lontoo, Iso-Britannia), Centre de Création O Vertigo – CCOV (Montreal, Kanada), Festival TransAmériques (Montreal, Kanada), Fierce Festival ja performance, possession + automation, Arts and Humanities Research Council (AHRC) rahoittamana (Birmingham, Iso-Britannia), Institutet (Vitsaniemi, Ruotsi), Kinosaki International Arts Center (Kinosaki, Japani), Kunstenfestivaldesarts (Bryssel, Belgia), marvaða (Reykjavik, Islanti), Rimbun Dahan (Kuala Lumpur, Malesia), The Chocolate Factory (New York, Yhdysvallat), Toronto Dance Theatre (Toronto, Kanada), Tangente St. Pölten (Sankt Pölten, Itävalta)<br>Teoksen toteuttamisen ovat mahdollistaneet Canada Council</p>",
                "en": "<p>Performance artist Dana Michel considers the ability to swim to be one of the ways in which we might embody self-trust and wonders why, despite many attempts at learning, she still cannot really feel at ease in the water.</p><p>And what is it that holds back the majority of her family from swimming, despite hailing from an island that is surrounded by both the Atlantic Ocean and the Caribbean Sea? How safe can you feel in the world if you cannot float in the liquid that makes up a large part of your body?</p><p>After having her solos <i>YELLOW TOWEL</i> (2014), <i>MERCURIAL GEORGE</i> (2016), <i>CUTLASS SPRING</i> (2019), and <i>MIKE</i> (2023) shown in the frame of Moving in November, Michel returns to Helsinki with <i>YOU CANNOT CAN</i>, a new solo performance in a swimming pool. The performance takes place in the spa section of Hotel St. George, located in the heart of Helsinki by the Old Church Park. Surrounded by the audience, Michel wades inside global histories and socio-economic realities of swimming and safe access to water. She uses her kaleidoscopically curious approach to focus on how we might shake off fears. Might this watery adventure be an entry point to ultimate liberation?</p><p>The performance is part of <b>Moving in November</b> 5.–15.11.2026. As part of the festival, there will be an open <i>Soup Talks</i> discussion with Michel and local host on the 12th of November at noon in Caisa.<br> <br>**</p><p><b>Dana Michel</b> is a live artist based in Montréal. Her works interact with the expanded fields of improvisation, choreography, sculpture, comedy, hip-hop, cinematography, techno, poetry, psychology, dub, and social commentary to create a centrifuge of experience. Before graduating from the BFA program in Contemporary Dance at Concordia University in her late twenties, Michel was a marketing executive, and a competitive runner and football player.</p><p>In 2014, she was awarded the newly created ImPulsTanz Award (Vienna) in recognition for outstanding artistic accomplishments, and was highlighted among notable female choreographers of the year by the New York Times. In 2017, Michel was awarded the Silver Lion for Innovation in Dance at the Venice Biennale. In 2018, she became the first ever dance artist in residence at the National Arts Centre, Canada.</p><p>In 2019, she was awarded the ANTI Festival International Prize for Live Art (Kuopio, Finland). In 2022, the Canada Council for the Arts awarded her the Jacqueline-Lemieux prize in recognition of her contribution to dance in Canada. In 2024, she was awarded the Prix de la danse de Montréal, International Distribution Category, presented by CINARS.<br> <br>**</p><p><b>Created and performed by:</b> Dana Michel<br><b>Artistic activators: </b>Alex Samaras, Angélique Willkie, Heidi Louis, Karl Notargiovanni, Roscoe Michel, Sierra Holder, Silvy Panet-Raymond, Simon Couturier, Tracy Maurice, Yoan Sorin.<br><b>Scenographic consultant - Technical direction: </b>Romain Guillet<br><b>Sound consultant: </b>David Drury<br><b>Production: </b>SCORP CORPS - Dana Michel, Viva Delorme.<br><b>Distribution: </b>neon lobster - Giulia Messia & Katharina Wallisch<br><b>Co-production:</b> Arsenic - Centre d’Art Scénique Contemporain (Lausanne, Switzerland), Bergen Internasjonale Teater (Bergen, Norway), Festival TransAmériques (Montréal, Canada), Kunstenfestivaldesarts (Brussels, Belgium), Künstler*innenhaus Mousonturm (Frankfurt, Germany), MDT (Stockholm, Sweden), O Espaço do Tempo (Montemor-o-novo, Portugal), Tanzquartier Wien (Vienna).<br><b>Creative residencies: </b>Baltic Triennial (Vilnius, Lithuania), Banff Centre for Arts and Creativity – Leighton Artist Studios (Banff, Canada), Battersea Arts Centre (London, United Kingdom), Centre de Création O Vertigo – CCOV (Montréal, Canada), Festival TransAmériques (Montréal, Canada), Fierce Festival and performance, possession + automation with funding from Arts and Humanities Research Council (AHRC) (Birmingham, United Kingdom), Institutet (Vitsaniemi, Sweden), Kinosaki International Arts Center (Kinosaki, Japan), Kunstenfestivaldesarts (Brussels, Belgium), marvaða (Reykjavik, Iceland), Rimbun Dahan (Kuala Lumpur, Malaysia), The Chocolate Factory (New York City, United States of America), Toronto Dance Theatre (T</p>"
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                "fi": "<p>Esitystaiteilija Dana Michel pitää uimataitoa itseluottamuksen kehollisena ilmentymänä ja miettii, miksi hän ei vieläkään, lukuisista yrityksistään huolimatta, voi tuntea oloaan rauhalliseksi vedessä.</p><p>Ja mikä estää suurinta osaa hänen perheestään uimasta, vaikka he ovat kotoisin saarelta, jota ympäröi sekä Atlantin valtameri että Karibianmeri? Kuinka turvalliseksi voi kokea olonsa maailmassa, jos ei pysty kellumaan siinä nesteessä, joka muodostaa suuren osan ihmiskehosta?</p><p>Näytettyään sooloteoksensa <i>YELLOW TOWEL</i> (2014), <i>MERCURIAL GEORGE</i> (2016), <i>CUTLASS SPRING</i> (2019) ja <i>MIKE</i> (2023) Liikkeellä marraskuussa -festivaalilla, Michel palaa Helsinkiin uudella sooloteoksellaan <i>YOU CANNOT CAN</i>, joka on luotu uima-altaaseen.</p><p><b>Teos esitetään Hotel St. Georgen spa-osastolla</b>, Helsingin sydämessä Vanhan kirkkopuiston kupeessa. Yleisön ympäröimänä Michel kahlaa uimisen ja turvallisen vedensaannin historioiden ja sosioekonomisten todellisuuksien virroissa. Hän käyttää kaleidoskooppista uteliaisuuttaan keskittyen siihen, kuinka voisimme karistaa pelkojamme. Voisiko tämä vedellinen seikkailu olla tie lopulliseen vapautumiseen?</p><p>Teos on osa <b>Liikkeellä marraskuussa</b> -festivaalia 5.–15.11.2026. Osana festivaalia Michel käy keskustelua paikallisen taiteilijan kanssa avoimessa <i>Soup Talks</i> -tilaisuudessa 12.11. klo 12 Caisassa.</p><p>**</p><p><b>Dana Michel</b> on Montrealissa toimiva esitystaiteilija. Hänen töissään improvisaatio, koreografia, veistotaide, komedia, hiphop, elokuvataide, tekno, runous, psykologia, dub ja yhteiskuntakritiikki yhdistyvät kokemukselliseksi pyörteeksi. Ennen valmistumistaan tanssin kandidaatiksi Concordia-yliopistosta parikymppisenä, Michel oli markkinointijohtaja, kilpajuoksija ja jalkapalloilija.</p><p>Vuonna 2014 hänet palkittiin vastaperustetulla ImPulsTanz Awardilla (Wien, Itävalta) tunnustuksena erinomaisista taiteellisista saavutuksista, ja hänet mainittiin New York Times -lehdessä yhtenä vuoden tärkeimmistä naiskoreografeista. Vuonna 2017 Michel palkittiin Venetsian biennaalin Hopeisella leijonalla tanssin innovaatiosta. Vuonna 2018 hänestä tuli Kanadan National Arts Centerin ensimmäinen tanssin residenssitaiteilija.</p><p>Vuonna 2019 hän sai ANTI Festival International Prize for Live Art -palkinnon. Vuonna 2022 Canada Council of the Arts antoi hänelle Jaqueline-Lemieux -palkinnon tunnustuksena hänen panoksestaan tanssin alalla Kanadassa. Vuonna 2024 hän sai Prix de la danse de Montréal -palkinnon kansainvälisestä toiminnasta, CINARSIN valitsemana.<br> <br>**</p><p><b>Tekijä ja esiintyjä:</b> Dana Michel<br><b>Taiteellinen aktivointi: </b>Alex Samaras, Angélique Willkie, Heidi Louis, Karl Notargiovanni, Roscoe Michel, Sierra Holder, Silvy Panet-Raymond, Simon Couturier, Tracy Maurice, Yoan Sorin<br><b>Lavastuksen konsultointi – tekninen johtaja: </b>Romain Guillet<br><b>Äänen konsultointi: </b>David Drury<br><b>Tuotanto: </b>SCORP CORPS - Dana Michel, Viva Delorme.<br><b>Levittäjä: </b>neon lobster – Giulia Messia & Katharina Wallisch<br><b>Yhteistuotanto:</b> Arsenic – Centre d’Art Scénique Contemporain (Lausanne, Sveitsi), Bergen Internasjonale Teater (Bergen, Norja), Festival TransAmériques (Montreal, Kanada), Kunstenfestivaldesarts (Bryssel, Belgia), Künstler*innenhaus Mousonturm (Frankfurt, Saksa), MDT (Tukholma, Ruotsi), O Espaço do Tempo (Montemor-o-novo, Portugali), Tanzquartier Wien (Wien, Itävalta).<br><b>Residenssit: </b>Baltic Triennial (Vilna, Liettua), Banff Centre for Arts and Creativity – Leighton Artist Studios (Banff, Kanada), Battersea Arts Centre (Lontoo, Iso-Britannia), Centre de Création O Vertigo – CCOV (Montreal, Kanada), Festival TransAmériques (Montreal, Kanada), Fierce Festival ja performance, possession + automation, Arts and Humanities Research Council (AHRC) rahoittamana (Birmingham, Iso-Britannia), Institutet (Vitsaniemi, Ruotsi), Kinosaki International Arts Center (Kinosaki, Japani), Kunstenfestivaldesarts (Bryssel, Belgia), marvaða (Reykjavik, Islanti), Rimbun Dahan (Kuala Lumpur, Malesia), The Chocolate Factory (New York, Yhdysvallat), Toronto Dance Theatre (Toronto, Kanada), Tangente St. Pölten (Sankt Pölten, Itävalta)<br>Teoksen toteuttamisen ovat mahdollistaneet Canada Council</p>",
                "en": "<p>Performance artist Dana Michel considers the ability to swim to be one of the ways in which we might embody self-trust and wonders why, despite many attempts at learning, she still cannot really feel at ease in the water.</p><p>And what is it that holds back the majority of her family from swimming, despite hailing from an island that is surrounded by both the Atlantic Ocean and the Caribbean Sea? How safe can you feel in the world if you cannot float in the liquid that makes up a large part of your body?</p><p>After having her solos <i>YELLOW TOWEL</i> (2014), <i>MERCURIAL GEORGE</i> (2016), <i>CUTLASS SPRING</i> (2019), and <i>MIKE</i> (2023) shown in the frame of Moving in November, Michel returns to Helsinki with <i>YOU CANNOT CAN</i>, a new solo performance in a swimming pool. The performance takes place in the spa section of Hotel St. George, located in the heart of Helsinki by the Old Church Park. Surrounded by the audience, Michel wades inside global histories and socio-economic realities of swimming and safe access to water. She uses her kaleidoscopically curious approach to focus on how we might shake off fears. Might this watery adventure be an entry point to ultimate liberation?</p><p>The performance is part of <b>Moving in November</b> 5.–15.11.2026. As part of the festival, there will be an open <i>Soup Talks</i> discussion with Michel and local host on the 12th of November at noon in Caisa.<br> <br>**</p><p><b>Dana Michel</b> is a live artist based in Montréal. Her works interact with the expanded fields of improvisation, choreography, sculpture, comedy, hip-hop, cinematography, techno, poetry, psychology, dub, and social commentary to create a centrifuge of experience. Before graduating from the BFA program in Contemporary Dance at Concordia University in her late twenties, Michel was a marketing executive, and a competitive runner and football player.</p><p>In 2014, she was awarded the newly created ImPulsTanz Award (Vienna) in recognition for outstanding artistic accomplishments, and was highlighted among notable female choreographers of the year by the New York Times. In 2017, Michel was awarded the Silver Lion for Innovation in Dance at the Venice Biennale. In 2018, she became the first ever dance artist in residence at the National Arts Centre, Canada.</p><p>In 2019, she was awarded the ANTI Festival International Prize for Live Art (Kuopio, Finland). In 2022, the Canada Council for the Arts awarded her the Jacqueline-Lemieux prize in recognition of her contribution to dance in Canada. In 2024, she was awarded the Prix de la danse de Montréal, International Distribution Category, presented by CINARS.<br> <br>**</p><p><b>Created and performed by:</b> Dana Michel<br><b>Artistic activators: </b>Alex Samaras, Angélique Willkie, Heidi Louis, Karl Notargiovanni, Roscoe Michel, Sierra Holder, Silvy Panet-Raymond, Simon Couturier, Tracy Maurice, Yoan Sorin.<br><b>Scenographic consultant - Technical direction: </b>Romain Guillet<br><b>Sound consultant: </b>David Drury<br><b>Production: </b>SCORP CORPS - Dana Michel, Viva Delorme.<br><b>Distribution: </b>neon lobster - Giulia Messia & Katharina Wallisch<br><b>Co-production:</b> Arsenic - Centre d’Art Scénique Contemporain (Lausanne, Switzerland), Bergen Internasjonale Teater (Bergen, Norway), Festival TransAmériques (Montréal, Canada), Kunstenfestivaldesarts (Brussels, Belgium), Künstler*innenhaus Mousonturm (Frankfurt, Germany), MDT (Stockholm, Sweden), O Espaço do Tempo (Montemor-o-novo, Portugal), Tanzquartier Wien (Vienna).<br><b>Creative residencies: </b>Baltic Triennial (Vilnius, Lithuania), Banff Centre for Arts and Creativity – Leighton Artist Studios (Banff, Canada), Battersea Arts Centre (London, United Kingdom), Centre de Création O Vertigo – CCOV (Montréal, Canada), Festival TransAmériques (Montréal, Canada), Fierce Festival and performance, possession + automation with funding from Arts and Humanities Research Council (AHRC) (Birmingham, United Kingdom), Institutet (Vitsaniemi, Sweden), Kinosaki International Arts Center (Kinosaki, Japan), Kunstenfestivaldesarts (Brussels, Belgium), marvaða (Reykjavik, Iceland), Rimbun Dahan (Kuala Lumpur, Malaysia), The Chocolate Factory (New York City, United States of America), Toronto Dance Theatre (T</p>"
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